IMDb-BEWERTUNG
4,7/10
5547
IHRE BEWERTUNG
Ein Raumkreuzer stürzt auf einem Planeten ab, auf dem sich ein intergalaktisches Gefängnis befindet.Ein Raumkreuzer stürzt auf einem Planeten ab, auf dem sich ein intergalaktisches Gefängnis befindet.Ein Raumkreuzer stürzt auf einem Planeten ab, auf dem sich ein intergalaktisches Gefängnis befindet.
- Regie
- Drehbuch
- Hauptbesetzung
Elliot James Langridge
- Jake
- (as Elliot Langridge)
Lois-Amber Toole
- Prisoner
- (as Lois Amber Toole)
Finley Sebastian Pearson
- Young Max Cloud
- (as Finley Pearson)
Craig Thomas Lambert
- Max Cloud's Dad
- (as Craig Lambert)
Nigel Black
- Prisoner
- (Nicht genannt)
Empfohlene Bewertungen
Recently I've been watching some old DVDs that are leftover from a video store I used to own. Even when I don't like a movie I always watch it to the end. I'm about halfway into this one but I'm not sure I will finish it. A stupid plot, the acting isn't great and the action scenes and special effects aren't very good either. It's not a really long movie but it still is a waste of time. I liked video games when I was younger so I thought a movie about someone being trapped in a game might be interesting but it isn't. I definitely don't think anyone should waste their time watching this pile of garbage.
I have no idea who Scott Adkins is, but all the other reviewers seem to have a negative opinion of his interpretation of his role... I don't understand this, not only did he have fun playing a silly video game character, mid-movie we learn that his character has a super cute back-story (stupid, sure, but that's the point! I was completely captured!)
So about the movie, it was a pastiche of the 80s/90s movies. The story is between Jumanji and that movie where two kids bring a hot chick alive through a TV, I just can't remember the title. Which is fine, those movies were forgettable, but still fun!
The pastiche works, the game character's presence and jokes are... wooden, and that's by design. The game, when shown as an SNES game, is awesome. Meanwhile, inside the game, the characters do and say stuff that's deeper than the arcade game they're in. That's absolutely awesome. There's a nod to printed game guides, character back stories, and all of that eventually completes the immersion. I've developed a game in my time and to me it was absolutely awesome seeing the discrepancy between what the sprite-based characters did in an arcade-style game, compared to a 80s/90s developer's idea of what the character actually was about. I won't mark this as spoiler, but you'll see what I mean when the time comes. And believe me, it's awesome through that lens.
I't's a B movie and it's aware of it, making the best of it. It's a pastiche of a tiny sub-genre of 80s/90s movies, so maybe not for everyone. But if you're in the right mindset, you will enjoy it. And hats off the the people who created the pixel art for the game, that was actually amazing and completely transparent, as opposed to the spaceship CGI which was obviously (but very consciously) crap ;)
So about the movie, it was a pastiche of the 80s/90s movies. The story is between Jumanji and that movie where two kids bring a hot chick alive through a TV, I just can't remember the title. Which is fine, those movies were forgettable, but still fun!
The pastiche works, the game character's presence and jokes are... wooden, and that's by design. The game, when shown as an SNES game, is awesome. Meanwhile, inside the game, the characters do and say stuff that's deeper than the arcade game they're in. That's absolutely awesome. There's a nod to printed game guides, character back stories, and all of that eventually completes the immersion. I've developed a game in my time and to me it was absolutely awesome seeing the discrepancy between what the sprite-based characters did in an arcade-style game, compared to a 80s/90s developer's idea of what the character actually was about. I won't mark this as spoiler, but you'll see what I mean when the time comes. And believe me, it's awesome through that lens.
I't's a B movie and it's aware of it, making the best of it. It's a pastiche of a tiny sub-genre of 80s/90s movies, so maybe not for everyone. But if you're in the right mindset, you will enjoy it. And hats off the the people who created the pixel art for the game, that was actually amazing and completely transparent, as opposed to the spaceship CGI which was obviously (but very consciously) crap ;)
The plot might not be the most original but the over the top campiness captures the essence of the 80s-90s perfectly. As someone who grew up in the 90s many of the references in this made me laugh out loud and the use of the Stan Bush music was perfect for this film. This is the type of light hearted film that I needed to watch right now and I had lots of fun with it.
After 10 minutes of the movie I wanted to turn it off, but I was just curious to see how it played out and for a b-movie it's actually not to bad.
Not even a good bad, or a "so bad it's funny" nor a "bad B movie", but...
There's some good. I like the music, the CG looks nice and colorful. The rest is bad and just weird , and again, not a good weird. Another talented one lost his funding to that crap most certainly, unless it's totally self funded...
Wusstest du schon
- WissenswertesScott Adkins said he based his performance of Max Cloud on Ron Burgundy, the title character from Anchorman: The Legend of Ron Burgundy.
- PatzerAfter Sarah is transported into the video game, she supposedly can't control her own movements, needing her friend Cowboy to do so through the game controller. But there are numerous times where she moves of her own volition, like at 18:16 when she says "the Space Witch" and abruptly decides to head in the opposite direction, or at 19:15 when she opts to step in front of Max Cloud to block him from entering the main deck.
- Crazy CreditsAfter the ending credits, "Do not fear, Max Cloud is here'' is heard.
- VerbindungenFeatures Die rabenschwarze Nacht - Fright Night (1985)
- SoundtracksAce of Face
Performed by Bim Amoako-Gyampah
Written by Alessandro Gigante, Roberto Gigante, and Robbie Irving
Courtesy of House of Emeralds Ltd
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Max Cloud
- Drehorte
- Produktionsfirmen
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- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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