In 80 Tagen um die Welt

Having read a few reviews before posting my own I've noticed a lot of the negative reviews seem to be a bit emotional, with most blaming their strange discomfort and alarm on the production's deviation from the original source material.

I've seen a few versions over the years but I didn't go into this thinking for one second that it would just be some updated copy, because from the very beginning the story never claimed to be. And how boring it would be if it were. I enjoyed the characters, storyline and locations. Although I do admit that some of the scenes were hard to view as they were quite dark. I also noticed that compared to previous versions they didn't over do the colour pallet. I don't think this hurts the story in any way.

I'm giving this series 7 stars simply because I enjoyed it. I was laid up with a back injury, bored out of my brains and the non stop action and suspense mixed in with a little goofiness was perfect for taking my mind off things. I appreciated the series for the light hearted piece of fun that it is. With a new twist to an old trope and a talented cast to boot. I definitely recommend this series for families and rainy days.

Golly - what a lot of people moaning about this adaptation! Yes there are changes to the novel but they are not transgressing it's spirit. Its great to have a thoughtful and proactive passe-partout, and Miss. Fix is a welcome addition appropriate for a 21st century screenplay. The films look great and the production quality is clear. The music is a treat too (Hans Zimmer again!)

The key word here is adaption - this show is not the book, nor is it an attempt to represent the book in a methodical translation from page to screen - it's an adaption. That allows for some creative license and rejigging in its retelling of the original story.

For me, this was a successful retelling of a classic story. There was dramatic tension between the three protagonists - who go on the adventure - and the antagonists were suitably nasty and conniving. It seemed clear to me that one of the main themes of this version of the tale was the particular journey of Phileas Fog (David Tennant). His transformation from upper class man of leisure and suspended animation, who doesn't really care for anything anymore beyond his own comforts, into someone who eventually finds a part of himself and can begin to live, to be involved in his life.

This aspect of Fog's transformation plays out against the interesting main story arc of the 'romp' around the world in 80 days - an at times cavalier and hair raising journey that is quite entertaining - requiring some suspension of disbelief to be sure, but what classic heroes journey (within the realms of entertainment) doesn't.

This show is supposed to entertain rather than enlighten - and I think it does that very well.

I've read Verne's novel multiple times and watched its many adaptations over the years but this one is the most creative because it relies only slightly on the source material, leaves the most amount of pure adventures and discovering the world behind in favor of interpersonal drama of the main protagonists.

Phileas Fogg, played stupendously by maestro David Tennant, is naturally the highlight of the story, full of regrets of the past haunting him every day until he finally meets face to face with them and becomes the better man; his performance is at times overshadowed though by his two companions - Passepartout and Abigail Fix - played by Ibrahim Koma and Leonie Benesch respectively - who have the lives and struggles of their own and this journey of 80 days they took together opened them up perfectly to the viewer and made us empathize and care for each of them a great deal.

The main musical theme and overall soundtrack are amazing and is easily remembered from the get-go and you would not be able to let it go for a while there. The costumes and atmosphere are pretty accurate as well; I caught myself checking this and that event in the series and can tell for sure that there's nothing wrong with historical accuracies in here - well maybe Passepartout's skin color and the relationship towards him is a bit far-fetched and too 21st century at times but it doesn't spoil the narrative.

What does however is the lack of adventures per se. The book and some of its adaptations had those in abundance whereas this version plays with it as a tool to build the tension and move the characters' growth towards one another and help them overcome their own personal affairs - the book's approach was a lot different and offered many more locations, times to feel the places, had sense of urgency, had Fogg's immense knowledge of geography, his pedantry. David Tennant is a great actor hands down but he's not the Phileas Fogg I knew from the book. Instead he's a completely different character who bares his name and makes it work for the sake of the narrative and this is the most important thing in building a character - to make him alive by making him his own.

Despite all I've said I don't see myself ever returning to this miniseries (I just can't see what else there could be said in the season 2) because it's not sustained enough, not adventurous enough and feels more like a collection of episodes than the whole, complete series but engaging enough to stay with it till the end and deep enough to care for it till the end.

At first I thought'meh?' Then as it progressed it got better and better Great fun to watch tenant is truly gifted Highly recommend this all round series destined to be a family classic.