Die Kur

Charlie, an alcoholic, goes to a health spa for the water cure. He does so, however, only half-heartedly since his luggage is filled almost entirely with alcohol. Once at the spa, he flirts with the always-delightful Edna Purviance and battles with always-menacing Eric Campbell, who finds himself at slight disadvantage in this film since his character suffers from gout. This film, Chaplin's tenth under his twelve-film Mutual contract, doesn't quite scale the heights of his previous one, "Easy Street," but remains one of his most consistently funny shorts. A revolving door is used repeatedly for great comic effect, but the highlight of the film is the massage sequence where Charlie desperately tries to avoid the rough treatment masseur Henry Bergman deals out. Charlie interestingly abandons his normal tramp persona for this film. Although he felt rich drinkers were ripe targets for comedy, he felt that alcoholism in the working class was a serious problem which wasn't suitable for comedy. (Don't ask me for attribution, but I know he said that somewhere.)

"The Cure" has Chaplin arriving tipsy to a health clinic to supposedly dry out, but he shows up with a trunk full of booze. This film has some memorable scenes but the premise of it is very funny. There are plenty of run-ins with Eric Campbell's character with the foot cast. Campbell is also Chaplin's rival for the girl as well, although, poor girl, has to(?) choose between an ogre and a recovering alcoholic who is failing miserably at the recovering part.

Outside of the hotel is some sort of little fountain or well that has a stone terrace around it and stone benches. Mostly women it seems sit around the 'ol water cure hole and drink. At some point in the movie, a dude that Charlie had been rough with earlier comes back. The man goes into Chaplin's hotel room and throws every last bottle of booze (that is the ones that the crazy long-bearded old bellhop didn't drink) directly into the water hole below. So much for health clinic security! Before long, the entire hotel is trashed.

There's a good sequence when Chaplin goes into the spa for a massage with a large guy who looks like he's practicing wrestling moves on people. "The Cure" seems to lack a number of good sequences but makes up for it a bit with the overall funny factor. It still doesn't appear to be his best of the Mutual period (this was the 10th film for Mutual, 45th time directing and 67th overall)

This is an odd film from the outset, as Chaplin doesn't play the Little Tramp--the poor but decent soul he usually played. Instead, he's a rich alcoholic who goes to a spa to "take the cure"; i.e., rest, drink lots of mineral water and kick his booze habit. It's obvious, though, that he's not the least bit motivated as his luggage consists of dozens of bottles of booze. When the staff find them, they throw them out the window and accidentally into the spring--thus "fortifying" the water significantly. Everyone there gets drunk and Charlie finds, for the first time, he actually LIKES water! Highly ridiculous and silly, but that's slapstick for you. All-in-all, a very good film but quite a departure for Chaplin.

By the way, some time after I first saw and reviewed this movie I saw the documentary "Unknown Chaplin" and a significant portion of the first part of this interesting British show was about THE CURE. It was very interesting to see how the film evolved. In the beginning, Charlie cast himself as a bellhop and another person as the drunk. But after seeing many takes and re-takes, he apparently decided to do the drunk role himself. Many of the bellboy scenes were re-shot--now with Charlie doing them as the drunk. This documentary is a must-see for Chaplin fans.

Out of all of Chaplin's short films, this is the one I could watch over and over again. Chaplin is at his absolute best as a reluctant guest at a spa. His daring escape from a massage, and the funniest use I have ever seen of an escalator are the highlights of this gem.

In "The Cure", one of those 12 marvelous shorts he made during his time at Mutual Films, Charlie Chaplin turns away for once again from his 'little tramp' image that had already become his 'trademark', and returns to a role he'd played LOTS of times back in England in his theater days: that of the wealthy drunkard. And of course, not only his great experience in this field, but also all the HILARIOUSLY funny ideas he fits into those two reels of sheer, GREAT comedy, provides today's audience with JUST the same amount of laughter as it did 100 years ago - Chaplin's films NEVER 'age'...

So our tipsy 'gentleman' arrives at the sanitarium, where he's supposed to get used to drinking water instead of whiskey; he makes us ROAR with laughter with the unbelievable things he does with the revolving entrance door, he flirts with Edna Purviance, just like huge Eric Campbell does (and for a short while, Charlie actually thinks it's HIM who's Campbell's love interest!), turns the massage by Henry Bergman into a wrestling match... While at the same time, the porter starts emptying the liquor bottles Charlie's brought along with him just in case - but that's not all: he throws the remainders of the bottles out of the window right into the sanitarium's water well...

In short: "The Cure" is certainly one of the VERY best silent comedy shorts; and so it's not only a REAL treat for Chaplin fans, but also an IDEAL way for today's audiences, both grown-ups and kids, to discover the magic world of silent movies!