Die Abenteuer eines alleinerziehenden Vaters und seiner schrägen Familie in Alaska.Die Abenteuer eines alleinerziehenden Vaters und seiner schrägen Familie in Alaska.Die Abenteuer eines alleinerziehenden Vaters und seiner schrägen Familie in Alaska.
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The first episode was hard to get into, but from there it got better and better. I could really tell the show had the same writer's as Bob's Burgers because it was funny, while the characters still had a loving relationship with each other.
I enjoy Bob's Burgers more, but that show has had more time to grow, and I really feel this show has really great potential. I really love the single Dad approach, because that's not often seen in media, and I love the fact there's an openly gay family member who isn't the butt of the joke. It's all sweet and loving, problems happen of course. But they all love each other.
I enjoy Bob's Burgers more, but that show has had more time to grow, and I really feel this show has really great potential. I really love the single Dad approach, because that's not often seen in media, and I love the fact there's an openly gay family member who isn't the butt of the joke. It's all sweet and loving, problems happen of course. But they all love each other.
A lot of the reviews on here compare this show unfavorably with shows like Bob's Burgers, Family Guy, Rick and Morty, and the like. They're completely missing the point. Sure, The Great North is made by the studio that made Bob's Burgers and Executive Produced by Loren Bouchard, but, aside from the distinctly Bob's Burgers-style character designs, this has very little meaningful effect on the show (Executive Producers are usually pretty minor, offering their name and support to the show but doing very little of the day-to-day operations).
The Great North isn't funny like Bob's Burgers, Family Guy, and Rick and Morty because it's not trying to be like them at all; it's a one-of-a-kind show that's incredibly endearing and full of heart. We see a coming-of-age of Judy Tobin as she turns 16, for instance, but this stereotypical TV event is given a nuanced twist that makes it anything but stereotypical. Her coming-of-age is marked by her leaving her father's side to take a job pursuing her passion, but the twist is that her father, Beef, is simultaneously coming to grips with the loss of his wife. The typical coming-of-age story is given a strikingly powerful emotional note in this pairing, setting the tone for the whole show; it's a much more mature and emotionally nuanced show, compared to the comedy-focused youth-targeted shows like Family Guy and Rick and Morty, about a truly contemporary family. What makes this more special is that it's not the family of the popular imagination; much like a real family, it's a patchwork quilt of juxtaposed identities and very different people who all have to get along: a manly fisherman, a young woman who dreams of being an artist, a shy and nerdy movie buff, a smart but headstrong black woman, a gay teenager with his head in the clouds, and a demure 10-year-old who loves the outdoors. This diversity is not to be "woke." The ways the family doesn't conform to stereotypical TV families makes it feel so much more genuine, immediate, and relevant. Plus, Dulce Sloan gives a great performance as Honeybee.
If you like strictly youth-oriented animated shows with big helpings of silly, often juvenile comedy, so do I! And more power to you. But just understand that that is NOT what The Great North is, and if you come in expecting that, you won't like it. But it's actually a very good show. This is a show that might even make you cry (episode 2 made me choke up!).
The Great North isn't funny like Bob's Burgers, Family Guy, and Rick and Morty because it's not trying to be like them at all; it's a one-of-a-kind show that's incredibly endearing and full of heart. We see a coming-of-age of Judy Tobin as she turns 16, for instance, but this stereotypical TV event is given a nuanced twist that makes it anything but stereotypical. Her coming-of-age is marked by her leaving her father's side to take a job pursuing her passion, but the twist is that her father, Beef, is simultaneously coming to grips with the loss of his wife. The typical coming-of-age story is given a strikingly powerful emotional note in this pairing, setting the tone for the whole show; it's a much more mature and emotionally nuanced show, compared to the comedy-focused youth-targeted shows like Family Guy and Rick and Morty, about a truly contemporary family. What makes this more special is that it's not the family of the popular imagination; much like a real family, it's a patchwork quilt of juxtaposed identities and very different people who all have to get along: a manly fisherman, a young woman who dreams of being an artist, a shy and nerdy movie buff, a smart but headstrong black woman, a gay teenager with his head in the clouds, and a demure 10-year-old who loves the outdoors. This diversity is not to be "woke." The ways the family doesn't conform to stereotypical TV families makes it feel so much more genuine, immediate, and relevant. Plus, Dulce Sloan gives a great performance as Honeybee.
If you like strictly youth-oriented animated shows with big helpings of silly, often juvenile comedy, so do I! And more power to you. But just understand that that is NOT what The Great North is, and if you come in expecting that, you won't like it. But it's actually a very good show. This is a show that might even make you cry (episode 2 made me choke up!).
Love Nick Offerman, Megan Mullally, and many other members of the cast so I was excited to see this show. I barely got through 3 episodes of this painfully boring, unfunny show before I threw in the towel. The writing is pretty poor, very derivative of very funny Bob's Burgers (funny that some of the reviewers that like this show have their panties in a bunch of that comment, as true as it may be), a kid in a bear suit rather than wearing rabbit ears (hmmmmmmm), it's just not at all funny. With such a great cast it's got to be the writing that is failing.
It's one episode folks. Don't be so quick to mouse this future hit. It's off to a funny start. Every see the first seasons of The Office? Parks and Rec? Everything has to find it's way in thru the woods.
Stellar cast, great writers and original concept. A great humorous escape from the less than great Southern Hemisphere we find ourselves in.
This is a good show with sharp writing and the usual beautiful Bento Box animation and great voices. Viewers have their own expectations about animation which are usually tainted. Talk to me after you seen the episodes more than once.
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- WissenswertesThe boat in the opening sequence when Beef is singing "Way up here, you can breathe the air" changes its name and color in every episode. It's in the background in season one, but in the foreground in season two.
- VerbindungenReferenced in Late Night with Seth Meyers: Will Forte/Annie Mumolo (2021)
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