IMDb-BEWERTUNG
5,8/10
1273
IHRE BEWERTUNG
Als sich eine Gruppe von Forschern auf die Suche nach einem Yeti begibt, werden sie von einer uralten Rasse außerirdischer Kreaturen gefangen genommen.Als sich eine Gruppe von Forschern auf die Suche nach einem Yeti begibt, werden sie von einer uralten Rasse außerirdischer Kreaturen gefangen genommen.Als sich eine Gruppe von Forschern auf die Suche nach einem Yeti begibt, werden sie von einer uralten Rasse außerirdischer Kreaturen gefangen genommen.
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Empfohlene Bewertungen
Younger viewers need to understand that, however odd this film may seem, this was precisely and absolutely the way Sci-Fi was done 75 years ago. The stop motion animation in Harryhausen style speaks for itself. The name Rondo Montana (!) speaks for itself. The script seems an assembly of short, staccato, phrases totally lacking in emotion punched up by a soundtrack overflowing with gravitas -- exactly the sort of presentation most of us from that era remember. The only thing jarring to this reviewer was the use of color. Every synapse in my brain said this should have been in B&W. The only benefit color gave us was the needless awareness that, no matter how dirty their surroundings, the players always wore spanking clean outfits, as if right off the shelf from the local Target. Always been a fan of the Mills sisters, and nice to see Juliet once again commanding an entire film. For viewers of a certain age, a treat. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Usually when a project has been shelved for a long time it's for a reason - either it's not that good to begin with or there's just not enough time or money to finish it properly. Thankfully The Primevals was the latter.
When I read the film's history I was fascinated by it - a movie almost fifty years in the making just couldn't be otherwise. David Allen had a distant vision of how it was going to be way back in the late sixties but only came as close as shooting it in the mid-nineties but still wasn't able to finish it before his death in 1999. Only twenty years later the movie was picked up to finally be finished and to pay proper respects to its original idea and the people behind the 1990s production. So, was it all worth waiting that long for? Absolutely.
First and foremost, The Primevals is a movie without CGI which is obscenely rare in the 21st century - instead it utilizes stop-motion, animatronics and puppetry to bring its creatures to life - a long forgotten art form since the rise of computers in the late 1970s, and it makes this movie truly stand out above all the recent ones. Sure, the creatures don't look realistic enough this way but this story is not about realism, it's about the soul.
Nowadays people tend to have completely forgotten what cinema is all about - originality, new ideas that give you food for thoughts, something you haven't seen or heard before, and not just a pretty picture with words. Don't get me wrong, The Primevals is no Citizen Kane, nor is it 2001: A space odyssey or even Star Wars - its story is far from being original even remotely as we've seen many alike examples in the 1950s and 1960s during the second Renaissance of stop motion movies but it's something that this work of art represents that makes it worthy being released now, in 2024. I'm sure would it have been released as soon as David Allen pitched his idea to the producers, or even in the 1990s when he shot the movie it would have been instantly lost among its contemporaries but today it ought to be remembered as a relic that's still more relevant and way better than most of its contemporaries.
The stop motion itself is nearly perfect and I was amazed at how well it's handled in the movie. The same was with the music score - simply beautiful, grandiose and is suitable for something more epic than what was on the screen but not less impressive in any way. The only downpoint is probably the actors and their wooden performances that hadn't given us the full spectrum of emotions when on a journey discovering a brand new world - it felt more like they've been doing this every other Sunday. The narrative moves itself here and the actors blindly follow it - it's not that uncommon in adventure flicks but still, it would have been nice to have at least one charismatic character among the bunch presented in The Primevals but there was none.
Overall I feel like no matter when the movie's released and what production hell it's been through The Primevals is a well-crafted picture hands down and I would have given it the same rating despite the circumstances.
When I read the film's history I was fascinated by it - a movie almost fifty years in the making just couldn't be otherwise. David Allen had a distant vision of how it was going to be way back in the late sixties but only came as close as shooting it in the mid-nineties but still wasn't able to finish it before his death in 1999. Only twenty years later the movie was picked up to finally be finished and to pay proper respects to its original idea and the people behind the 1990s production. So, was it all worth waiting that long for? Absolutely.
First and foremost, The Primevals is a movie without CGI which is obscenely rare in the 21st century - instead it utilizes stop-motion, animatronics and puppetry to bring its creatures to life - a long forgotten art form since the rise of computers in the late 1970s, and it makes this movie truly stand out above all the recent ones. Sure, the creatures don't look realistic enough this way but this story is not about realism, it's about the soul.
Nowadays people tend to have completely forgotten what cinema is all about - originality, new ideas that give you food for thoughts, something you haven't seen or heard before, and not just a pretty picture with words. Don't get me wrong, The Primevals is no Citizen Kane, nor is it 2001: A space odyssey or even Star Wars - its story is far from being original even remotely as we've seen many alike examples in the 1950s and 1960s during the second Renaissance of stop motion movies but it's something that this work of art represents that makes it worthy being released now, in 2024. I'm sure would it have been released as soon as David Allen pitched his idea to the producers, or even in the 1990s when he shot the movie it would have been instantly lost among its contemporaries but today it ought to be remembered as a relic that's still more relevant and way better than most of its contemporaries.
The stop motion itself is nearly perfect and I was amazed at how well it's handled in the movie. The same was with the music score - simply beautiful, grandiose and is suitable for something more epic than what was on the screen but not less impressive in any way. The only downpoint is probably the actors and their wooden performances that hadn't given us the full spectrum of emotions when on a journey discovering a brand new world - it felt more like they've been doing this every other Sunday. The narrative moves itself here and the actors blindly follow it - it's not that uncommon in adventure flicks but still, it would have been nice to have at least one charismatic character among the bunch presented in The Primevals but there was none.
Overall I feel like no matter when the movie's released and what production hell it's been through The Primevals is a well-crafted picture hands down and I would have given it the same rating despite the circumstances.
I really wish I could give this movie a ten rating for the amount of heart that was put into it. This was a nice nostalgic trip back into time for those of us who grew up with these fantastical, silly, yet still entertaining movies.
Ray Harryhausen was such an inspiration for so many people, and I think David Allen did a fantastic job and it's sad that he wasn't alive to see his last project come to fruition.
My thanks to all that helped pay for the completion of this film.
I would say this was better than half of all the Doug McClure movies I used to watch. Some acting was bad, some wasn't. Some of the writing was good, some wasn't. Still, I was entertained, and that was all I was hoping for.
Ray Harryhausen was such an inspiration for so many people, and I think David Allen did a fantastic job and it's sad that he wasn't alive to see his last project come to fruition.
My thanks to all that helped pay for the completion of this film.
I would say this was better than half of all the Doug McClure movies I used to watch. Some acting was bad, some wasn't. Some of the writing was good, some wasn't. Still, I was entertained, and that was all I was hoping for.
I don't know why this movie is rated so low. It's not great but it is entertaining. It feels like a 90's episode of The Lost World, but in a good way. Every ten minutes a new plot twist is implemented, and the action is fun. Cheesy, but fun. I can point out its flaws such as the cardboard acting, forgettable stereotypical characters, low budget sets, etc., but it all adds to the entertainment value. If you like conspiracy theories, movie making, and/or 90's style adventure this movie is for you. And, as others have surely harped on, the stop motion is great. It feels slow-mo in places, but it's something that can be overlooked. I enjoyed this movie.
Watching this movie I soon found it very familiar in it's production. It seemed to be the good old times of the 1980's when some very good movies were made. This one had very familiar music to what was produced in those times.
I have now seen the IMDb review of michaelprescott-00547 and he enlighted me that this project originated in the late 70's but never saw the light then.
A very nice movie was finally made and I can give this a sound 7 stars. I see that another movie is made or being made this year (2024) by David Allen, but on checking the information, it is a documentary on this movie and probably why it took so long to come to fruition.
I have now seen the IMDb review of michaelprescott-00547 and he enlighted me that this project originated in the late 70's but never saw the light then.
A very nice movie was finally made and I can give this a sound 7 stars. I see that another movie is made or being made this year (2024) by David Allen, but on checking the information, it is a documentary on this movie and probably why it took so long to come to fruition.
Wusstest du schon
- WissenswertesThe live action scenes and a majority of the stop motion effects were all filmed in 1994, but David Allen, the director, had passed away due to cancer in 1999. The studio that was making this movie, Full Moon Studios, was also having financial issues so they had to keep postponing the production of the movie, until they ran out of money and had to shelf it. In 2019, after an online fundraising campaign, the original effects artist, Chris Endicott, returned to complete the remaining stop motion sequences.
- Alternative VersionenTwo edits were created, one for general release, and "The David Allen Version," which was compiled for home video. Running 7 minutes longer, it features several unfinished scenes in which storyboarded creatures are animated into the filmed footage. Notable scenes include an extended sequence in which the group tries to evade a dinosaur-like creature, a more extensive flashback scene in the UFO, and numerous additional moments with the creatures at the film's climax.
- VerbindungenFeatured in Full Moon Universe: June 20th, 2023 (2023)
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- David Allen's the Primevals
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- 1 Std. 31 Min.(91 min)
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