In den 1960er Jahren sagt eine Großmutter den Einsturz eines Gebäudes voraus und rettet eine Gruppe Menschen vor dem Tod. Jahrzehnte später beginnt auch seine Enkelin, Visionen vom Tod ihrer... Alles lesenIn den 1960er Jahren sagt eine Großmutter den Einsturz eines Gebäudes voraus und rettet eine Gruppe Menschen vor dem Tod. Jahrzehnte später beginnt auch seine Enkelin, Visionen vom Tod ihrer Familienangehörigen zu haben.In den 1960er Jahren sagt eine Großmutter den Einsturz eines Gebäudes voraus und rettet eine Gruppe Menschen vor dem Tod. Jahrzehnte später beginnt auch seine Enkelin, Visionen vom Tod ihrer Familienangehörigen zu haben.
- Auszeichnungen
- 3 Nominierungen insgesamt
- Aunt Brenda
- (as April Amber Telek)
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When you make an instalment 14 years after the last, there's probably a sense that you have to do something a little different in order to justify it. And this film does mix the formula up - slightly. Just enough that it feels a little different, but not enough that it really alters the formula we have come to know and love.
The opening scene in this movie was really good. It was lengthy, fairly creative and had some great individual kills in the mix. From there thing go into a lull for a while, allowing the story to set itself up. Then the film goes bananas the rest of the way and we are treated to brilliant kill scene after brilliant kill scene. There are some really good ones in this film.
One thing that was a problem here - and something that has plagued the series in almost every film - is that it is riddled with unlikable characters. I can only think that's being done intentionally at this point to make people feel disposable and like no one is safe, but I can't help but feel the films would be slightly more impactful if the characters were a bit more likable overall.
All in all though I would say 'Final Destination: Bloodlines' was a lot better than it had any right to be 25 years after the original. 8/10.
The deaths are far more creative, and while the accidents themselves aren't typical for a horror movie, they're events you could imagine happening in everyday life. Still, these occurrences are something we haven't seen in the series before, making the film all the more unpredictable.
It's been 14 years since the last installment, and I'm glad the creators decided to bring Final Destination back. I think they nailed the essence of the story, and the film is just as good as the previous ones, if not better than some. The effects are incredible, the CGI is top-notch, and we've been lacking a high-quality horror film like this, especially in the last few years.
I have to mention that the film disgusted and shocked me more than the previous ones, which means they nailed the effects. This film not only satisfies fans of the franchise but also brings something new and revitalizes the series.
I liked it.. Especially how the story carries on.. as a family curse plot. Some people find Final Destination movies repetitive.. true. I guess hardcore fans might expect/anticipate every single shot because it follows the same path as the old movies. But this one is very enjoyable.
Really keeps you at the edge of your seat. Most accidents were amusing to be honest. Especially the one in the MRI machine. Very creative.
One of the things that bothered me the most was the way they handled Bludworth. In the previous films, he was a mysterious character who seemed to have a supernatural connection to death. In Bloodlines, he's reduced to just an ordinary guy. I'm pretty sure this wasn't the original vision for the character. It felt like they rushed to close his arc because the actor is reportedly sick and may not return in future installments. The Bludworth we see in this film doesn't align with the enigmatic presence we knew. The man who used to deliver eerie, metaphorical warnings now feels completely humanized and bland.
The Final Destination series has never been fully consistent in its lore, but it's 2025. If you're bringing a franchise like this back, you need to be more coherent and deliberate. The final train crash should have been Stefani's premonition. All the other films start with something like a finger cut cut. Or maybe Charlie should have had the vision at the prom. The CGI in the final scene was awful. It looked like something out of Spy Kids.
On the bright side, I did appreciate the emotional approach of focusing on a family rather than a group of classmates or coworkers for once. It helped the audience connect more deeply with the characters. I really liked Iris and thought Brec Bassinger did a great job. The Skyview Tower collapse, while not visually perfect, ranks among my top three openings in the franchise.
The hospital sequence was by far the best part of the movie. The MRI death easily enters my top five deaths across all the films. I also liked how complex the death order was this time. The butterfly effect was depicted pretty well.
Overall, the movie was watchable but fell short of my expectations. A more serious and darker tone would have been a better fit. Honestly, if the whole film had taken place in the 1960s and followed Iris and the diner characters, it might have turned out better. But the most important thing is this franchise needs to be taken out of Zach and Adam's hands. They are turning it into a kids movie with gore.
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- WissenswertesTony Todd was allowed total creative control over his final scene, since he clearly didn't have much time left and the crew wanted him to have the final word of his career. His final monologue was one that the crew encouraged him to use to impart some last advice to fans.
- PatzerThe way the MRI machine works in the film is completely unrealistic to life. While the magnetic forces of MRI machines can be strong and pull in metallic objects, the way the film portrays the machine is far from reality.
For starters, MRI machines are in a shielded room due to their strong magnetic forces and not in an office that anyone (doctors or patients) can walk in and out of. They are also always switched on and never turned off.
Even if MRI machines were able to be switched on and off, it would take more than a simple keyboard command to activate it. Also, computers wouldn't be in the same room as MRIs due to them being affected by the strong magnetic forces.
There's no gauge to increase or decrease the machine's strength either, nor is there an override feature or a "Do not exceed" warning level.
The strong magnetic fields are only strong when in close proximity to the MRI machine (10-15ft away).
Most MRI machines across the US alone have a max Tesla strength of 3T (3 Tesla), with very few going to up 7T (7 Tesla) like in the film. The highest Tesla strength on an MRI machine can go up to 11T (11 Tesla).
- Zitate
[his last words]
William Bludworth: I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck.
[walks off]
- Crazy CreditsTony Todd's credit in the closing titles is accompanied by a part of the "Final Destination" theme music.
- VerbindungenFeatured in Geeks + Gamers: Final Destination Bloodlines Trailer: Reaction (2025)
- SoundtracksBad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Craft Recordings, a Division of Concord
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Destino Final: Lazos De Sangre
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 138.130.814 $
- Eröffnungswochenende in den USA und in Kanada
- 51.600.106 $
- 18. Mai 2025
- Weltweiter Bruttoertrag
- 285.330.814 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1