IMDb-BEWERTUNG
6,6/10
1947
IHRE BEWERTUNG
Eine bittersüße Geschichte über das Erwachsenwerden im Schatten einer psychischen Erkrankung.Eine bittersüße Geschichte über das Erwachsenwerden im Schatten einer psychischen Erkrankung.Eine bittersüße Geschichte über das Erwachsenwerden im Schatten einer psychischen Erkrankung.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 1 Nominierung insgesamt
Empfohlene Bewertungen
This one deserves to be recognized. I can't personally think of another similar story out there and that uniqueness is something special.
This movie shines a light on what it is like to care for somebody with an illness (of any kind) and the repercussions of that, for the victim and their loved ones.
There are some astounding performances by Taylor, Owen, and Nelson, and the rest of the cast feels so right as well for this story. It starts with a fantastic script, which is in part due to the fact that this seems to be a personal and touching story. The direction, writing, and cinematography are very strong and hook you in right from the beginning.
This movie shines a light on what it is like to care for somebody with an illness (of any kind) and the repercussions of that, for the victim and their loved ones.
There are some astounding performances by Taylor, Owen, and Nelson, and the rest of the cast feels so right as well for this story. It starts with a fantastic script, which is in part due to the fact that this seems to be a personal and touching story. The direction, writing, and cinematography are very strong and hook you in right from the beginning.
This is a tremendous story of mental illness that will pull at your heartstrings and leave a lasting impression. IMO: this is one of the year's best dramas. The performances are simply incredible. I went in not knowing what to expect, only seeing that it received 100% on Rotten Tomatoes. Now I understand how deserved that is. Most movies today don't leave me captivated for the duration of the movie like this one. I'm not going to ruin the ending but I did especially appreciate how realistic it was, yet hopeful. A breathe of fresh air. I will be watching again.
This movie makes us understand delusion disorder, the mental illness can screw people life totally, especially the ones surround them. It's nothing dramatic and kinda sad the choice of the daughter. Mental health is really important.
Greetings again from the darkness. There are many reasons that might force a kid to grow up too fast. But when it's in conjunction with having to care for a parent, we can consider it ill-fated. Director Inon Shampanier co-wrote the script with his wife, Natalie Shampanier, and they adeptly handle a story that, in lesser hands, could be over-wrought and not believable. Instead, they benefit from two excellent performances and deliver an emotional and poignant tale of mother and daughter and mental illness.
Lili Taylor stars as Dawn, mother to straight-A high school senior Melanie, played by Stefania LaVie Owen ("Messiah"). We first meet them while on a rainy day campus tour. Dawn is direct in expressing her wish that Melanie remain close to home for college, while ambitious Melanie wants to attend her late father's alma mater, USC, on a full academic scholarship. It's clear mother and daughter have a close relationship, but something is a bit off about Dawn, and we get our answer soon enough.
As the new neighbors are moving in, the truck backs into a tree that Dawn's husband planted years earlier. Dawn flips out, setting off a chain of events where she is convinced the new neighbor is spying on her, tormenting her, and endangering her. Of course, there is no proof of any of this, and the further Dawn slips, the more difficult it is for Melanie to carry the burden of school, a social life, and a paranoid-delusional mother.
Michael Cyril Creighton plays the school counselor that Melanie ropes into meeting with her mother. The scene is played to an awkward comedic effect, but also exemplifies how mental illness creates a stressful environment for everyone involved. Dawn's agitated attorney boss is played by David Rasche, and Melanie also sets up a profile for mom on an internet dating site, with less-than-hoped-for results. During all of this, Melanie begins a relationship with a rich, alcoholic classmate named Daniel (Ian Nelson), who understandably isn't equipped to deal with the situation either. Peyton List plays Melanie's bestie Lacy, and Max Casella has a couple of scenes as the Private Investigator Dawn hires to surveil the neighbor. All in all, it's a cluster of real life twisted up by mental illness.
Lili Taylor is excellent, and makes sure she keeps Dawn's actions in the believable-yet-sufferable mode. But the film really belongs to Stefanie LaVie Owen. This is a staggeringly good performance from the young actress, and she quietly conveys a strength in the face of shock and frustration, and the unfair burden she must carry. The film is a reminder that we don't get to pick our family, and the responsibilities can feel overwhelming at times. It's not a horror film, but rather one filled with personal horrors - and the film's title will make sense by the end.
Lili Taylor stars as Dawn, mother to straight-A high school senior Melanie, played by Stefania LaVie Owen ("Messiah"). We first meet them while on a rainy day campus tour. Dawn is direct in expressing her wish that Melanie remain close to home for college, while ambitious Melanie wants to attend her late father's alma mater, USC, on a full academic scholarship. It's clear mother and daughter have a close relationship, but something is a bit off about Dawn, and we get our answer soon enough.
As the new neighbors are moving in, the truck backs into a tree that Dawn's husband planted years earlier. Dawn flips out, setting off a chain of events where she is convinced the new neighbor is spying on her, tormenting her, and endangering her. Of course, there is no proof of any of this, and the further Dawn slips, the more difficult it is for Melanie to carry the burden of school, a social life, and a paranoid-delusional mother.
Michael Cyril Creighton plays the school counselor that Melanie ropes into meeting with her mother. The scene is played to an awkward comedic effect, but also exemplifies how mental illness creates a stressful environment for everyone involved. Dawn's agitated attorney boss is played by David Rasche, and Melanie also sets up a profile for mom on an internet dating site, with less-than-hoped-for results. During all of this, Melanie begins a relationship with a rich, alcoholic classmate named Daniel (Ian Nelson), who understandably isn't equipped to deal with the situation either. Peyton List plays Melanie's bestie Lacy, and Max Casella has a couple of scenes as the Private Investigator Dawn hires to surveil the neighbor. All in all, it's a cluster of real life twisted up by mental illness.
Lili Taylor is excellent, and makes sure she keeps Dawn's actions in the believable-yet-sufferable mode. But the film really belongs to Stefanie LaVie Owen. This is a staggeringly good performance from the young actress, and she quietly conveys a strength in the face of shock and frustration, and the unfair burden she must carry. The film is a reminder that we don't get to pick our family, and the responsibilities can feel overwhelming at times. It's not a horror film, but rather one filled with personal horrors - and the film's title will make sense by the end.
10bobsllc
Wow Was very pleasantly surprised by this film. It was a heavy subject with just the right amount of levity to be funny yet still retain the gravity of the subject. My wife's mother suffers from mental illness and if you've ever known someone who truly suffers you'll know Lili Taylor's performance is phenomenal and extremely convincingly played. Everything flowed together very well (plot and character development, beat and the killer soundtrack). The real gem here was Stefania's performance, she is a rising star and her chemistry with Lili was off the chart. In summary, a smart, touching and illuminating dramedy; definitely worth a watch.
Wusstest du schon
- SoundtracksDarker Things
Written by Lily Kershaw
Performed by Lily Kershaw
Courtesy of Little Red Productions Inc under exclusive license to Nettwerk Music Group Inc
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.992 $
- Eröffnungswochenende in den USA und in Kanada
- 2.992 $
- 9. Mai 2021
- Weltweiter Bruttoertrag
- 11.696 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
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