Ein Paar kämpft darum, seine Beziehung zusammenzuhalten, während sich ein Virus des Gedächtnisverlusts ausbreitet und droht, die Geschichte ihrer Liebe und ihres Werbens auszulöschen.Ein Paar kämpft darum, seine Beziehung zusammenzuhalten, während sich ein Virus des Gedächtnisverlusts ausbreitet und droht, die Geschichte ihrer Liebe und ihres Werbens auszulöschen.Ein Paar kämpft darum, seine Beziehung zusammenzuhalten, während sich ein Virus des Gedächtnisverlusts ausbreitet und droht, die Geschichte ihrer Liebe und ihres Werbens auszulöschen.
- Auszeichnungen
- 5 Nominierungen insgesamt
Natalie Farrow
- Jude's Friend #3
- (as Natalie Smith)
Ronald Robinson
- Fisherman
- (as Ron Robinson)
Empfohlene Bewertungen
The build up is a bit slow, but the ending is powerful. I find the story engaging, and it's well worth watching.
This is a good reworking of Japanese American writer, Aja Gabel's 2011 short story. It's almost creepy, in that its subject matter only timely reflecting this present pandemic!
The film flows as a slowburner, a love story dealing with a degenerative illness affecting people's memory. Olivia Cooke is great as "Emma" as she deals with people she loves, fallen to the pandemic.
It also questions, isolation and the film's empathy is brought forth with science and the possible "cure". Using a fictional bay area landscape, it's palette of Grey's, blues, etc. are personafied through the film's cinematography.
This film is also reminiscent somewhat of George Romero's 1973 "The Crazies" (although I doubt that this film was being referenced by this film's production nor Aja Gabel's story). It worth a look, it's somber, almost bittersweet.
The film flows as a slowburner, a love story dealing with a degenerative illness affecting people's memory. Olivia Cooke is great as "Emma" as she deals with people she loves, fallen to the pandemic.
It also questions, isolation and the film's empathy is brought forth with science and the possible "cure". Using a fictional bay area landscape, it's palette of Grey's, blues, etc. are personafied through the film's cinematography.
This film is also reminiscent somewhat of George Romero's 1973 "The Crazies" (although I doubt that this film was being referenced by this film's production nor Aja Gabel's story). It worth a look, it's somber, almost bittersweet.
Beautifully made movie which in today's world seemed very realistic
As normal Jack O'Connell was superb, but was more impressed by Olivia Cooke who I would like to see more of in future films.
As normal Jack O'Connell was superb, but was more impressed by Olivia Cooke who I would like to see more of in future films.
...so when they're taken away, gradually erased, relationships are regressed and decayed, we become a stranger to ourselves, how should those around us behave? A deep and thoughtful piece on premature loss and disconnection encapsulated through two beautiful performances.
It's a very depressing pastime but also a very relaxing one? What a gorgeous production from top to bottom with truly exceptional photography and sound design that homes in on all your senses. I'm surprised that Chad Hartigan was never on my radar until now.
O'Connel and Cooke are really the heart and soul of the whole thing. Giving truly grounded performances that is going to make you feel something. Don't care who all y'all are, you cannot look me in the eyes after watching it and tell me you didn't feel anything.
Magnificent original score as well, one track actually brought tears from my eyeballs.
O'Connel and Cooke are really the heart and soul of the whole thing. Giving truly grounded performances that is going to make you feel something. Don't care who all y'all are, you cannot look me in the eyes after watching it and tell me you didn't feel anything.
Magnificent original score as well, one track actually brought tears from my eyeballs.
Wusstest du schon
- WissenswertesOlivia Cooke (Emma) stated in a recent interview that as being executive producer of the film, it meant she could use her own native accent for the role for the first time since she was 18, due to her control over the film and her character.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Ký Ức Mơ Hồ
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 39.053 $
- Eröffnungswochenende in den USA und in Kanada
- 21.555 $
- 7. Feb. 2021
- Weltweiter Bruttoertrag
- 39.053 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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