Hotel Transsilvanien 4: Eine Monster Verwandlung

I didn't like it more than the first, which for me was the best, but much better than the second and third. Likewise, the fact that Adam Sandler did not participate in the film seemed like a very bad decision, it is not the same.

When Adam Sandler left the cast, he took the whole spirit of the project with him.

You may not like Sandler personally, I don't know, but he had the spirit of the Hotel Transilvania series in his voice.

5/10 - as someone who usually really enjoys the Hotel Transylvania films, I was disappointed in the lack of jokes that landed and the missing spark of fun that I expect from this series.

2 out of 5 stars.

The fourth film may be running its course with this beloved series. The film follows Dracula retiring and perhaps leaving the hotel business. And Jonathan trying to fit in with the monsters by turning himself into one and a few others into humans. Sadly, the plot is boring. The script is lazy. The humor is unfunny. Sure kids will love it. Adults may want to take a pass on this one. The animation is eh.

"Hotel Transylvania: Tranformia" is an incredibly lazy film about to be released on Amazon Prime. I say incredibly lazy because the plot is essentially the previous movies! For example, in the original "Hotel Transylvania", the vampire father has trouble accepting his incredibly annoying human son-in-law to be. Here in the fourth film, the son-in-law is married to Drac's daughter...and dad is STILL having trouble accepting him. The story seems to say it's because of the father's prejudices, but to me it seemed more because the son-in-law was incredibly annoying and addle-brained.

So what did I like about this film? Well, the animation is nice. Other than that, the story seems to scream 'made to be aired directly on DVD or a channel like Netflix or Amazon Prime". Younger kids will likely enjoy it...and parents watching should probably have some knitting or a laptop handy as the film will bore them if they've seen the previous films, as the story has nothing in the way of innovation or originality.