IMDb-BEWERTUNG
6,8/10
4314
IHRE BEWERTUNG
Zwei Männer treffen sich in Barcelona und nach einem gemeinsamen Tag merken sie, dass sie sich bereits vor zwanzig Jahren getroffen haben.Zwei Männer treffen sich in Barcelona und nach einem gemeinsamen Tag merken sie, dass sie sich bereits vor zwanzig Jahren getroffen haben.Zwei Männer treffen sich in Barcelona und nach einem gemeinsamen Tag merken sie, dass sie sich bereits vor zwanzig Jahren getroffen haben.
- Auszeichnungen
- 4 Gewinne & 10 Nominierungen insgesamt
Ramon Pujol
- Javi
- (as Ramón Pujol)
Mariano Lopez Seoane
- Passerby
- (as Mariano López Seoane)
Empfohlene Bewertungen
A great movie touching on the topic "What if?" which most of us can relate to. Felt that the characters had great chemistry and the story leaves you thinking. Very enjoyable to watch and good job by the director to tell an authentic and refreshing story.
A love story with a time shift twist - just confusing enough to make it interesting, intriguing and thought provoking. Updated version of "Sliding Doors" as it explores what could have been Warm and entertaining, well acted in a relaxed, believable way.
Lovely shots of Barcelona too.
Lovely shots of Barcelona too.
As I started to watch, I rapidly got bored with the street scenes but stuck with the film and came to realise that these were integral to the structure and direction of the screenplay. I then became apprehensive that this would turn into a Spanish-language version of the dreadful "Weekend" but let me say straightaway that this film is in a different and far better league than that farrago of pretension.
The dialogue was sharp, witty and captivating. The stories of the two guys were interesting and as the film moved unobtrusively into the past to tell their backstory things from the present day started to fall into place.
It was disconcerting at first that the same actors were playing their younger selves with no more than a change of clothing style, indeed grey hairs could be glimpsed sometimes in their beards as they talked together for the first time.
The story moved again to the future or the present day, but what present day? Had this all been an elaborate role play? Was everything in the imagination? Or was the final scene the true situation?
This is one of the few films I'll watch again in a few months time to see what else I can surmise about it. In the meantime, it has still got me thinking.
The dialogue was sharp, witty and captivating. The stories of the two guys were interesting and as the film moved unobtrusively into the past to tell their backstory things from the present day started to fall into place.
It was disconcerting at first that the same actors were playing their younger selves with no more than a change of clothing style, indeed grey hairs could be glimpsed sometimes in their beards as they talked together for the first time.
The story moved again to the future or the present day, but what present day? Had this all been an elaborate role play? Was everything in the imagination? Or was the final scene the true situation?
This is one of the few films I'll watch again in a few months time to see what else I can surmise about it. In the meantime, it has still got me thinking.
It would be easy to criticize this first full-feature directorial effort. Not everything in this movie succeeds by a long-shot. The criticism that it's too slow and boring certainly applies to the first 15-20 minutes. It's rare when an 84-minute film should be cut by at least 5-7.
But the criticism that this is a "gay movie" is TOTALLY off-base. What makes this film worth watching is the enigmatic, non-linear story about love, partnership, loneliness, and the passage of time. The fact that the two principals are gay is actually irrelevant to who they are as people, and what "Ocho," the main character, is looking for.
Whether you leave the theater thinking wondering what is the true story (I must say no more), or thinking that it's all just a metaphor, the film is ultimately thought-provoking. After seeing a preview, my wife and I discussed it all through lunch and well beyond.
But the criticism that this is a "gay movie" is TOTALLY off-base. What makes this film worth watching is the enigmatic, non-linear story about love, partnership, loneliness, and the passage of time. The fact that the two principals are gay is actually irrelevant to who they are as people, and what "Ocho," the main character, is looking for.
Whether you leave the theater thinking wondering what is the true story (I must say no more), or thinking that it's all just a metaphor, the film is ultimately thought-provoking. After seeing a preview, my wife and I discussed it all through lunch and well beyond.
Do you think a one-night stand can become the kind of true love we all need to build a life together, even start your own family? That is what "End of The Century" (probably) is about. We are here faced with a bizzarre, interesting and brave narrative choice - the film maker introduces us to the two main characters by some sort of imbalance between past, present and future. The challenge is certainly bold, the viewer has to keep up with the continuous timeline change, but this is what makes the movie intriguing and appreciable. The idea is to turn the emerging love story of these two guys into a whole path of life, made with fading memories of what it was, uncertainties of what it will be, and a brisk concreteness of contemporary living. The two characters are well-defined, their lives converge and diverge during these different story arcs, and the whole plot can be considered cute, simple but wacky. Notwithstanding the appearance and facial features of the two guys seem not so suffer from the flowing of time (at all), we find an average result in our hands - a movie that is nice, unpretentious, genuine and quite pleasant to watch.
Wusstest du schon
- PatzerWhen Javi and Ocho are drinking boxed wine in a scene that takes place before the year 2000, the box has a QR code on it. They didn't become commonplace until after 2010.
- SoundtracksSpace Age Love Song
Words and Music by Michael Score, Ali Score (as Alister James Score), Frank Maudsley (as Francis Maudsley), and Paul Reynolds
© Universal Music - Z Tunes LLC on behalf of Universal Music Publishing Int. Ltd.
Courtesy of SME UK Ltd
By arrangement with Sony Music Entertainment
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 66.309 $
- Eröffnungswochenende in den USA und in Kanada
- 10.063 $
- 18. Aug. 2019
- Weltweiter Bruttoertrag
- 103.047 $
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Seitenverhältnis
- 2.00 : 1
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Oberste Lücke
By what name was End of the Century (2019) officially released in India in English?
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