Die Königin des Nordens

When i came across that movie i knew that i must see it. As a huge fan of historic movies, my expectations were high ,however, the movie itself let me quite disappointed. The storytelling is good although i found myself bored and sometimes instead of watching i checked my mobile phone. In my opinion the other characters deserved more space in order to better describe their backgrounds as well as intentions. I could recommend the movie to everyone who is interested in history or good drama.

I think this is he best medieval age movie made in Scandinavia so far, and tells the story about when Queen Margrete I was told she lost her son to the plague, and then he turned up many years later. Or did he?

She was quit convinced but noone seemed to recognize him as grown up.

He was also the single heir, and was claiming the throne, which was seen as an opportunity for an impostor.

Well played, great storytelling as well as perfect setting.

High quality all the way. Excellent actors and touching story. The best movie I have seen in a long time. I had wet eyes by the acting and the story. Trine Dyrholm is just incredible.

With the Kalmar Union still in it's infancy, Queen Margrete (Trine Dyrholm) is trying to keep the Danes, Swedes and Norwegians aligned under the nominal kingship of her adopted son Erik (Morten Hee Andersen) in the face of the increasing fear of aggression from the neighbouring Germans. This task is suddenly made much more difficult when a pretender to his throne is unveiled. This gent (Jakob Oftebro) claims to be the son of the queen, and though she certainly had a son it was thought that he had been murdered many years earlier. The Norwegians are quick to support this new claim, but she is less inclined to panic and/or to execute summary justice - and that rouses suspicions about the stranger's true identity amidst the nobles and manages to antagonise her adopted son who has no intention of surrendering his throne. Adding to the pressures building on the Queen, Erik is set to marry the daughter of King Henry IV of England to cement a relationship that could help guarantee everyone's safety - but will the English want their royal dynasty married into the wrong family? Gradually, we all realise that there has been quite a degree of conspiring and lying going on for many years that spreads right to the heart of not just the kingdom, but to an influential church that cannot be guaranteed to do the right thing if it's not in it's own interests. This is quite a well produced and paced historical drama that illustrates quite engagingly the difficulties faced by anyone in holding together this loose confederation of warring nations. The fact that she was a woman doesn't appear to have inhibited her power, indeed her guile and shrewdness appear to have been quite well respected by those who appreciated her goals for unity and peace. To that end Dyrholm delivers competently, as does Søren Malling as the duplicitous priest and a solid supporting cast. It's perhaps a little verbose and also a little tame at times, but it's a period of history that is interesting to discover more about as the viking nations emerged from their raping and pillaging phase into something altogether more cohesive and important in the grand scheme of European politics. It's worth a watch if you're interested in (theatrical) Nordic history.

Karmar Union of Norway, Sweden (included Finland) & Denmark headed by Queen Margrete (Margaret) of Denmark (ruled from 1380s until 1412). Wary of Germany an English royalty daughter, Philippa (age about 12), in 1406 is married to King Erik (adopted son of Margrete) to provide an alliance with England. Margrete's birth son, Olaf, is the main mystery when he shows up after 15 years, after supposedly dying, to claim the throne. A good job of cramming a lot of potentially confusing history into 2 hours.