Die Abenteuer eines alleinerziehenden Vaters und seiner schrägen Familie in Alaska.Die Abenteuer eines alleinerziehenden Vaters und seiner schrägen Familie in Alaska.Die Abenteuer eines alleinerziehenden Vaters und seiner schrägen Familie in Alaska.
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Man, all of you people clearly didn't give this show much of a chance before just calling it awful. Yes, it has the same style and humor as Bobs Burgers. But the Characters are all different, and I love the single Dad take. And being set in the great north opens up so many stories and jokes. Also, the voice cast is brilliant, Will Forte and Nick Offerman are killing it, as always. Give this show a chance before you just write it off as a lazy Bob Burgers rip off, because it deserves a chance.
A lot of the reviews on here compare this show unfavorably with shows like Bob's Burgers, Family Guy, Rick and Morty, and the like. They're completely missing the point. Sure, The Great North is made by the studio that made Bob's Burgers and Executive Produced by Loren Bouchard, but, aside from the distinctly Bob's Burgers-style character designs, this has very little meaningful effect on the show (Executive Producers are usually pretty minor, offering their name and support to the show but doing very little of the day-to-day operations).
The Great North isn't funny like Bob's Burgers, Family Guy, and Rick and Morty because it's not trying to be like them at all; it's a one-of-a-kind show that's incredibly endearing and full of heart. We see a coming-of-age of Judy Tobin as she turns 16, for instance, but this stereotypical TV event is given a nuanced twist that makes it anything but stereotypical. Her coming-of-age is marked by her leaving her father's side to take a job pursuing her passion, but the twist is that her father, Beef, is simultaneously coming to grips with the loss of his wife. The typical coming-of-age story is given a strikingly powerful emotional note in this pairing, setting the tone for the whole show; it's a much more mature and emotionally nuanced show, compared to the comedy-focused youth-targeted shows like Family Guy and Rick and Morty, about a truly contemporary family. What makes this more special is that it's not the family of the popular imagination; much like a real family, it's a patchwork quilt of juxtaposed identities and very different people who all have to get along: a manly fisherman, a young woman who dreams of being an artist, a shy and nerdy movie buff, a smart but headstrong black woman, a gay teenager with his head in the clouds, and a demure 10-year-old who loves the outdoors. This diversity is not to be "woke." The ways the family doesn't conform to stereotypical TV families makes it feel so much more genuine, immediate, and relevant. Plus, Dulce Sloan gives a great performance as Honeybee.
If you like strictly youth-oriented animated shows with big helpings of silly, often juvenile comedy, so do I! And more power to you. But just understand that that is NOT what The Great North is, and if you come in expecting that, you won't like it. But it's actually a very good show. This is a show that might even make you cry (episode 2 made me choke up!).
The Great North isn't funny like Bob's Burgers, Family Guy, and Rick and Morty because it's not trying to be like them at all; it's a one-of-a-kind show that's incredibly endearing and full of heart. We see a coming-of-age of Judy Tobin as she turns 16, for instance, but this stereotypical TV event is given a nuanced twist that makes it anything but stereotypical. Her coming-of-age is marked by her leaving her father's side to take a job pursuing her passion, but the twist is that her father, Beef, is simultaneously coming to grips with the loss of his wife. The typical coming-of-age story is given a strikingly powerful emotional note in this pairing, setting the tone for the whole show; it's a much more mature and emotionally nuanced show, compared to the comedy-focused youth-targeted shows like Family Guy and Rick and Morty, about a truly contemporary family. What makes this more special is that it's not the family of the popular imagination; much like a real family, it's a patchwork quilt of juxtaposed identities and very different people who all have to get along: a manly fisherman, a young woman who dreams of being an artist, a shy and nerdy movie buff, a smart but headstrong black woman, a gay teenager with his head in the clouds, and a demure 10-year-old who loves the outdoors. This diversity is not to be "woke." The ways the family doesn't conform to stereotypical TV families makes it feel so much more genuine, immediate, and relevant. Plus, Dulce Sloan gives a great performance as Honeybee.
If you like strictly youth-oriented animated shows with big helpings of silly, often juvenile comedy, so do I! And more power to you. But just understand that that is NOT what The Great North is, and if you come in expecting that, you won't like it. But it's actually a very good show. This is a show that might even make you cry (episode 2 made me choke up!).
This is a good show with sharp writing and the usual beautiful Bento Box animation and great voices. Viewers have their own expectations about animation which are usually tainted. Talk to me after you seen the episodes more than once.
This show is actually pretty funny. You can't compare it to bob's. I've laughed a lot. Like laughed out loud. Give this show a chance.
So far I've seen the first and second episode. I'll be honest at first I was feeling meh about it. But after the second episode, I'm looking forward to the next one. This show is witty and definitely has a few laughs. I appreciate that they tried to make the show inclusive and it doesnt feel overdone. If you're open to a new show, give it a try.
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- WissenswertesThe boat in the opening sequence when Beef is singing "Way up here, you can breathe the air" changes its name and color in every episode. It's in the background in season one, but in the foreground in season two.
- VerbindungenReferenced in Late Night with Seth Meyers: Will Forte/Annie Mumolo (2021)
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