The Menu

The mix between horror and satire seems undecided or bland, the backstory was lacking and the plot presents itself as something grander than it really is. The same hollowness of the dishes carries onto the essence of the movie. Satirizing something that is hollow and giving the final product value is a difficult task, this movie really tries to do that, but given its nature, it didn't quite stick the landing with me.

The cast is simply great, full of recognizable faces and good acting. The cinematography was good, nothing out of this world but enjoyable.

Overall its entertaining, but the delivery of its message is not strong. Even if this flavor of satire wasn't the best suited for me, it kept me intrigued and while not fully satisfied, I enjoyed it.

The Menu is a real treat. It will have you laughing while on the edge of your seat as it navigates you through a restaurant experience to remember.

We are treated to a fantastic ensemble cast. Nicholas Hoult steals the show with a pitch perfect performance of a pretentious foodie. Fiennes is so wonderfully unhinged as the mysterious creator of the eponymous menu in a very layered role. Anya Taylor Joy as always is so watchable, providing such an easy way in for the audience. The writing gives them all such brilliant material which the whole cast executes with ease.

The style and staging of the piece can't be faulted at all. It is precise, inventive, and so clean and polished which makes for a very visually appealing film.

It must be said there are a few rough edges when it comes to the plot, and when you get down to the nuts and bolts the premise isn't necessarily groundbreaking. It is very on the nose at times and subtlety isn't exactly it's strong suit. However it manages to strike a well tuned balance between satire, comedy, and thriller which isn't an easy feat and is impressively managed here.

With its sharp social observations and satire, clean style, and stellar performances, the Menu is a feast that you won't want to end.

I thought this movie was original, entertaining and very interesting. It has a deeper message about how the world looks today. The constant stress and pressure of performing and pleasing hard-to-please people. People who are spoiled, people who only care about money, people who take life for granted, and so on. This is what the characters in the film, the chef and the guests, represent. The guests represent the worst of us. Constantly feeling pressured about something that you actually think is fun, is no longer fun. That is why the chef has invited these very people to the restaurant. It is such people who have destroyed his passion, meaning and joy in life. If you understand the premise and concept of this movie, you will really like it. The film is dark and exciting, with a chaotic and funny ending, which I liked.

I waited months for this film thinking it would be so much better than it was. There is nothing quite like the let down of expecting something great, and it turning out to be just good.

While the plot is pretty original (which normally scores high points with me) and while the film is at times quite beautiful to look at, it missed some of the main point: sweet gratification and satiation.

Scares are not included on the menu; what there is of comedic value is presented as filling; it is unsatisfyingly light on gore; hints of interesting dialogue exist, but they are only scantily peppered throughout; the build-up of characters and backstory is distinctly and unpalatably in short supply, as well as somewhat bland; intentions are nondescript; it wore on and became progressively less, instead of more enjoyable; and, the main course was both 'cheesy' and a bit less than fulfilling. Yes, I greedily took it all in, but by the time dessert was to be served, the previous dishes laid still undigested and leaden.

I'd like to speak to the manager, please.

THE MENU is a good and unusual little thriller that proves a breath of fresh air in this day and age. One for the more jaded among us, it provides the kind of surprising, satirical modern-times scenario that I was hoping from GLASS ONION (and which didn't land). This one is variously a mystery, a comedy, a horror film and more besides, and it has depth and a careful skewering of a whole industry which I found more than satisfying. The cast is remarkable too, with each particular actor - from Fiennes to Hoult, Leguizamo to Taylor-Joy - carefully chosen to fit the perfect role for their talents. Appealing!