IMDb-BEWERTUNG
5,0/10
6993
IHRE BEWERTUNG
Eine junge Polizistin übernimmt bereitwillig die letzte Schicht in einer gerade stillgelegten Polizeistation, um die mysteriöse Verbindung zwischen dem Tod ihres Vaters und einer bösartigen ... Alles lesenEine junge Polizistin übernimmt bereitwillig die letzte Schicht in einer gerade stillgelegten Polizeistation, um die mysteriöse Verbindung zwischen dem Tod ihres Vaters und einer bösartigen Sekte aufzudecken.Eine junge Polizistin übernimmt bereitwillig die letzte Schicht in einer gerade stillgelegten Polizeistation, um die mysteriöse Verbindung zwischen dem Tod ihres Vaters und einer bösartigen Sekte aufzudecken.
- Regie
- Drehbuch
- Hauptbesetzung
Macedonia Alexis
- Cult Singer
- (Synchronisation)
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*NON SPOILER*
First of all, although both films shadowed eachother (as Malum is a remake), especially on the randomness front, back in 2014 when we were introduced to the Last Shift it was totally original and a lot more atmospheric.
Both films masterfully play on intense minimal locations and a small cast to create an unsettling experience. In Last Shift, the protagonist, Officer Jessica Loren, is portrayed with nuance, and her descent into terror feels palpable and real. The film's pacing is tight, with each scare and revelation meticulously timed to keep viewers on edge. In contrast, Malum, which also has the same director Anthony DiBlasi, somehow loses the magic of the original. Despite having a bigger budget and better production values, Malum lacks the tight narrative and atmospheric dread that made Last Shift so effective.
In summary, while Malum has the technical polish that Last Shift lacked, it ultimately fails to deliver the same level of psychological horror and engaging storytelling. Last Shift remains a superior film, with its clever use of suspense and atmosphere making it a standout in the horror genre (and it was very original at the time), whereas Malum feels like a hollow imitation, focusing on superficial scares rather than true horror.
First of all, although both films shadowed eachother (as Malum is a remake), especially on the randomness front, back in 2014 when we were introduced to the Last Shift it was totally original and a lot more atmospheric.
Both films masterfully play on intense minimal locations and a small cast to create an unsettling experience. In Last Shift, the protagonist, Officer Jessica Loren, is portrayed with nuance, and her descent into terror feels palpable and real. The film's pacing is tight, with each scare and revelation meticulously timed to keep viewers on edge. In contrast, Malum, which also has the same director Anthony DiBlasi, somehow loses the magic of the original. Despite having a bigger budget and better production values, Malum lacks the tight narrative and atmospheric dread that made Last Shift so effective.
In summary, while Malum has the technical polish that Last Shift lacked, it ultimately fails to deliver the same level of psychological horror and engaging storytelling. Last Shift remains a superior film, with its clever use of suspense and atmosphere making it a standout in the horror genre (and it was very original at the time), whereas Malum feels like a hollow imitation, focusing on superficial scares rather than true horror.
As a casual viewer of horror movies, it's quite concerning to see directors resorting to rehashing their own movies, especially when they were mediocre to begin with. Malum, a remake of Last Shift, is just another example of egotistical directors trying to salvage their past failures with bigger budgets. Last Shift had some potential. It's disappointing to see a director not learn from their mistakes and try to make up for it by throwing more money at the problem. The only thing that seems to have improved in Malum is the soundtrack and production value, but that doesn't make up for the lackluster storyline and characters. To be honest, Malum is just another generic horror movie with no real substance or creativity. The constant terror and violence get old quickly, and it's hard to invest in characters that are one-dimensional and uninteresting. It's a shame that there are no fresh ideas or surprises in this movie, and it's certainly not worth the time or money to watch.
I'm still trying to wrap my brain around why "Last Shift" needed a "re-imagining"? As one of the truly great horror films of the last 10 years, I was actually looking forward to the writer/directors next film, and when I heard it was going to be a "re-imagining" of the movie, it raised several alarms. After watching the film, I can confidently say that the only reason this was done was to race swap the main character, and to me, this is one of the most offensive things anyone can do to an already established franchise.
Aside from some great acting by the Male cast members, and some great SFX and gore, this movie is less frightening, less dynamic and definitely less memorable than Last Shift. In fact, I watched this with my partner and in the end he said, "The person who made this should never be allowed to make another movie in their lives". Was this the reaction the creative team was going for, because I'm guaranteed he wouldn't have had the same reaction to Last Shift.
As it stands, I'm getting tired of these creative teams forcing diversity and race-swapping characters just to meet a quota. But I guess that precious ESG score to guarantee funding for projects is more important than creative integrity these days, isn't it?
Summary; Don't watch this movie and just watch Last Shift again. This re-imagining is worse in almost every possible way, and wont be remembered nearly as fondly as the film it claims it is.
Aside from some great acting by the Male cast members, and some great SFX and gore, this movie is less frightening, less dynamic and definitely less memorable than Last Shift. In fact, I watched this with my partner and in the end he said, "The person who made this should never be allowed to make another movie in their lives". Was this the reaction the creative team was going for, because I'm guaranteed he wouldn't have had the same reaction to Last Shift.
As it stands, I'm getting tired of these creative teams forcing diversity and race-swapping characters just to meet a quota. But I guess that precious ESG score to guarantee funding for projects is more important than creative integrity these days, isn't it?
Summary; Don't watch this movie and just watch Last Shift again. This re-imagining is worse in almost every possible way, and wont be remembered nearly as fondly as the film it claims it is.
Last Shift (2014) actually happened to be my favorite horror movie of that year. It was a huge surprise watch for me going in completely blind, not having even seen a preview... Malum is a remake/reimagining of that movie by the same writer/director, Anthony DiBlasi. I questioned the existence of this remake after I saw the trailer since it's only 9 years after the original, and I still question its existence after watching it.
Don't get me wrong, it's a decent watch & a solid horror movie with improved production, graphic gore and an expansion of the cult premise. With all of the added aspects it's strange that it's only 4 minutes longer than the original. But I feel like this is an example of "less is more" where the ambiguity of Last Shift worked more in its favor, while the expansion of the lore regarding the cult makes Malum feel more derivative. There is a particular creepy "jingle" that is used in both movies, but I feel it is over-used in this movie. Also, there are certain aspects of Malum where it can't seem to decide what it wants to be. There's just too much here that reminds me of Hereditary (and other movies), which is somewhat ironic since the same evil entity is mentioned in Last Shift, but not in Malum (if I remember correctly).
However, I can recommend this movie whether or not you've seen Last Shift, but you may enjoy it more if you haven't seen it. It manages to be effectively creepy like the original while being more polished. For streaming, maybe wait for the rental price to go down.
I gave Last Shift (2014) a 8/10. I give Malum (2023) a 6/10. A solid effort with improved production, but it overall falls short of the effectiveness of the original. It's definitely not a bad remake, just not a necessary one.
Don't get me wrong, it's a decent watch & a solid horror movie with improved production, graphic gore and an expansion of the cult premise. With all of the added aspects it's strange that it's only 4 minutes longer than the original. But I feel like this is an example of "less is more" where the ambiguity of Last Shift worked more in its favor, while the expansion of the lore regarding the cult makes Malum feel more derivative. There is a particular creepy "jingle" that is used in both movies, but I feel it is over-used in this movie. Also, there are certain aspects of Malum where it can't seem to decide what it wants to be. There's just too much here that reminds me of Hereditary (and other movies), which is somewhat ironic since the same evil entity is mentioned in Last Shift, but not in Malum (if I remember correctly).
However, I can recommend this movie whether or not you've seen Last Shift, but you may enjoy it more if you haven't seen it. It manages to be effectively creepy like the original while being more polished. For streaming, maybe wait for the rental price to go down.
I gave Last Shift (2014) a 8/10. I give Malum (2023) a 6/10. A solid effort with improved production, but it overall falls short of the effectiveness of the original. It's definitely not a bad remake, just not a necessary one.
...then the director must have had an awful lot of really competent help creating Last Shift, because that is a well done, well acted and well written horror film, while Malum is a schlocky gore fest with inane acting and dopey dialog.
Just watch the first 15 minutes of Malum and then switch over to Last Shift and watch the first 15 minutes of that. It is a travesty how badly Malum compares to Last Shift in the same scenes - the acting is abysmal, in particular the alleged actress in Malum compared to the believable actress in First Shift, and the dialog has been severely dumbed down in Malum - and the dialog in First Shift was simplistic enough.
Really, nothing about Malum is horrific, unless you count what it's done to the reputation of the director.
Just watch the first 15 minutes of Malum and then switch over to Last Shift and watch the first 15 minutes of that. It is a travesty how badly Malum compares to Last Shift in the same scenes - the acting is abysmal, in particular the alleged actress in Malum compared to the believable actress in First Shift, and the dialog has been severely dumbed down in Malum - and the dialog in First Shift was simplistic enough.
Really, nothing about Malum is horrific, unless you count what it's done to the reputation of the director.
Wusstest du schon
- WissenswertesThe film is a remake/reimagining of director Anthony DiBlasi's earlier 2014 film Last Shift (2014).
- PatzerAt the climax of the film Jessica is carrying a shotgun and uses it, then drops it to the floor. A few minutes later she reaches for it and grabs it, but when she pulls it closer to herself, she is suddenly holding a handgun instead of a shotgun.
- Crazy CreditsThe chant that the worshipers used to sing is heard at the end of the credits roll.
- VerbindungenFeatured in Horrible Reviews: The Horrors Of 2023: Malum | Video review (2023)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Астрал. Ритуал Малум
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 221.738 $
- Eröffnungswochenende in den USA und in Kanada
- 221.738 $
- 2. Apr. 2023
- Weltweiter Bruttoertrag
- 704.776 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Seitenverhältnis
- 2.00 : 1
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