IMDb-BEWERTUNG
6,6/10
1418
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIt follows the stories and fallout for Maggie Cole (French), who doesn't pay attention to the cautionary adage that 'those in glass houses shouldn't throw stones'.It follows the stories and fallout for Maggie Cole (French), who doesn't pay attention to the cautionary adage that 'those in glass houses shouldn't throw stones'.It follows the stories and fallout for Maggie Cole (French), who doesn't pay attention to the cautionary adage that 'those in glass houses shouldn't throw stones'.
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The cast is mostly engaging and some of the dialogue is clever. As a Dawn French fan thanks to Vicar of Dibley, she was my reason to tune in. Her character is a little too much, though. Main issue I had with the series was the over-abundance of plots (especially the Alex and the Money one). I give the writers a nod for giving the Karen character the name "Karen."
I have no idea what the negative reviewers watched, but it wasn't this show! I found none of their reviews accurate or relevant. This is a very well made show telling a great story with beautiful scenery and great acting. See it for yourself - it's short and I watched it all this morning.
In isolation at home and flicking through ITV hub I came across a Dawn French show I wasn't aware of, wasn't initially sure why this had passed me by.
However, halfway through the first episode I realised why none of my friends and the media had been talking about this show. Extremely poor writing. Are there no good writers out there anymore?
I struggled to get to episode 4 and then just had to give up.
Sorry Dawn I love you, but most certainly don't love this! This is truly another failure for ITV.
However, halfway through the first episode I realised why none of my friends and the media had been talking about this show. Extremely poor writing. Are there no good writers out there anymore?
I struggled to get to episode 4 and then just had to give up.
Sorry Dawn I love you, but most certainly don't love this! This is truly another failure for ITV.
I suppose I have different standards than many other IMDB users. I simply want to be quietly entertained. No politics, no violence, no trying to sway my opinion on one subject or another. Therefore, I find the series pleasant and thoughtful. I never saw ads for it and I am not hampered by recognizing any of the actors. I am currently viewing episode 3 through On Demand PBS in the US and today is Election Day. This is the ticket for me.
Words have a powerful impact, as Maggie Cole finds out when she gives a frank and explicit interview on the local radio, where she discusses the locals. Maggie quickly falls out with everyone, and must spend her time building bridges.
It's a bit of a slow burner, but as it develops it really does come to life, the first episode is great, and you're left with no idea the direction it's going to take. Stick with it, as the last few episodes are incredibly rewarding, and very dramatic.
There is a definite Doc Martin vibe running through this, the setting and tone etc, but it is different.
French and Heap are very good throughout, showing they can do drama on the more serious side, the laughs are supplied by Vicki Pepperdine, who is just a joy as Secretary Karen.
If you need to know how harmful gossip can be, just watch this.
Very enjoyable, 8/10.
It's a bit of a slow burner, but as it develops it really does come to life, the first episode is great, and you're left with no idea the direction it's going to take. Stick with it, as the last few episodes are incredibly rewarding, and very dramatic.
There is a definite Doc Martin vibe running through this, the setting and tone etc, but it is different.
French and Heap are very good throughout, showing they can do drama on the more serious side, the laughs are supplied by Vicki Pepperdine, who is just a joy as Secretary Karen.
If you need to know how harmful gossip can be, just watch this.
Very enjoyable, 8/10.
Wusstest du schon
- WissenswertesThe local pub The Conquerer is the same as the local pub in The Coroner.
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