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Beacon 23

  • Fernsehserie
  • 2023–2024
  • TV-MA
IMDb-BEWERTUNG
5,6/10
5371
IHRE BEWERTUNG
BELIEBTHEIT
3.971
569
Beacon 23 (2023)
A man living in the 23rd Century works at a remote "lighthouse" in space that serves as a beacon to help passing ships.
trailer wiedergeben1:51
4 Videos
86 Fotos
Weltraum-Science-FictionDramaMysteriumScience-FictionThriller

Ein Mann, der im 23. Jahrhundert lebt, arbeitet an einem abgelegenen "Leuchtturm" im Weltraum, der als Leuchtfeuer dient, um vorbeifahrenden Schiffen zu helfen.Ein Mann, der im 23. Jahrhundert lebt, arbeitet an einem abgelegenen "Leuchtturm" im Weltraum, der als Leuchtfeuer dient, um vorbeifahrenden Schiffen zu helfen.Ein Mann, der im 23. Jahrhundert lebt, arbeitet an einem abgelegenen "Leuchtturm" im Weltraum, der als Leuchtfeuer dient, um vorbeifahrenden Schiffen zu helfen.

  • Stoffentwicklung
    • Zak Penn
  • Hauptbesetzung
    • Stephan James
    • Natasha Mumba
    • Lena Headey
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,6/10
    5371
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.971
    569
    • Stoffentwicklung
      • Zak Penn
    • Hauptbesetzung
      • Stephan James
      • Natasha Mumba
      • Lena Headey
    • 150Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

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    Beacon 23: Season 2
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    Beacon 23
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    Stephan James
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    • Halan Kai Nelson
    • 2023–2024
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    • Aster Calyx
    • 2023–2024
    Wade Bogert-O'Brien
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    Empfohlene Bewertungen

    AttitudeInc

    Great sci-fi. It deserves better reviews or a better audience...

    I don't get the bad reviews. This show has a great story that unfolds a bit more every episode. The acting is very well done and the two leads are excellent. The dialogue is sometimes simplistic in that it's there to move the story, not hit you in the feels or expand your mind but it's there to give you information so that things that have or will happen make some sort of sense. Don't get me wrong, there is plenty of great dialogue, it's just used where it's needed, not to add flourishes to something that doesn't require it.

    The script that everyone is dunking on manages to make you feel the vast space of the universe they're building. From the disparate types of people, languages and motivations to the thoroughly believable advanced tech.

    Visually, they've done a great job. When appropriate, the CGI is well done and not overly flashy. Just solid and believable. Overall production design, sets and wardrobe are all great as well. Nothing about the show feels cheap or skimped over.

    I feel like people are just mad because the writers aren't handing you scenes that show whether a person is good or bad. There's a lot of ambiguity going on but the show manages, if you give it a chance, to answer many of the questions that arise. That said, I also feel like the show has a lot more to say about a lot of things. Things like where AI is leading us and how we might interact with it. Whether some knowledge or "progress" is too expensive or dangerous. If humanity forcibly evolves itself are they still human? And of course, what's going on with the weird rocks?

    They've obviously left room for more answers in a (thankfully) renewed second season and I look forward to more thought provoking, enjoyable and sometimes beautiful episodes.

    If you're looking for non-stop action or nail biting suspense, this ain't it. If you're looking for good, solid, moderately hard sci-fi with some decent but infrequent action sequences and a bit of philosophy thrown in, this might just work for you.
    iwbcman

    Worst...Pacing...Ever

    Never witnessed such horrible pacing. Visceral anger rages in me because on one hand the story appears intriguing, but the nonsense just stupefies me. Plot holes the size of Texas, sheer incontinuity, half of what one sees leads literally nowhere. Good acting, great production values, great aesthetics, slightly above brain dead scripting. What a combination. I want to like it I really do. At this point I am no longer convinced there is any story at all, just spectacle, psuedo-depth, and great cgi. Heres a thought script writers: try thinking just one thought coherently from beginning to end, just one. Bombarding the audience with a litany of half-thought thoughts is akin to mental torture, do you really have such disdain for your own ideas? Or rather the audience?
    4mluinstra

    Slow and boring

    Greetings from the other side. I managed to get through all 8 episodes of season one, proving my superior will power.

    After 8 episodes we still know nothing about the rocks (artifacts). They tease you hear and there, and even whisper the secret from one person to another, but they won't tell us.

    Seriously, if all you have is one secret, how can you stretch that out into an entire season? You can't, not successfully anyways. Yet now they have a second season? Wow. Count me out.

    They have some decent actors but man is it slow moving. They even have a couple prequel episodes so we can learn about previous beacon keepers, and they tell us nothing as well.

    I cannot recommend this show.
    5mllecamill3

    What is the point and why should it interest me?

    As an ardent admirer of Lena Headey's work, I embarked on the journey of watching this new show with a heart full of anticipation and high expectations. Lena's previous performances had set a benchmark, and I was eager to see her magic unfold once again on the screen. However, after dedicating my time to three full episodes, I find myself in a state of confusion and disappointment.

    The plot seems to be wandering aimlessly, with no clear direction or purpose. It's like being lost in a maze with no exit in sight. The storyline, which should ideally be a roadmap guiding the viewers, appears to be a tangled web with no discernible path. I am left questioning the ultimate goal of the narrative and the message it intends to convey.

    The crux of the problem, I believe, lies in the emotional disconnect I am experiencing with the storyline. A truly engaging narrative has the power to draw in its audience, making them feel a part of the unfolding drama. It should be able to evoke a spectrum of emotions, from joy and excitement to suspense and intrigue. This emotional investment acts as the glue that binds the viewers to the characters and their journey.

    Unfortunately, this show seems to lack that vital hook. The storyline fails to captivate, leaving me as a viewer feeling detached and uninterested. The narrative lacks the compelling factor that makes one eagerly await the next episode. It's like reading a book where the characters fail to come alive, and the plot fails to stir any emotion.

    In conclusion, while I started watching the show as a fan of Lena Headey, the lack of a captivating narrative and emotional engagement has left me quite disappointed. I hope the forthcoming episodes bring about a positive change and manage to reignite the spark that seems to be missing currently.
    3Henry7227

    What is going on?

    The first season was pretty good. It followed along with the book enough that it held my attention. Just tried watching the second episode of the second season and I gave up about three quarters of the way through. I have no clue what is going on anymore. It is as if the writers are on drugs. The long plot is gone. There may be a secondary plot going on but it is not realistic and little to do with the long term plot.

    The acting is ok. I could not see any problems with the CGI. Sound and background music is good. None of that matters though without a decent plot.

    Watch the first season and think of it as a mini-series. Skip anything after that.

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      The lighthouse picture they often look at when by the beacon is a real picture. It's a picture of the La Jument lighthouse, west from Bretagne, France. It was taken in 1989 by photographer Jean Guichart and the man on the picture is former lighthouse keeper Theodore Malgorne. He had come outside because he'd heard the helicopter hovering nearby, but was well aware he should not venture far from the lighthouse entrance, and went swiftly inside as soon as he realised the wave was coming in.

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 8. Dezember 2023 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Маяк 23
    • Drehorte
      • Ontario, Kanada
    • Produktionsfirmen
      • Boat Rocker Studios
      • Peephole Productions
      • Platform One Media
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