Judas and the Black Messiah

I haven't written a review in awhile, but felt compelled to do so because numerous reviews complaining about the movie as some sort of failed Fred Hampton biopic... The movie is titled JUDAS and the Black Messiah, in which we should all be able to discern who's whom, and understand why the movie isn't just about Fred Hampton, so all of you with your fake woke-ness can stop talking about how shallow this movie is or how they didn't do enough, and then counterintuitively discredit this accomplishment of a film about an important part of the U.S. history!

Back to a time where The FBI, led by J Edgar Hoover is more concerned with The Black Panthers, than the Russians and Chinese. A car thief is corrected into infiltrating The Organisation and reporting back.

This is an incredibly powerful story, a fascinating point in America's history. This film is not afraid to show the violence, racism and prejudice that was very real. It doesn't shy away from showing the brutality, the misery faced by people of colour.

Uncomfortable at times, but it's a gripping watch, this film will hold your attention throughout, it's one of those that passes by, without you questioning the running time.

Shaka King's direction is spot on, this film moves by at a real pace. The cinematography and music are phenomenal, especially the latter.

Daniel Kaluuya, he's one of those people I'm convinced will one day own a string of Oscars, an awe inspiring actor, and naturally he does it again here with a spellbinding performance. Huge credit also to LaKeith Stanfield, marvellous also.

I figure this film may not be to everyone's taste, but I'd certainly recommend it, it really does tell a powerful story. It's inspired me to do a little research and reading of my own.

9/10.

Both are based on the true story which happened in Chicago in 1968 and 1969, so two movies give the whole picture of what it was like in Chicago in late 60s. Social oppression, protest in reaction, police's excessive force of use, discrimination against the weaker are the words to describe atmosphere around that time. It's interesting to compare and contrast how Fred Hampton is realized in two movies. Other than that, there are many things to compare and contrast both contents and the forms.

'Judas and the Black Messiah' is disappointing that the director could have done so much more with such an important historical figure (similar with 'The Trial of the Chicago 7'). The screenwriting is stretched and elongated. The momentum and the tension have to be built up for December 4th Monroe Massacre where all the powerful emotions burst. However, the director fails not only to build up but also to have a great ending.

P.S. History speaks that William O'Neal is still a weak coward then and now.

The two main acting performances really carry this film. Kaluuya and Stanfield both do tremendous work and make this film a compelling watch. It's a tough. depressing movie to watch, but it feels appropriately timed with its release. It's inevitable to compare this to another recent film containing some of the same characters, The Trial of the Chicago 7. While Chicago 7 is a more enjoyable watch and really zips along with energy, Judas is more unflinching in its reality and less "Hollywood." This isn't to say there aren't the typical story beats you expect in a film like this, but it overall feels more impactful.

The FBI, led by J. Edgar Hoover, is focused on taking down the Black Panther Party and other leftist movements. Agent Roy Mitchell (Jesse Plemons) pushes car thief Bill O'Neal (LaKeith Stanfield) to be his informant and to infiltrate the Illinois chapter of the Black Panther Party. It is led by charismatic Chairman Fred Hampton (Daniel Kaluuya) who is trying to improve Chicago and battle the racist police force.

There is an obvious connection to today's events. It's of its time and the present-day time. It's definitely taking a point of view but one can't really argue against it. For sure, it's slanted. Roy Mitchell is the key to finding balance but Jesse Plemons doesn't give him enough depth. He has one fascinating talk about Emmett Till. That's an interesting road to go for that character but it feels like he stops short. He turns into just another callous racist cop when he could be deeper. As for the other characters, Stanfield is the standout and Kaluuya is the saint. Both are great in their roles. This is a very compelling story and its relevance makes it more powerful.