Eine mysteriöse, möglicherweise übernatürliche Bedrohung bedroht ein kleines Dorf. John McBride, ein Pathologe, kommt in die Stadt, um die Gefahr zu untersuchen - und dabei einige seiner eig... Alles lesenEine mysteriöse, möglicherweise übernatürliche Bedrohung bedroht ein kleines Dorf. John McBride, ein Pathologe, kommt in die Stadt, um die Gefahr zu untersuchen - und dabei einige seiner eigenen Dämonen auszutreiben.Eine mysteriöse, möglicherweise übernatürliche Bedrohung bedroht ein kleines Dorf. John McBride, ein Pathologe, kommt in die Stadt, um die Gefahr zu untersuchen - und dabei einige seiner eigenen Dämonen auszutreiben.
- Auszeichnungen
- 5 Nominierungen insgesamt
Empfohlene Bewertungen
Gothic, gloomy, and a dark movie. This movie has a terrific setting, cinematography, and set design. It is very similar to The Others and Robert Eggers films (The VVitch and The Lighthouse)
Also, Kelly Reilly (Isabelle Laurent) and Amelia Crouch (Charlotte) have amazing performances in this movie. Their acting made me emotional and feel for their characters at some points of the film.
The werewolf looks pretty bad and dumb. I think this movie would've worked better as a vampire film.
There's also a pretty fine twist at the end, I didn't expect it, but it didn't shock me if you know.
Also, Kelly Reilly (Isabelle Laurent) and Amelia Crouch (Charlotte) have amazing performances in this movie. Their acting made me emotional and feel for their characters at some points of the film.
The werewolf looks pretty bad and dumb. I think this movie would've worked better as a vampire film.
There's also a pretty fine twist at the end, I didn't expect it, but it didn't shock me if you know.
I wished they never changed the original title, Eight for Silver. That name had a unique identity of its own.
An aesthetically pleasing horror drama, beautiful locations, peak cinematography, talented actors, a proper budget, brilliantly written and directed, realistic brutal scenes with outstanding performances.
A unique take on lycanthropy that never ever seen before. I would've rated more if Sean Ellis carried the same momentum he had until the final act.
An aesthetically pleasing horror drama, beautiful locations, peak cinematography, talented actors, a proper budget, brilliantly written and directed, realistic brutal scenes with outstanding performances.
A unique take on lycanthropy that never ever seen before. I would've rated more if Sean Ellis carried the same momentum he had until the final act.
It's been quite some time since there has been some legitimate horror in this genre. This movie delivers on all the right aspects from the cinematography to the creature effects. I thoroughly enjoyed it.
The Cursed might be a slow burn, but it delivers pure horror and suspense throughout. The cast is excellent and the cinematography is just gorgeous. I wish more people were talking about this low budget horror flick. It has so many bloody and disgusting surprises that bring audiences sick stomachs and pure enjoyment. Far better than the disaster, Scream 5. Best horror film of the year thus far and I didn't even expect it.
Sean Ellis wrote, directed, and co-produced this gothic horror, along with serving as it's cinematographer. This is 100% the vision of his single creative mind, and I have a tremendous amount of admiration for that, even if not all of it worked for me.
The Cursed is a bizarre, unconventional monster movie. It has a heavy focus on tone and atmosphere with very little regard for establishing mythology. And it's a very refreshing take on the well-worn concept of werewolves.
With this film, Ellis proves himself to be a more than capable director and cinematographer. He crafts a bleak environment in which no one is safe or truly morally just, and he keeps the horrifying creature out of the frame as often as possible so that when the gore does finally come, it's a shocking occurrence.
The visual presentation is far more impressive than the writing, however. Ellis's script certainly isn't bad. It's just overstuffed, biting off a bit more than it can chew. There is an opening sequence that isn't mentioned again until the ending, and even then it feels disconnected from the actual narrative. There is no real reason for it to be here, and it's presence actually takes away from a more ambiguous ending that would have been far creepier.
Additionally, there are quite a lot of characters, and none of them are really fleshed out beyond the positions they hold in society. There is quite a lot going on in this film in its first and final acts, and it could have been streamlined a lot by cutting the fat to make it as lean and suspenseful as the middle portion of this film is.
Still, even with its faults, this is a thoroughly ambitious film that I think really does revitalise the werewolf mythos in a lot of ways, and I really hope that people go and support this film so that we can get more unique visions like this.
I'd rather see unique but flawed movies that allow a creator to have free reign than simple competent movies that don't take risks and feel like studio-approved products.
The Cursed is a bizarre, unconventional monster movie. It has a heavy focus on tone and atmosphere with very little regard for establishing mythology. And it's a very refreshing take on the well-worn concept of werewolves.
With this film, Ellis proves himself to be a more than capable director and cinematographer. He crafts a bleak environment in which no one is safe or truly morally just, and he keeps the horrifying creature out of the frame as often as possible so that when the gore does finally come, it's a shocking occurrence.
The visual presentation is far more impressive than the writing, however. Ellis's script certainly isn't bad. It's just overstuffed, biting off a bit more than it can chew. There is an opening sequence that isn't mentioned again until the ending, and even then it feels disconnected from the actual narrative. There is no real reason for it to be here, and it's presence actually takes away from a more ambiguous ending that would have been far creepier.
Additionally, there are quite a lot of characters, and none of them are really fleshed out beyond the positions they hold in society. There is quite a lot going on in this film in its first and final acts, and it could have been streamlined a lot by cutting the fat to make it as lean and suspenseful as the middle portion of this film is.
Still, even with its faults, this is a thoroughly ambitious film that I think really does revitalise the werewolf mythos in a lot of ways, and I really hope that people go and support this film so that we can get more unique visions like this.
I'd rather see unique but flawed movies that allow a creator to have free reign than simple competent movies that don't take risks and feel like studio-approved products.
Wusstest du schon
- WissenswertesSean Ellis has stated that he also took from the story of the Beast of Gévaudin for inspiration to write this film.
- PatzerIf the bulk of the story is set in 1891, and John McBride's family were killed by the 'Beast of Gevaudan' in France, then he has to be about 150 years old! That event took place in 1764-1767.
In a movie featuring scarecrow mummies, Gypsie curses, silver werewolf fangs, silver bullets and cryptid monsters, a 150 year old monster hunter fits right in.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Cursed (2022)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 4.588.389 $
- Eröffnungswochenende in den USA und in Kanada
- 1.776.142 $
- 20. Feb. 2022
- Weltweiter Bruttoertrag
- 4.588.389 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
What was the official certification given to The Cursed - Der Fluch der Bestie (2021) in Spain?
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