Eine Nacht im Variété

A Night in the Show starts off with a stunt that is less than characteristic for a Chaplin film, because it's just not very imaginative. Charlie cuts in line to get into a show, and is told by the guard to get to the end of the line and wait his turn. So he calmly agrees to do it, but then he goes out and stands behind a statue while everyone else files away. Why did he do this? Is he supposed to be drunk or something? His antics within the auditorium seem to indicate that he is, as he staggeringly wiggles his way down a couple of crowded aisles, lights a match off of a bald man's head, and throws his match into a nearby tuba, and claps at all the wrong times. These are the kinds of things that Chaplin is so well-known for, these situations where he seems to upset everyone around him without even really realizing that he's doing anything wrong.

Of course, it's not always his fault, as in this case, he is led to the wrong seat, causing him to make his way down these crowded aisles repeatedly, upsetting more people every time. The film begins to delve into simplistic but hilarious violence as Charlie ultimately proceeds to belligerently punch everyone in sight with his characteristic roundhouse punches, bringing the whole house to their feet and having to be forcefully removed. He is seated in another section while the conductor of the band in the show (the first person he attacked) puts himself and his equipment back together in an effort to begin the rest of the show.

There is an element of foreshadowing in the film as we witness another person who is not unruly, but who is a little unstable on his feet and who resembles the Tramp far too much to be anything but a person who is going to cause some trouble at some point in the film, with the expected result that everyone will take him as the Tramp and Charlie will take the blame for whatever he does. This guy turns out to be a mildly amusing character as he cheerfully dumps a beer from the balcony onto the audience below, where the Tramp, fresh from shoving a fat lady into a tub of water, is flirting with a flapper girl who he caught eyeing him from across the room.

Not exactly the best stuff from Chaplin, but one of the funniest scenes in the film is the one in which the Tramp goes to hold the girl's hand and winds up holding the hand of her beefy date, fluttering his eyelids at her all the while, completely oblivious. He moves again when he discovers his plunder, only to begin getting himself in trouble yet again. He ultimately manages to get himself into a fight right on the stage where the show is taking place, only to be moved yet again.

Charlie seems to be more vexed than usual with people in general in this film, which is understandable near the end when he gets seated next to a horribly aggravating fat kid, as the movie is reduced to a food fight, and the show gets the biggest applause after Charlie has gone on stage to put a pie in the face of the guy singing. It's pretty clear that Charlie is making a comment with this film about the quality of the average stage production in 1915, because all of the acts in the film are pretty bad. No wonder the Tramp's upset for so much of the film.

As is pretty traditional with these early Chaplin short films, A Night in the Show does not end with much of a conclusion, but rather with another comedy skit, the grand finale, if you will. This is by far the funniest scene in the film, in which the Tramp look-alike in the balcony takes a fire hose and proceeds to hose down everyone in the auditorium. What a great scene! There are some truly great laughs in that scene, although I remain unsure about why there was a fire hose in the middle of an auditorium. I'm sure I just don't know enough about the fire standards of 1915, but regardless of why it's there, it makes a great prop for the film.

A Night in the Show is definitely not one of the best or most memorable of Chaplin's early films, but the quality is there and it is, as they all are, a cinematic curiosity piece in that it was made by one of the greatest filmmakers in the history of the medium.

I could be wrong, but I believe this early Chaplin comedy was based on one of his music hall sketches for Fred Karno (and for which a young Stan Laurel served as understudy). Chaplin plays two characters in this one: Mr Pest and Mr Rowdy, both of whom create chaos in a theatre. One of them (I forget which) is dressed in an evening suit, suggesting a character of some breeding, while the other is sat high up in the cheap seats. There's only a few scattered laughs in this one, and quite a bit less physical and slapstick comedy than you'd expect from the little man. Chaplin makes a convincing lush, however, and is barely recognisable as the guy in the cheap seats..

This 1915 short comedy is much like Chaplin's last comedy Limelight as he and Buster Keaton share the final stage before his curtain call. In both scenes, Chaplin finds himself falling off and back on stage during his performance. In A Night in the Show, Chaplin introduces himself to the audience as the show. It is he who they are coming to see. Chaplin plays two characters that are both trying to win the attention of the audience. One is portraying an Artist while the other is trying to make the crowd laugh by any means necessary. Both win as the Jester and the Artist make the mob laugh and cheer for more. I consider A Night in the Show fair warning from Chaplin about what the next 40 years was going to be like.

"A Night In The Show" (1915, Chaplin) "A Night In The Show" is Charlie at his best in this early stage in his careeer. Early being his 48th overall film and 32nd directing, all within 1914 and 1915, and one of 49 in that time period. From the very beginning, the film just flows from one comedic segment into another. The beginning is rather lackluster which may only bolster the opinion of a rising laugh overall. Charlie starts trouble and adds on to future troubles all at once. All the sketches are played out with perfect timing. In the middle of the ruckus that Charlie causes as he moves around the theater is another tramp in the first seat of the aisle in the balcony. He spills beer onto the people below, throws cream puffs at a dude and a little person act, and in the grand finale, uses a fire hose to put out a fire which is part of the act on stage.

This is one of the few of these early films that could withstand repeated watching of it.

In "A Night in the Show", one of Charlie Chaplin's many short films, Charlie plays two roles as two spectators at a music-hall show. It has a few good laughs and also provides an interesting look at old-fashioned theater entertainment.

During the first part, there are some misadventures as Charlie's characters settle into their seats, with one of his characters being the kind of chronic seat-changer that we've all had to deal with. During the second part, the show begins, and the audience and the various performers compete with each other for attention.

Chaplin used a lot of comic ideas in this one, some slapstick and some more subtle. It is also very interesting as a look (though probably exaggerated) at the kind of often off-beat live entertainment that was so popular in the days before television and radio.

This is an interesting short, and worth a look.