IMDb-BEWERTUNG
5,9/10
5398
IHRE BEWERTUNG
Eine prominente Journalistin, die ihre Karriere und ihr Privatleben unter einen Hut bringen muss, wird durch einen verrückten Autounfall aus der Bahn geworfen.Eine prominente Journalistin, die ihre Karriere und ihr Privatleben unter einen Hut bringen muss, wird durch einen verrückten Autounfall aus der Bahn geworfen.Eine prominente Journalistin, die ihre Karriere und ihr Privatleben unter einen Hut bringen muss, wird durch einen verrückten Autounfall aus der Bahn geworfen.
- Auszeichnungen
- 6 Nominierungen insgesamt
Alfred de Montesquiou
- Alex
- (as Alfred Demontesquiou)
Empfohlene Bewertungen
Some people appear to be comparing this (favourably) to Network, which is a bit puzzling. It's not a bad film by any means, but there's a reason that Network is remembered as a classic after 45 years - which I doubt will be the case here.
However, Seydoux is radiant here, and clearly having fun with her own (real life) fame and image in her portrayal of the "celebrity journalist" France. Her apartment is glorious as are (initially) most aspects of her life - which of course starts to fall apart shortly into the action.
Tonally, though, I was often confused by this... for example the opening scene seems to be being played for laughs but appears mainly just embarrassing. Later on, some *really* tragic things happen to her - but is this simply for dramatic effect rather than some kind of karma? I really wasn't sure. Certainly little seemed comedic in the normal sense, although those familiar with Dumont fare such as "Slack Bay" will probably be ready for "not normal" approaches. He seems much more restrained here.
Worth a look, but I doubt I'll be rewatching.
However, Seydoux is radiant here, and clearly having fun with her own (real life) fame and image in her portrayal of the "celebrity journalist" France. Her apartment is glorious as are (initially) most aspects of her life - which of course starts to fall apart shortly into the action.
Tonally, though, I was often confused by this... for example the opening scene seems to be being played for laughs but appears mainly just embarrassing. Later on, some *really* tragic things happen to her - but is this simply for dramatic effect rather than some kind of karma? I really wasn't sure. Certainly little seemed comedic in the normal sense, although those familiar with Dumont fare such as "Slack Bay" will probably be ready for "not normal" approaches. He seems much more restrained here.
Worth a look, but I doubt I'll be rewatching.
"Such faux-naivety shows Dumont's tricksy proclivity to go against the grain for characterization, he distances France from a realistic, complex character, then magnifies her every banal emotion beat from her easily processed headspace to the extreme of absurdity. France has no tact in fending off life's caprices, her guilt (after injuring an immigrant delivery man), her rage (a romance with a fellow resident in an expensive sanitarium turning out to be a hoax), her grief (a road tragedy shot in disturbingly long and slo-mo details), never reach far to get audience's sympathy. France de Meurs might be read as a symbol of France the country, all glossy and haute-couture-y, but troubled by the immigrant crisis, deluded by the deceptive wooing parties and dreading disaster can be detonated at any minute and much more."
read my full review on my blog: Cinema Omnivore, thanks.
read my full review on my blog: Cinema Omnivore, thanks.
You get the idea what they wanted to do here. To put all different aspects of television (news, reality TV, etc.) in a movie and make a bit fun of it.
But it's just too long and everything keeps on repeating itself. If this movie would be one hour shorter, it would be much better in my opinion.
Also: Lea Seydoux cries more in this movie than me at home chopping onions!
But it's just too long and everything keeps on repeating itself. If this movie would be one hour shorter, it would be much better in my opinion.
Also: Lea Seydoux cries more in this movie than me at home chopping onions!
Otherwise you'll loose the chance to see how great actress Lea Seydoux is and how old France is struggling with current societal collaps. The rest are just stage props.
The director must love Lea, as both the scenario and the way he set the stage leverage her acting performance in a way I couldn't see from the time of major Hollywood tales.
Quite disapointed by the people who rated 1 star. You spent 2 hours watching someone elses' work and decided it worth just one star. This should be discused in therapy, not here.
Nothing more to say, but needed to complete this minimum number of characters.
The director must love Lea, as both the scenario and the way he set the stage leverage her acting performance in a way I couldn't see from the time of major Hollywood tales.
Quite disapointed by the people who rated 1 star. You spent 2 hours watching someone elses' work and decided it worth just one star. This should be discused in therapy, not here.
Nothing more to say, but needed to complete this minimum number of characters.
No plot, attempts at a storyline. Completely all over the place. What a waste of hours! Neither the main plot nor the plot adds up to anything. Love affair seems cringy. Husband-wife and even the filial relationship seems so fake. One story moves onto another with no relation in between as if this were the attempt of a photographer to bring together a scrapbook of images. And to be honest, even the images are not that great. So, don't waste your time.
Wusstest du schon
- WissenswertesThe crew was given permission to shoot in the Élysée palace, in the entrance court and one of the salons. Even though Emmanuel Macron, the President of the French Republic at the time, appears in the opening sequence, it's only through the use of archive footage and clever editing.
- Zitate
Voisin tartine: You won't run out of money, we're so rich. To die well, one must die poor. Once you're dead, your kindness will remain.
- VerbindungenFeatured in "Ein Gespräch mit..." (2018)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- On a Half Clear Morning
- Drehorte
- Schloss Elmau, Krün, Bavaria, Deutschland(wellness resort in the mountains)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.668.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 49.347 $
- Eröffnungswochenende in den USA und in Kanada
- 5.811 $
- 12. Dez. 2021
- Weltweiter Bruttoertrag
- 1.348.498 $
- Laufzeit2 Stunden 13 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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