Eine Gruppe von aufstrebenden Schauspielern und Filmemachern im Hollywood der Nachkriegszeit versucht, groß rauszukommen - koste es, was es wolle.Eine Gruppe von aufstrebenden Schauspielern und Filmemachern im Hollywood der Nachkriegszeit versucht, groß rauszukommen - koste es, was es wolle.Eine Gruppe von aufstrebenden Schauspielern und Filmemachern im Hollywood der Nachkriegszeit versucht, groß rauszukommen - koste es, was es wolle.
- 2 Primetime Emmys gewonnen
- 4 Gewinne & 47 Nominierungen insgesamt
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A thoroughly entertaining reimagining of Hollywood in 1948. Fabulous production values and some terrific performances. Jim Parsons is a particular standout as the notorious Hollywood agent Henry Willson. Ryan Murphy has presented us with a very interesting take on what might have been. Some other reviewers have mentioned the word cringeworthy. Cringeworthy it is at times but it is thoroughly entertaining. The only negative thing about Murphy's latest offering it is that it wasn't true, although the 'Dreamland' premise is loosely based on Scotty Bowers' autobiography 'Full Service.' Ryan Murphy can be hit and miss at times (his last effort for Netflix, 'The Politician' was a bit of a mixed bag) but I'm happy to say that 'Hollywood' is a hit.
Hollywood whisks us away to post-war Tinseltown. Several different characters give us a behind-the-scenes look at the Golden Age of Hollywood. Through their stories, we learn more about a corrupt and unfair system full of prejudices about gender, origin and sexuality that persist to this day.
Several young artists gather as part of a film project to be realized by the Hollywood studio Ace Pictures. It is based on the tragic story of actress Peg Entwistle, who fell from the letter H of the iconic Hollywood sign in 1931. Whether actor, author or director: each of them has to pay a high price in order to be able to achieve their own goals in Hollywoodland.
I really liked "Hollywood".
A slightly different series, but for those who are interested in films and want to see how the film business worked back then, you should take a look here
The whole thing is accompanied by an interesting story and strong characters.
Several young artists gather as part of a film project to be realized by the Hollywood studio Ace Pictures. It is based on the tragic story of actress Peg Entwistle, who fell from the letter H of the iconic Hollywood sign in 1931. Whether actor, author or director: each of them has to pay a high price in order to be able to achieve their own goals in Hollywoodland.
I really liked "Hollywood".
A slightly different series, but for those who are interested in films and want to see how the film business worked back then, you should take a look here
The whole thing is accompanied by an interesting story and strong characters.
This syrupy effort from Ryan Murphy and Ian Brennan is, at best, pretty but hard to watch. I had to force myself through the first four episodes to get to a point where I cared enough to endure the bad writing and uneven direction and finish it. There's way too little plot, character development, or point to carry it. The cast did the best they could with some awful, preachy dialogue, overly sugary and convenient plot 'twists' and the shallowest characterisations.
The cast was a mixed bag of wonderful 'seniors', mid-ground familiar faces and inexperienced young over-actors.Patty Lupone, Holland Taylor and Joe Mantello shone in their roles and carried the show throughout. In the mid field, Queen Latifah, Dylan McDermott, Darren Criss and Jim Parsons did excellent work and obviously enjoyed their roles. Queen Latifah always has screen presence and as such, she was under-utilised. Dylan McDermott revelled in his silver fox rendition and Jim Parsons developed his character, as best as the script would allow, from vile to virtuous (too much so, but anyway). The young ones added the pretty and, possibly accidental, youthful naivete.
As to the point of the show, it was never clear what it was trying to do: just entertain? make a point about gays (as a gay person I am tired of the cliche way this is always depicted, find a new cause or at least a new angle) and coloureds? was it to show the 'true' Hollywood? (hardly). At times I wondered if it was trying to be a 1950's women's melodrama about the making of a 1950's melodrama, but that didn't really play out. The directing was extremely uneven. Though it was very heavily preachy (way too preachy) it didn't give any depth to the topic: it really only exploited the 'issues' to provide the little plot that there was. It even seemed to endorse the violence against the journalist/reporter that was going to expose something that was shown to be true.
It was mostly predictable, cliched and shallow and, therefore, very disappointing. It's a shame that all the effort put into recreating the era, ultimately amounted to very little: an opportunity missed (as others have said). Somewhat entertainingly disappointing: will just a little more, it could have been so much more.
The cast was a mixed bag of wonderful 'seniors', mid-ground familiar faces and inexperienced young over-actors.Patty Lupone, Holland Taylor and Joe Mantello shone in their roles and carried the show throughout. In the mid field, Queen Latifah, Dylan McDermott, Darren Criss and Jim Parsons did excellent work and obviously enjoyed their roles. Queen Latifah always has screen presence and as such, she was under-utilised. Dylan McDermott revelled in his silver fox rendition and Jim Parsons developed his character, as best as the script would allow, from vile to virtuous (too much so, but anyway). The young ones added the pretty and, possibly accidental, youthful naivete.
As to the point of the show, it was never clear what it was trying to do: just entertain? make a point about gays (as a gay person I am tired of the cliche way this is always depicted, find a new cause or at least a new angle) and coloureds? was it to show the 'true' Hollywood? (hardly). At times I wondered if it was trying to be a 1950's women's melodrama about the making of a 1950's melodrama, but that didn't really play out. The directing was extremely uneven. Though it was very heavily preachy (way too preachy) it didn't give any depth to the topic: it really only exploited the 'issues' to provide the little plot that there was. It even seemed to endorse the violence against the journalist/reporter that was going to expose something that was shown to be true.
It was mostly predictable, cliched and shallow and, therefore, very disappointing. It's a shame that all the effort put into recreating the era, ultimately amounted to very little: an opportunity missed (as others have said). Somewhat entertainingly disappointing: will just a little more, it could have been so much more.
With so many mixed reviews I wasn't sure what to expect from Hollywood. I'm glad I did give it a chance because I really enjoyed it. It's seems like most of the negative reviews are because it changes facts from history and because there are real people being portrayed here they didn't like it. Personally, I couldn't care less as long as it's entertaining. It's not claiming to be a true story. This is another show created by the highly successful Ryan Murphy. While not his best work it's still pretty good and worth watching. It's about aspiring actors, directors, agents, etc in post World War II Hollywood who will do anything to make their dreams come true.
Hollywood is another good Ryan Murphy show. It follows the lives of aspiring actors and filmmakers who will pretty much do anything to succeed in their dreams of making it big in Hollywood, it takes place in post-World War II Hollywood. I didn't really know what to expect from this but I gave it a chance because of all the good things I heard and I'm glad I did because it was a very well done series. It seems like anything Ryan Murphy does these days is a huge success! The stories are very diverse and interesting. Most of the bad reviews are because they say it isn't true...who cares? It's a tv show, not a documentary! It admits that it takes places in a revisionist Hollywood that is a pick me up series.
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- WissenswertesHolland Taylor sent costume designers Lou Eyrich and Sarah Evelyn photographs of her mother from the '30s and '40s to help with research. They ended up replicating some of the items she wore for Taylor's character, Miss Kincaid.
- VerbindungenFeatured in The View: Cory Booker/Dylan McDermott/Celebrating Mother's Day (2020)
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