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Ulan

  • 2019
  • 1 Std. 36 Min.
IMDb-BEWERTUNG
6,9/10
425
IHRE BEWERTUNG
Carlo Aquino and Nadine Lustre in Ulan (2019)
DramaFantasyMysteryRomance

Füge eine Handlung in deiner Sprache hinzuMaya (Lustre) has always held a pessimistic view of the rain; it reminds her of failed love and other depressing things. Will the rain ever stop in her journey to overcome past heartaches?Maya (Lustre) has always held a pessimistic view of the rain; it reminds her of failed love and other depressing things. Will the rain ever stop in her journey to overcome past heartaches?Maya (Lustre) has always held a pessimistic view of the rain; it reminds her of failed love and other depressing things. Will the rain ever stop in her journey to overcome past heartaches?

  • Regie
    • Irene Villamor
  • Drehbuch
    • Irene Villamor
  • Hauptbesetzung
    • Nadine Lustre
    • Carlo Aquino
    • Elia Ilano
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    425
    IHRE BEWERTUNG
    • Regie
      • Irene Villamor
    • Drehbuch
      • Irene Villamor
    • Hauptbesetzung
      • Nadine Lustre
      • Carlo Aquino
      • Elia Ilano
    • 30Benutzerrezensionen
    • 12Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 19 Nominierungen insgesamt

    Fotos93

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    Topbesetzung57

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    Nadine Lustre
    Nadine Lustre
    • Maya
    Carlo Aquino
    Carlo Aquino
    • Peter
    Elia Ilano
    Elia Ilano
    • Young Maya
    Perla Bautista
    Perla Bautista
    • Lola Rosie
    AJ Muhlach
    AJ Muhlach
    • Mark
    Marco Gumabao
    Marco Gumabao
    • Andrew
    Josef Elizalde
    Josef Elizalde
    • Topi
    Limer Veloso
    Limer Veloso
    • Norman
    Andrea Del Rosario
    Andrea Del Rosario
    • Auntie Susan
    William Martinez
    William Martinez
    • Uncle Billy
    Leo Martinez
    Leo Martinez
    • Editor in Chief
    Angeli Bayani
    Angeli Bayani
    • Aning ang Bagyo
    Meghan Dee
    Meghan Dee
    • Wife of Mark
    Kylie Verzosa
    Kylie Verzosa
    • Princess
    Keagan De Jesus
    Keagan De Jesus
    • Jose Albert
    Dingdong Dantes
    Dingdong Dantes
    • Tikbalang Groom
    • (Synchronisation)
    Mercedes Cabral
    Mercedes Cabral
    • Tikbalang Bride
    • (Synchronisation)
    Jhon Roe Apolis
    Jhon Roe Apolis
    • Serafin
    • (as John Roe Domingo)
    • …
    • Regie
      • Irene Villamor
    • Drehbuch
      • Irene Villamor
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen30

    6,9425
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    Empfohlene Bewertungen

    8mikkocasipe

    Highly provocative!

    The film was first presented as your not so typical love story, but falls under these minor segues that adds mythology and historical Philippine beliefs into the mix, which leaves the audience begging for more. The mixture of Philippine superstition and its symbolic portrayal through the films animation provokes the audience to keep on wondering how the film would all tie up together. The sequencing of the film was also a breath of fresh air in contrast to your run of the mill box office hits, which effectively captures the interest of the audience as the unravel the mysteries that the film has to offer one sequence at a time. To limit the film only to one genre would be to disregard the brilliance of the film of how not only was it able to incorporate romance into the film, but to actually complement it with thriller and horror elements, likening it to a happy accident. What is most compelling in this film is the political satire that it was able to discreetly insert while progressing the story of the film but somehow being able to integrate into the minds of the audience, the impact of the environment in this country. Finally, the personification of Philippine myths is what makes this film stand out as it brought out a sense of humanity as to the imagination of our Filipino ancestry that we are able to appreciate it more vividly than we would usually like. All in all, the film prides itself in the substance and the message that it seeks to convey to the audience and urges them to look beyond the surface and see the collateral beauty in the world
    7elirizzamationg

    A powerful tale of love!

    Bittersweet romance. Ulan shows, not just fantasies, but the reality of finding and losing love.

    What I like most in the movie is the nostalgia it brings - the childhood that most Filipino kids have. It built Maya's character through the supertitious beliefs she was taught by her grandmother while growing up. The same beliefs she then held on as she went on with her life - her career and love life.

    Maya (Nadine Lustre) is your typical protagonist, but in a good way. She is the girl who craves romance, who is fearless in seeking it, and is brave to accept and move on from the pain it brings. On the other hand, Peter's character (Carlo Aquino) left you with the hardest question to answer - choosing between the calling to serve and the woman you love.

    Overall, the movie is pure passion, mystery, and art. The ending is tragic but nonetheless makes you want to fall or stay in love.
    7elirizzamationg

    A powerful tale of love!

    Bittersweet romance. Ulan shows, not just fantasies, but the reality of finding and losing love.

    What I like most in the movie is the nostalgia it brings - the childhood that most Filipino kids have. It built Maya's character through the supertitious beliefs she was taught by her grandmother while growing up. The same beliefs she then held on as she went on with her life - her career and love life.

    Maya (Nadine Lustre) is your typical protagonist, but in a good way. She is the girl who craves romance, who is fearless in seeking it, and is brave to accept and move on from the pain it brings. On the other hand, Peter's character (Carlo Aquino) left you with the hardest question to answer - choosing between the calling to serve and the woman you love.

    Overall, the movie is pure passion, mystery, and art. The ending is tragic but nonetheless makes you want to fall and stay in love.
    8carlsantos-85950

    A Philippine version of Pan's Labyrinth

    My first reaction after watching Ulan was that it was like the critically-acclaimed movie, Pan's Labyrinth. Both movies show the wedding between fantasy and reality within the gaze of a female character, amidst the backdrop of the prevailing social realities. But Ulan is even closer to the heart because it touches on Philippine realties.

    Ulan's narrative intertwines Maya's real situation with the mythical world created by the imagination of the young Maya. It shows the innocence, imagination, and hopefulness of a child and the sadness, horrors, and hopelessness of reality as then realized by the older Maya. While the young Maya can easily solve her dilemmas with a simple work of imagination - just transforming those bullies into eggs - the older Maya has to struggle. She has to deal with small paychecks, a sexist superior, and a disastrous lovelife. The great cinematography and smooth transitions between these two narratives have helped in the realization of this poetic vision of the filmmaker. Even with two different narratives, the film is still so coherent that no scene is wasted apart.

    What I really liked about the film is how it tackles Philippine social realities. It shows state neglect. It shows how the effects of natural disasters are aggravated by the lack of preventive actions and mitigating measures by the government . That beyond these concepts of forbidden love and tikbalangs, these current realities our the real hindrances in the fulfilment of our dreams and fantasies - just as how this torrential rain, brought about by anthropogenic climate disturbance as lamented by Ulan, the mythical creature, has shattered Maya's hope for a happy ever after. What I don't like though is that in the end, instead of teaching us the importance of volunteerism and collective pursuits is battling these realities, it has somehow disintegrated into mere self-love - see how Maya just held hands with her younger self in the end.

    Overall, Ulan is sui generis, a class on its own. It is beyond a fairytale. It is a poem and a piece of art. It pushes the viewers to look beyond its narrative and ponder on the meaning of every scene. It encourages critical thinking, which mainstream films would normally not do in fear of loss of audience and profits. It shows us that our typical romantic movies can be turned into a piece of art where every detail has its symbol and every scene has its interpretation. Above all, it somehow teaches us that amidst the grimness of our reality, we should not give up especially on our ideals.
    8carmelaanthea

    Engaging

    Ulan is a story of love, but it is not simply about romance. Though it injects elements of magic realism, it faithfully mirrors the realities of life - and one such reality is that things do not always go the way we want them to. Maya deals with unpredictability by weaving her own stories and finding solace in the superstitions imparted to her by her grandmother. But as the film unfolds, so does her growth. She learns acceptance - of what she cannot change, of her true strength, of the extent of love that she is capable of giving to others and reserving for herself. So yes, Ulan is a story of love - but more than just romantic love, it highlights the power of self-love.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Irene Villamor wrote the first draft of the script as early as 2005.
    • Soundtracks
      Ulan
      Performed by Janine Teñoso

      Words and music by Rico Blanco

      Published by Music R Us Publishing

      Produced by Civ Fontanilla

      Arranged by Kettle Mata

      Vocal supervision by Pauline Lauron

      Recorded by Joel Vitor

      Mixed and mastered by Joel Mendoza

      Recorded, mixed and mastered at Amerasian Studios

      Courtesy of Viva Records Corp.

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    FAQ

    • How long is Ulan?
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    Details

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    • Erscheinungsdatum
      • 13. März 2019 (Philippinen)
    • Herkunftsland
      • Philippinen
    • Offizielle Standorte
      • Official Facebook - Viva Films
      • Official Instagram
    • Sprachen
      • Tagalog
      • Philippinisch
    • Produktionsfirmen
      • Viva Films
      • N² Productions
      • Hooq
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 11.327 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 36 Minuten
    • Farbe
      • Color

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    Carlo Aquino and Nadine Lustre in Ulan (2019)
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    By what name was Ulan (2019) officially released in Canada in English?
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