Cold Case Hammarskjöld

Seasoned Danish jinvestigative journalist Mads Brugger has the soul of a cultural anthropologist, as 'Cold Case Hammerskjold'bears witness. Accompanying Swedish private investigator Goran Bjorkdahl, in whose possession is a 'bullet' riden metal plate he suspects belonged to the airplane in which UN Secretary General Dag Hammerskjold was shot down and died. Brugger's documentary is an exercise in re-engaggin with the past to elucidate the events and leads pointing to Hammerskjold's death on 18 September 1961, as he going to meet Moise Tchombe leader of the copper and mineral rich province of the newly independent Congo (ex Belge), in Northern Rhodesia (today Zambi To me, then a schoolboy in Africa, the documentary conjures up vivid memory of the heady days of decolonization and dashed hopes from the grips of colonial powers. For we never doubted that the black hand of the US, UK, Belgium and South Africa had something to Hammerksjold's demise, directly or through its hired hands or secret ops. The assassination of Hammerskjold is story synonymous with villainy. Bjorkdahl's investigation of this cold case is ongoing in the Congo.Brugger's script is dissection of a cultural and political ethos that breaks down a complex picture in to manageable and credible detail, for a wider lens of the killing of a UN secretary general. Hammerskjold the man's 'Markings', a best seller, is replete with hope and poetry, but he had a cold eye for the darkness in the heart of men. He had high hopes that once liberated from the shackles of colonialism, the newly independent could purpose freely the interests of their country and people. This conceit was an anathema for colonial powers who reluctantly let their colonies one by one go, peacefully or through war. In other words, Hammerskjold was a dangerous man who had to be stopped. Brugger, ably assisted by Bjorkdahl, tries to role play, even to thee point of wearing white clothing, to appear like the head of the South African 'Commander' who leader a secret mercenary entity--the South African Institute of Maritime Research. SAIMR engaged in endless bag of bag, inimical tricks. Like underground runner roots, SAIMR engaged in assassination, guerilla warfare, biological and medical tricks, including suspicion of spreading HIV among black Africans to eradicate them. The pair discover the name of the Belgium who shot down Hammerskjold, the role of the CIA, British MI6 and South African secret services whose SAIRM may have been an arm of the British black arts. AS such, even some evidenc presented to SA's Truth and Reconciliation panel proved too hot to consider, hence in the case of SAIRM biologist Daphne Friel's murder, was soundly ignored. Brugger and Bjorkdhaal did something obvious: they interviewed Zambian blacks who had memories of Hamerskjold plane shot down. Something which the powers that be ignored, as they had had when their colonized subjects were once chose to ignore or see or hear, less than human they! And Brugger unravels his approach bu hiring two black secretaries, whom he questions about his work and approach. Two women of intelligence who question serious his asssertions. And, moreover respects, a neat tour de force. After six years on the ground, Brugger wraps up his findings as Bjorkdhal like the will of the wisp tries to track down SAIMR's biologial in the interior of the Congo. This unusal film deerves to be seen and as the death of Hammerskjold discloses revisit a sad chapter in African history, and the refusal of the US and colonial Europe to cast aside their loss of identity as imeprialists.

"I believe that we should die with decency so that at least decency will survive." Dag Hammarskjold

In 1961 the secretary general of the United Nations, Dag Hammarskjold, died in a plane crash on his way to negotiate peace for a nation torn apart by apartheid. Director Mads Brugger and co-investigator Goran Bjorkdahl in Cold Case Hammarskjold craft a fascinating documentary about that crazy world in which not only does he seem to prove a plot to kill Hammarskjold, he also suggests a military group, SAIMR, is responsible for spread of HIV as a way of eradicating blacks in Africa.

"Only the subject remains noble with this gallery of suspects: It is playing safe that we create a world of utmost insecurity." Dag Hammarskjold

This undeniably interesting doc seems to suggest rightly some of the blame for the death, but the virus motif was as recently as July debunked in part by the New York Times. At least the Times has scientifically cast doubt on any group's ability to spread clinically the virus in a whole population.

As Brugger deftly transitions from the plane disaster to the virus, more bad actors appear, and the Hammarskjold murder takes a back seat, albeit the death can be seen as a strategy to take out a major player in the anti-apartheid movement. Although the motives and characters seem to multiply dazzlingly, Brugger knows how to spin the facts into engaging drama.

See this challenging doc to bone up on your African history and gain some insight into how organizations like the CIA and SAIMR operate and get away with murder. Although Angel Has Fallen beats Cold Case cold in the box office races, it can't get close to beating a doc that keeps you guessing and sometimes really leaves you cold.

"Life only demands from you the strength that you possess. Only one feat is possible; not to run away." Dag Hammarskjold

Swedish investigator Goran Bjorkdahl deserves great credit for uncovering and preserving a few new pieces of evidence in the Hammarskjold mystery. The subject matter of the investigation is important but this director's presentation is horrid.

Director and presenter Mads Brugger comes off as a self-important and meandering fool in the overly long and unfocused film. Edit out all of the scenes where Brugger is just taking up screen time and speed the pace of the other 60% of the film, and you could end up with a much tighter and more effective 60-80 minute film.

I hope documentarian Ravi Somaiya, who has written a compelling book on the same subject, will build upon this base and create something more worthy of this much viewing time.

Mystery, murder, conspiracy; Cold Case Hammarskjöld has it all. It will draw you to the edge of the seat, make your jaw drop and most likely leave you in awe at the end of the film. If we accept that the goal of this documentary is to call attention to the matters discussed and portrayed in this documentary, then indeed it fulfills its purpose outstandingly. If however it is to be taken as a 'mystery solved documentary', like in the case of The Thin Blue Line (Morris, 1988) , then it fails miserably. Luckily the latter, in my opinion, does not seem to be the case. Therefore I can highly recommend watching this thriller of a documentary. Hopefully the story will receive a part two, because it needs one.

The first half of this documentary reads as a kind of sly, long con in which the film maker has somehow managed to get funding for a multi-year, multi location field trip. He can't believe his luck and starts off thinking much of the initial story is some kind of elaborate hoax.

Much to his surprise as he and the other investigator quite literally dig deeper they are rewarded by a much bigger story that is actually quite shocking.

However we can't quite be sure if the super witnesses are the real thing or actors playing a part. The secondary story seems to me to be the quite serious and deserving of a follow up.

The initial story around the death of the UN's Secretary general at the time does give us more context and that part of the story has quite rightly attracted a number of headline stories.

The secondary tall tales seem quite feasible but the tone of the overall expedition / documentary seem more mockumentary like. The format seems il suited to the secondary and more mysterious context and politics.

This is very much like that moment in Jaws where the character says - "we're gonna need a bigger boat" but he does recognise this but only in an oblique way.

This discordant contrast between the jokey tone of the initial story and the wider context makes it hard to know what it is that we have just seen. At times the style is very meta with Mads Brügger ( director & one of the investigators) unsure what to do with all of the revelations.

I personally hope that some other journalists or investigators follow up on this. If the director gets to film a part 2 I'm up for it.