Eine Fantasy-Nacherzählung der mittelalterlichen Geschichte von Sir Gawain und dem Grünen Ritter.Eine Fantasy-Nacherzählung der mittelalterlichen Geschichte von Sir Gawain und dem Grünen Ritter.Eine Fantasy-Nacherzählung der mittelalterlichen Geschichte von Sir Gawain und dem Grünen Ritter.
- Regisseur/-in
- Autoren
- Stars
- Auszeichnungen
- 21 Gewinne & 119 Nominierungen insgesamt
Anaïs Rizzo
- Helen
- (as Anais Rizzo)
Tara Mae
- Middle Sister
- (as Tara McDonagh)
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The Green Knight came highly recommended. I went in wanting to love it, but left disappointed. The cinematography and visual execution in the film are outstanding (with the exception of the weakly CGI'd fox). The movie drops the viewer into a fully realized medieval fantasy, complete with talking creatures, witchcraft, a ghost, and even a traveling crew of giants in a segment that made little sense. It's fortunate that the scenes are so dazzling, because you'll be staring at them a while. The movie trudges along for over two hours.
For plot, the Green Knight tells the story of Sir Gawain, King Arthur's unaccomplished nephew who appears to spend much of his time drinking or fraternizing with a prostitute he fancies but is unwilling to progress the relationship any further beyond transactional. On Christmas, at the King's feast, the eponymous Green Knight appears, a creature with a human shape but made of trees and plants. He proposes a game: anyone who strikes him will receive his powerful ax, but in one year, that individual must go to the Green Knight's home, an earthen chapel, and receive the same strike in return. Gawain beheads the Green Knight, achieving instant fame throughout the kingdom. As the following year slips away, Gawain then faces his obligations and sets off on the journey to meet the Green Knight.
It's a film that asks Big Questions, about the meaning of being human and facing one's death, about honor, duty, and chivalry, and even about love. After raising these issues early on, once Gawain begins his travels, the film then instead forefronts the slog of the journey. Maybe the unpleasantness of duty is part of the point, but it's not enjoyable viewing either. Several of the stops along the way seem nothing more than pretty, pretentious asides - dreamlike aspects of the film's world that they just couldn't cut during editing - rather than necessary portions of plot. The movie was stuffed with these aspects and overlong as a result, resulting in a viewing experience that felt tedious by the time the credits rolled.
For plot, the Green Knight tells the story of Sir Gawain, King Arthur's unaccomplished nephew who appears to spend much of his time drinking or fraternizing with a prostitute he fancies but is unwilling to progress the relationship any further beyond transactional. On Christmas, at the King's feast, the eponymous Green Knight appears, a creature with a human shape but made of trees and plants. He proposes a game: anyone who strikes him will receive his powerful ax, but in one year, that individual must go to the Green Knight's home, an earthen chapel, and receive the same strike in return. Gawain beheads the Green Knight, achieving instant fame throughout the kingdom. As the following year slips away, Gawain then faces his obligations and sets off on the journey to meet the Green Knight.
It's a film that asks Big Questions, about the meaning of being human and facing one's death, about honor, duty, and chivalry, and even about love. After raising these issues early on, once Gawain begins his travels, the film then instead forefronts the slog of the journey. Maybe the unpleasantness of duty is part of the point, but it's not enjoyable viewing either. Several of the stops along the way seem nothing more than pretty, pretentious asides - dreamlike aspects of the film's world that they just couldn't cut during editing - rather than necessary portions of plot. The movie was stuffed with these aspects and overlong as a result, resulting in a viewing experience that felt tedious by the time the credits rolled.
I've got to admit, I'm very confused by all of the negative reviews. Were people expecting A Knight's Tale? This is an A24 artsy movie, it's not a popcorn movie. That being said, I found it very engaging. It's slightly slow paced, only because each scene takes its time, but I did not find it boring. In fact, I found it fairly riveting and propulsive for a movie of its kind. There is a thick atmosphere by way I of very compelling visuals and music, which reminded me of an Alex Garland movie, like Annihilation or Men, but set in medieval times.
The movie is also extremely thought provoking. There are several interesting themes of the movie: 1) The nature of chivalry and honor, 2) The meaning or meaninglessness of life and death. There are also some interesting choices about race and color.
I will say, I did read the original legend before seeing the movie, and perhaps that increased my enjoyment of the movie. It's short, and will only take you a few hours. It was very interesting to see in what ways Lowery chose to stay true to the story, versus what says he chose to deviate. There was even an interesting meta line in the movie about making changes to an original work when it needs improvement.
Overall, if you're open to a thought provoking and artistically beautiful movie, I think you'll enjoy the movie.
The movie is also extremely thought provoking. There are several interesting themes of the movie: 1) The nature of chivalry and honor, 2) The meaning or meaninglessness of life and death. There are also some interesting choices about race and color.
I will say, I did read the original legend before seeing the movie, and perhaps that increased my enjoyment of the movie. It's short, and will only take you a few hours. It was very interesting to see in what ways Lowery chose to stay true to the story, versus what says he chose to deviate. There was even an interesting meta line in the movie about making changes to an original work when it needs improvement.
Overall, if you're open to a thought provoking and artistically beautiful movie, I think you'll enjoy the movie.
It's a good film, but modern filmmakers seem a little too obsessed with deconstructing characters and de-romanticising the hero's journey, and it's starting to become a cliche that is overplayed and almost insulting to the audience. The filmmakers seem to think that by making all the protagonists anti-heroes who are not as heroic as we think that it's intelligent storytelling, but it really isn't.
I find myself regularly asking, "Where have all the good guys gone?" and "why isn't there romance in films anymore?"
Is it a little too much to ask for a righteous protagonist and a little love in films?
The modern landscape of cynical filmmaking that creates nihilistic stories has become very tedious.
I find myself regularly asking, "Where have all the good guys gone?" and "why isn't there romance in films anymore?"
Is it a little too much to ask for a righteous protagonist and a little love in films?
The modern landscape of cynical filmmaking that creates nihilistic stories has become very tedious.
I really wanted to like this film, but other than the obvious care towards its execution, everything else is basically slow, pretentious, referencing stuff important to the writer/director and metaphorical. This is one of those movies that you have to research after watching it, trying to understand what it wanted to say. In short: a boy's rite of passage to becoming a man by facing his own death... stretched to more than two hours.
It certainly helps to know the 14th century poem the film is based on, its various interpretations and associated folklore, including the French versions. Not ready to do that? Well, you're out of luck! Because the film is purposely vague, explaining nothing, making no sense and adding stuff from poems from the same era as filler. In short: Gawain was this noble and kind knight, unless you read the French versions where he was a total dick or the later rewrites which feature Lancelot as the top good guy.
The film is slow, methodical, making you want to watch it at 1.5x speed, only you can't because you need to see every detail and divine its meaning. For example: King Arthur's coat has these little metal badges on it, which are references to previous projects of the writer/director and of other people in the team. What? You didn't get that while Arthur is walking around in a dark room and scenes are interspersed with scenes of Morgana Le Fay doing pagan magic? Well, I can't understand how, because the writer/director spent more than a year perfecting the scene until it was just right! And yes, I am sarcastic.
The only reason why I rated this so high is because the sets were nice and the actors did great work. However, this is one of those obscure works that carry meaning only to the creator and can't possibly bring any joy at the first viewing. Do I care about old British folk lore and how the writer/director wanted to tell the story so I would research all of this and then rewatch the film so I can revel in the details? Hell, no!
It certainly helps to know the 14th century poem the film is based on, its various interpretations and associated folklore, including the French versions. Not ready to do that? Well, you're out of luck! Because the film is purposely vague, explaining nothing, making no sense and adding stuff from poems from the same era as filler. In short: Gawain was this noble and kind knight, unless you read the French versions where he was a total dick or the later rewrites which feature Lancelot as the top good guy.
The film is slow, methodical, making you want to watch it at 1.5x speed, only you can't because you need to see every detail and divine its meaning. For example: King Arthur's coat has these little metal badges on it, which are references to previous projects of the writer/director and of other people in the team. What? You didn't get that while Arthur is walking around in a dark room and scenes are interspersed with scenes of Morgana Le Fay doing pagan magic? Well, I can't understand how, because the writer/director spent more than a year perfecting the scene until it was just right! And yes, I am sarcastic.
The only reason why I rated this so high is because the sets were nice and the actors did great work. However, this is one of those obscure works that carry meaning only to the creator and can't possibly bring any joy at the first viewing. Do I care about old British folk lore and how the writer/director wanted to tell the story so I would research all of this and then rewatch the film so I can revel in the details? Hell, no!
Wusstest du schon
- WissenswertesEssel (Alicia Vikander) wears bells on her shroud because during the Middle Ages, it was common for people who were considered unclean, such as prostitutes, to be forced to wear bells on their clothing to warn others of their presence. She has her hair cropped for the same reason; in medieval London and many other places, prostitutes had their hair cut short as a public humiliation and punishment.
- PatzerThe woods that Sir Gawain goes through are clearly modern plantations of Sitka spruce (a tree that did not reach Britain until the 19th century), all planted at equal distances apart and all grown to the same size; they look nothing like the old-growth deciduous forests that would have been in medieval Britain.
- Crazy CreditsThere is a short scene at the very end of the credits.
- VerbindungenFeatured in Die 93. Oscar-Verleihung (2021)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- La Leyenda Del Caballero Verde
- Drehorte
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.173.321 $
- Eröffnungswochenende in den USA und in Kanada
- 6.790.917 $
- 1. Aug. 2021
- Weltweiter Bruttoertrag
- 18.887.953 $
- Laufzeit
- 2 Std. 10 Min.(130 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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