Citadel

This is an initial review of the first episode of this series.

While this is an intriguing concept in the vein of Jack Ryan/Jason Bourne and the many spy adaptations that have been brought to the big and small screen lately, it fails to live up to the hype.

The first thing that jumped out to me about this series was the cringy-ness of the dialogue and the lazy plot writing. The initial meeting in the trail between the two main characters debuts with very poorly written dialogue that felt like it was trying way too hard to be clever. The action scenes that followed were pretty well executed, but nothing I haven't seen before.

The plot tropes that followed have been seen in a ton of spy movies/series already, it felt like a soft-boiled crowd-sourced spy series where they threw a bunch of heavily-used spy tropes in a blender to make something basic and unimaginative.

The bottom line is that this series has failed to find a unique identity and very much risks being forgotten over time. The action scenes were pretty good but the characters seem to be basic and unmemorable so far. To be fair, it's very early in the series. But unless is seen something unique from a story perspective that captures my attention, I am not going to waste my time watching further. I hope things improve but I'm not optimistic.

From the beginning of the show, it is clear what they were trying to do with the whole story, the concept of the Citadel universe as a whole is great, but it is indeed badly executed. If only they worked on the execution more; as in story telling, how the series of events would run after one another, noticed that there's a lot of flashbacks at wrong points throughout the episodes, and sometimes even too many flashbacks back to back, forgetting sometimes that the series is also taking place in real time. The whole high tech part of the series is also amazing what they tried to accomplish but their ambition was their undoing. This series is capable of being top notch, but the story telling needs refining, while watching you'd feel that the episode is out of place or out of sync with the story, you'd feel that it's missing something. Again more work is needed on execution.

Y'all know the trope of an amnesic spy is that we audience gotta discover the protagonist's backstory together with him, right? Why on earth would you begin the show with a complete flashback? There might be plot twists and betrayals down the road, but you also need to entice the audience to keep watching to see that happen.

Besides starring Richard Madden as discount Matt Damon, we also have Stanley Tucci being a discount Mark Strong. Sounds familiar? Good-guy independent spy agency? Add a sprinkle of Brad Pitt and Angelina Jolie, and you get this utter lack of originality show.

Also what kind of incompetent spy agency keeps a list of all their agents and black sites in one document, and all their secrets together in literally one briefcase?

Not impressed.

I actually thought Citadel was pretty good. I've been looking forward to this ever since I first heard about it and then my expectations grew even more after watching the trailers. Well, I can tell you that without a doubt this show has not only met those expectations but surpassed them in every way. Besides looking great it has A-list stars attached both in front and behind the camera. It's made by the Russo Brothers (Avengers, Captain America: Civil War and Winter Soldier, The Gray Man, etc.) and stars Richard Madden (Game of Thrones, Bodyguard) and Priyanka Chopra Jonas (Baywatch, Quantico). It's a fun series from start to finish. It will grab your attention from the very first episode and bring you into their world. The visuals are beautiful and the story is fast paced. I'm glad to see this series was already renewed because I'm excited see where this show goes.

For now, just a big parade of shallow clichés.

Maybe it's an attempt to bring a teenage audience closer to spy genre. The intended audience would then justify the insubstantial plot, the characters' constant explanations of what's going on, the TikTok editing, and an almost cynical lack of engagement with the real world. By the way, do these plots involving nuclear artifacts still make sense? Why don't screenwriters experiment with contexts closer to the experiences of the new generations, such as pesticides, industrial secrets in medicine and food, disputes over geolocation data, etc.? Why not explicitly place industries and their business interests at the center of the story rather than these government agencies with their political overtones?

Boring.