Sharp Corner

Greetings again from the darkness. Purchasing a home is often called 'The American Dream.' For Josh and Rachel, it's even more special when their son, 6-year-old Max, refers to their new place as "a mansion". Sometimes (especially in movies) dreams turn into nightmares, and that's exactly what happens in this film from writer-director Jason Buxton (his first feature since his debut BLACKBIRD, 2012). Adapted from the short story by Russell Wangersky, this film is billed as a psychological thriller - which it is, yet it's also an enigmatic character study.

Ben Foster (HELL OR HIGH WATER, 2018) plays Josh. Only this isn't the Ben Foster we've come to expect. His usual high-intensity and simmering danger-on-edge is replaced by a mild-mannered man who is even a bit meek whether dealing with his wife or the new manager he once trained at work. Cobie Smulders (Maria Hill in the Marvel Universe) plays his wife Rachel, and their first night in the new house leads to one of the worst cases of coitus-interruptus in history. A car tire comes flying through the living room window just after the loud crash of a car hitting the tree in their front yard. The horrific wreck leaves a young man dead, and the family stunned.

As you might have guessed from the film's title, their new home is located on a dangerous curve. The only warning sign for drivers is mostly blocked by overgrown vegetation. Josh's reaction to the wreck amplifies his struggles at work, while also creating tension with Rachel. He wants to talk about it, and she wants to ignore it. A second wreck has Josh trying to comfort the driver. The wreck convinces Rachel it's time to move, while it simultaneously convinces Josh he could have saved the man's life. Clandestine CPR lessons follow, while family therapy exposes all we need to know.

Rather than a curve, Josh and Rachel come to a fork in the road ... and take different paths. While Josh becomes obsessed with waiting for the next wreck so he can save a life. Rachel simply wants to protect herself and her son, and avoid the obsessed Josh. He's a man who desperately wants to be a savior to strangers, when the best thing he could be is a father/husband. Foster's performance is unlike anything we have seen from him, and it can't help but make us feel uneasy. Director Buxton gives us an early sneak peek at the curve, but mostly we are confused as to why a speed bump or protective/reflective barrier hasn't been installed. Sometimes a movie leaves us feeling like it should have been more interesting, more entertaining, ... more something ... than it was. Foster keeps us watching, yet the whole thing feels a bit hollow.

Opens in select theaters and VOD on May 9, 2025.

It just moves along at a snails pace. I like the setting, the idea/story but it's just so slow. I like the direction the story goes but it's an agonizingly slow journey getting there. There are literally scenes of nothing for minutes at a time and you start yelling at the screen "C'mon something happen!" There are I believe three brief exciting scenes in the nearly two hour runtime. Several times throughout the movie I zoned out from boredom. A fairly original idea is what got me through to the end. I will say all the acting was top notch but as I said before it was just too slow. So was I entertained? Well, yes... for about 1\4 of the movie. Which is not nearly enough.

There were a lot of car accidents in this movie, but none were as bad as the disaster that this movie was.

Apparently it's based on a short film, and I have to wonder who thought it was a good idea to make this already boring story longer than it needed to be?

It's soooooooo slow and uninteresting for the majority of the duration.

There were scenes that were completely unnecessary. As I was trying to stay focused I thought to myself "this could have been a short" and little did I know it originally was. Why the run time of almost 2 hours is beyond me.

Not to mention that the story telling made no sense.

All that time wasted on useless scenes, and you could have addressed SO many issues that just lingered, and questions that never got answered. Waste of time. If you want something to lul you to sleep...this is it.

If you're looking for horror, explosions, death, car chases or other violence this isn't for you. This is a movie that requires your full attention and apsorption. If you're patient enough, and can stand long moments without sounds or flashing lights, you'll be rewarded with Ben Foster at his absolute finest. And choosing to bounce his crazed character off of the sorely-underappreciated Cobie Smulders' in the role of his baffled and frustrated wife was genius casting. She takes a script that could've been cookie-cluttered and, through lots of "face acting" (saying a lot but without words - which I love to watch good actors do) she turns it into my favorite character in the movie.

The rest of the supporting cast are impressive and believable but names I've never heard of. Probably all Canadians, given the filming location. Speaking of the location, IMDb doesn't have it listed quite right. The actual, almost 90° corner is where River Road and Terence Bay Trail intersect north of the IMDb-listed address. The house used in the movie was specifically built for the film on the southeast corner. It's even currently viewable on Google Maps. Regardless, the location and the way it was captured by the cinematographer perfectly captures the haunting spiral of Ben's character. The direction is moody and clever in its use of its angles, lighting, and framing.

Fair warning: the movie is slow. But it's supposed to be. Viewers expecting (needing?) constant attention and action will be disappointed. This is for lovers of psychological thrillers but without the usual bloodfest type of "thrills". This is a step-by-step trip into the declining brain of a delusional man. We're never really told how this psychosis might've manifested itself in the character (and I suppose it's not really necessary that we do know), but Ben Foster completely absorbs the role. It's been a long time since I've watched an actor take a character and flesh it out this much. Some of his scenes should be shown in college acting classes. 7 from me, but without Ben it might've been a 5 or 6.

I first heard about Sharp Corner in one of those "upcoming trailers" things you see on YouTube and it stood out as something unique, so I kept a note to watch it. The trailer was somewhat misleading, as there's not a whole lot of action to the movie, but it is an extremely tense psychological "thriller", a word people will debate. I was actually impressed! Ben Foster has gotten very good at playing weirdos.

There are a lot of moments of just someone standing around, looking around, sitting and thinking, but it never actually felt boring to me. There was always a building tension, the feeling that something might happen at any moment, because that's what the family was feeling. I was impressed with how well they did with a very minimal movie. I have a few complaints. The major standout was the CGI, which was only for a five second scene but it just didn't hold up to modern film standards. I also felt like the couple just...never felt like a couple. I also get annoyed by kids in movies, they rarely ever feel authentic, but that's a personal gripe.

Maybe I'm being a little generous, but I'm giving the movie an 8. It's much better than I was expecting.