Out of Liberty

The movie was dramatic, suspenseful, contemplative. Seems to be accurate historically according to my knowledge.

Not all LDS historic movies should be embraced equally. The writers claim their script is based on history, but they severely minimize or outright ignore the most significant events and treasured outcomes of this crucible of growth for the prophet of the restoration. Joseph Smith is poorly cast and is without any significant leadership, spiritual or otherwise. There is a complete absence of spiritual comradery or priesthood dignity amongst those who are supposed to portray the leadership of the church. Where is the signing of hymns? Where is the power of the significant revelations between the Lord and his prophet? Where is Joseph rising in mighty authority to rebuke the guards? Instead, the entire storyline reduces these men to average prisoners who are obsessed to digging or strategizing their escape. In spite of some excellent acting by Corbin Allred as Porter Rockwell, Jason wade as jailer Sam Tillery and Brock Roberts as Sidney Rigdon, this movie misses the mark or is downright misleading about the significance of Liberty Jail in our history.

What a lawyer... That is unlikely.

This guy is a general?!

He's a confident man to let them all up at once. And reading a book too.

Pull himself together? With what? Iron will and dirty socks for medicine?

Good ole urine bucket humor.

They should have worked this out before hand instead of looking suspicious taking so long.

A nice comfortable log pillow.

He doesn't need to tell them to "here, take it". They've got nothing else to do.

No water for everyone?

I'll give him "don't tell anyone I was here".

That's a bold thing to say.

They've gotten pretty far.

This movie is too slow paced.

I don't think that was a particularly amazing oration, but it was heartfelt.

This is a well-produced, decently acted, and consistent movie. That's not the highest praise, but it's more than most faith-based movies have. It's also nice that it takes a unique look at the story, even if it bends the history (but that's just something that has to happen to make a compelling film). All in all, this is among the best LDS films, though certainly not the best.

It's 1839. In the small town of Liberty, Missouri, Joseph Smith and several of his Saints are in the jail. They've fled Illinois to escape the mobs. Now in Missouri, there are lynch mobs being held off as they await trial for.... well, it's not clear. The judge, and even the governor, we are told, know they're innocent of whatever it is, but fear *cough* *cough* public opinion. Sheriff Jasen Wade is in charge of getting them to the trial, getting them back to jail, and standing guard over them at all times.

It's a talk festival, with cinematographer Jeremy Prusso keeping the camera moving and editor Connor O'Malley keeping the clips short in order to maintain visual interest. The night scenes are the most interesting, men standing in front of a black background, almost stage-like. This being a western, Wade keeps his delivery short and clipped, with sentences to match. More of interest as a retelling of history and law than what you might expect from a western, I enjoyed it but consider that more a matter of personal quirks than of actually interesting film making.