IMDb-BEWERTUNG
5,8/10
1967
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIt is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Char... Alles lesenIt is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Charlie turns to the other's wife.It is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Charlie turns to the other's wife.
Billy Armstrong
- Man in Straw Hat
- (Nicht genannt)
Ed Armstrong
- Tobacco and Candy Clerk
- (Nicht genannt)
Bud Jamison
- Man in Top Hat
- (Nicht genannt)
Paddy McGuire
- First Cop
- (Nicht genannt)
'Snub' Pollard
- Ice Cream Clerk
- (Nicht genannt)
Edna Purviance
- Wife of Man in Top Hat
- (Nicht genannt)
Margie Reiger
- Wife of Man in Straw Hat
- (Nicht genannt)
Ernest Van Pelt
- Second Cop
- (Nicht genannt)
Empfohlene Bewertungen
Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.
From his Essanay period after leaving Keystone, 'By the Sea' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'By the Sea'.
'By the Sea' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repeition.
On the other hand, 'By the Sea' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his funniest or original, 'By the Sea' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well.
From his Essanay period after leaving Keystone, 'By the Sea' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'By the Sea'.
'By the Sea' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repeition.
On the other hand, 'By the Sea' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his funniest or original, 'By the Sea' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well.
There is something new under the sun in the way of comedy business. Charlie Chaplin proves this in the opening scenes of his latest comedy, a lively breeze being utilized to fan the audience into a gale of merriment. Only exteriors are used. Fifteen minutes of fun. - The Moving Picture World, May 15, 1915
For me this is one of the few Chaplin Essanay movies that contain any real laugh-out-loud moments - although they do come fairly early in the film, and nothing else in it compares to these two sequences. The first is the scene in which Chaplin and another man (Billy Armstrong) get their hats, which are attached to them by pieces of string, entwined and then proceed to repeatedly knock each other over as they try to disentangle themselves. The second is the moment in which Chaplin appears to be staring intently at something in the sand in order to get his adversary to lower his head enough to grasp it in a headlock. Chaplin's regular retinue Purviance, Jamison, McGuire, etc are all present in this one and offer solid support.
By The Sea is one of Charlie Chaplin's very early short comedy skits, and while the plot is necessarily simple, the comedy is effective and the message is clear and fairly heartwarming.
The film concerns some guy on the beach who gets into a hilarious scuffle with another guy on the beach (Chaplin), because they both drop their hats (which, for some reason, are tied to themselves with pieces of string) and subsequently become entangled with one another as they try to get their hats back. Needless to say, they very soon start fighting, in the traditionally comical brawls that are commonplace in nearly all of Chaplin's films.
The plot actually thickens when a woman walks by and Charlie tries to act like he hasn't been fighting, holding his unconscious adversary up while he amusingly tips his hat (like no one else can) by pressing it against the pole that he is leaning on. This type of childishly charming acting is what Chaplin is most famous for and what he is best at, and it works very well here, too. Chaplin has come to be known for his presentations of different class levels in his films, but in By The Sea, one of the themes that is more prevalent is his dislike of authority figures (a standpoint that is shared by Alfred Hitchcock, who had a deathly fear of police officers). When he is fighting with the man on the beach, an officer comes up to break up the fight, accidentally gets knocked unconscious, and Charlie steps on him as he and the other man walk away, soon to agree to a truce.
Eventually, Charlie and the other guy become friends with each other, going out for ice cream. But it seems all the while that they are on the verge of breaking out into another fight it is clear that they don't trust each other. Even while they are eating their ice cream (which, it turns out, neither is able to pay for), they are knocking each other down and exchanging blows.
Throughout the film, there is a subplot involving Charlie's amorous advances toward two different girls. One is involved with a huge brute of a man that we see in a quick shot early in the film, and one is involved with the man with whom Charlie spends the majority of the film fighting with. The film ends with all five of them sitting on a bench on the beach as Charlie woos one of them after another, not knowing that the two men are right beside him, and they all begin to fight, causing all of them to fall over backward on the bench. While it's true that Charlie encountered numerous hardships during this film, and that the ending wasn't necessarily happy for him, it is still an amusing comedy that serves the purpose that it was meant to serve. Films that are barely nine minutes long can only do so much, and By The Sea really accomplishes a lot.
The film concerns some guy on the beach who gets into a hilarious scuffle with another guy on the beach (Chaplin), because they both drop their hats (which, for some reason, are tied to themselves with pieces of string) and subsequently become entangled with one another as they try to get their hats back. Needless to say, they very soon start fighting, in the traditionally comical brawls that are commonplace in nearly all of Chaplin's films.
The plot actually thickens when a woman walks by and Charlie tries to act like he hasn't been fighting, holding his unconscious adversary up while he amusingly tips his hat (like no one else can) by pressing it against the pole that he is leaning on. This type of childishly charming acting is what Chaplin is most famous for and what he is best at, and it works very well here, too. Chaplin has come to be known for his presentations of different class levels in his films, but in By The Sea, one of the themes that is more prevalent is his dislike of authority figures (a standpoint that is shared by Alfred Hitchcock, who had a deathly fear of police officers). When he is fighting with the man on the beach, an officer comes up to break up the fight, accidentally gets knocked unconscious, and Charlie steps on him as he and the other man walk away, soon to agree to a truce.
Eventually, Charlie and the other guy become friends with each other, going out for ice cream. But it seems all the while that they are on the verge of breaking out into another fight it is clear that they don't trust each other. Even while they are eating their ice cream (which, it turns out, neither is able to pay for), they are knocking each other down and exchanging blows.
Throughout the film, there is a subplot involving Charlie's amorous advances toward two different girls. One is involved with a huge brute of a man that we see in a quick shot early in the film, and one is involved with the man with whom Charlie spends the majority of the film fighting with. The film ends with all five of them sitting on a bench on the beach as Charlie woos one of them after another, not knowing that the two men are right beside him, and they all begin to fight, causing all of them to fall over backward on the bench. While it's true that Charlie encountered numerous hardships during this film, and that the ending wasn't necessarily happy for him, it is still an amusing comedy that serves the purpose that it was meant to serve. Films that are barely nine minutes long can only do so much, and By The Sea really accomplishes a lot.
Charlie is enjoying a day by the sea, with several people to annoy and kick butt with and some women to fall in love with.
The best scene is when Charlie's hat as well as the hat of a (then) innocent bystander fall of, and they somehow get entangled with each other. That really is some hilarious stuff...
As this, on the whole, is a funny tramp short in which Charlie does some nice tricks with his hat and other object that come in his way. The ending is great, when all characters are sitting in a bench, as it's flipping over...
If you're into the physical Chaplin humour you will sure like By The Sea. 7/10.
The best scene is when Charlie's hat as well as the hat of a (then) innocent bystander fall of, and they somehow get entangled with each other. That really is some hilarious stuff...
As this, on the whole, is a funny tramp short in which Charlie does some nice tricks with his hat and other object that come in his way. The ending is great, when all characters are sitting in a bench, as it's flipping over...
If you're into the physical Chaplin humour you will sure like By The Sea. 7/10.
Wusstest du schon
- WissenswertesRestoration work was carried out at Lobster Films laboratory in 2014. Scanned at L'Immagine Ritrovata laboratory.
An der See (1915) has been restored by Fondazione Cineteca di Bologna and Lobster Films in collaboration with Film Preservation Associates, from two first generation nitrate prints preserved at The Museum of Modern Art and a dupe negative in the Lobster Films Collection preserved at the Academy of Motion Picture Arts and Sciences.
Intertitles have been reconstructed according to the original titling.
- Zitate
Man in Straw Hat: Let's be pals!
- VerbindungenEdited into Chase Me Charlie (1918)
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