IMDb-BEWERTUNG
4,7/10
7281
IHRE BEWERTUNG
Ein Narr aus Liebe wird zufällig berühmt, nur um alles zu verlieren.Ein Narr aus Liebe wird zufällig berühmt, nur um alles zu verlieren.Ein Narr aus Liebe wird zufällig berühmt, nur um alles zu verlieren.
Aixa Maldonado
- Maria
- (as Aixa I. Maldonado)
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A mute John Doe (Charlie Day) is found in a mental institution with the capacity of a five year old. He is released into LA where he is picked up by a movie producer (Ray Liotta). The producer is tired of the star of his movie and intends to use our doppelganger John Doe as a stand-in to replace his star. Lenny (Ken Jeong) is a weasel "publicist" who mistakenly calls John Doe "Latte Pronto" due to the producer's coffee demands. Latte is on his way to becoming a big Hollywood star.
This is a fascinating movie. Someday, someone will dissect this movie to determine why it's not funny. The most obvious reason is that Charlie Day is playing a mute. He has one of the most comedic voices in the world today. People laugh just by the sound of it. It's like an NBA player saying he'll play while having his hands tied behind his back. Sometimes, actors like to go 180 opposite their strength to show that they have undiscovered depths. They go against their popular narrative. In this one, he's trying to do his version of The Tramp. The character construction is too sloppy. He is literally a blank. Instead of a living breathing character, he is a hole on the screen. There is nothing there.
His nothingness may be the point. The movie is satirizing Hollywood and its nothingness quality. In that, this is not breaking any new cinematic grounds. It is ridiculous without being funny. Ken Jeong's over the top character Lenny is almost there at first until he meets Latte. There is a puzzling hole with Latte that overwhelms any chance for humor. The movie just dies.
This is a fascinating movie. Someday, someone will dissect this movie to determine why it's not funny. The most obvious reason is that Charlie Day is playing a mute. He has one of the most comedic voices in the world today. People laugh just by the sound of it. It's like an NBA player saying he'll play while having his hands tied behind his back. Sometimes, actors like to go 180 opposite their strength to show that they have undiscovered depths. They go against their popular narrative. In this one, he's trying to do his version of The Tramp. The character construction is too sloppy. He is literally a blank. Instead of a living breathing character, he is a hole on the screen. There is nothing there.
His nothingness may be the point. The movie is satirizing Hollywood and its nothingness quality. In that, this is not breaking any new cinematic grounds. It is ridiculous without being funny. Ken Jeong's over the top character Lenny is almost there at first until he meets Latte. There is a puzzling hole with Latte that overwhelms any chance for humor. The movie just dies.
This film is hard to watch for all the wrong reasons. The slow pace and general unfunniness represent a missed opportunity of such an amazing cast. If Charlie D. Is identifying as Charlie C. These day, he just needs to stop it. If Day put this project on hold to deliver this past season of Philadelphia, he has really just lost his way, and needs to surround himself with some new/fresh talent. Day's recent work (the past 5 years) is formulaic, as usual, but without the charm of his characters as their younger selves. The world seems to be maturing around Day, who struggles increasingly to make audiences laugh.
I've probably watched Always Sunny through 10 times and love satirical film, but the pacing was rough. Movie started out great, and then seemed to drag heavily in the last half. Some of the bits just got old and somethings just got played out. Plus, the film just kind of ended and didn't feel resolved at all.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
For reference, I think It's Always Sunny in Philadelphia is the funniest show ever made. And I think the character Charlie Kelly played by Charlie Day is one of the funniest characters in TV or movie history. I was ecstatic to see him have a chance to write, direct and star in a theatrically released movie with a great cast.
There's so much about Fool's Paradise I enjoyed. The premise is instantly funny. Charlie Day's performance had me cracking up. Many other parts had me full-volume laughing, especially when it relates to Adrien Brody's character. I loved seeing many of the Always Sunny cast members with random small roles.
There are a few things that, for me, prevent it from being great. The first half of the movie is infinitely funnier than the second half, which had almost no laughs from me. And while I enjoyed the humorous parts, the more serious parts and character moments didn't work for me.
But the biggest issue is that Ken Jeong, who is seemingly the lead of this movie, didn't make me laugh at all. I've found him fairly funny in most of his smaller roles. But it doesn't seem like he can carry a movie.
I still had a good time with Fool's Paradise. I hope it allows Charlie Day more opportunities to create comedy, especially in an age when comedy movies seem to be nearing extinction. I will watch anything he's in. (1 viewing, 5/11/2023)
There's so much about Fool's Paradise I enjoyed. The premise is instantly funny. Charlie Day's performance had me cracking up. Many other parts had me full-volume laughing, especially when it relates to Adrien Brody's character. I loved seeing many of the Always Sunny cast members with random small roles.
There are a few things that, for me, prevent it from being great. The first half of the movie is infinitely funnier than the second half, which had almost no laughs from me. And while I enjoyed the humorous parts, the more serious parts and character moments didn't work for me.
But the biggest issue is that Ken Jeong, who is seemingly the lead of this movie, didn't make me laugh at all. I've found him fairly funny in most of his smaller roles. But it doesn't seem like he can carry a movie.
I still had a good time with Fool's Paradise. I hope it allows Charlie Day more opportunities to create comedy, especially in an age when comedy movies seem to be nearing extinction. I will watch anything he's in. (1 viewing, 5/11/2023)
This was like a very long, 98 minutes long and dragged out failed SNL sketch. I'm a fan of Charlie Day and he's a great comedian, but putting yourself in a funny film and choosing not to use your comedic trademark funny voice is what failed this film. And that's too bad, as it started out good, not laugh out loud good, but constant smiling and entertaining good. But you can only go so far on silent charm, and can only take so much satirical un-funny comedy. It was great to see the lovely Kate Beckinsale, and Jeong was his usual blast as well, and it was also great to see the late Ray Liotta doing his thing in what is probably the last film he made, but it's too bad this film was more of a flop than it was fun. The story was mostly long dragged out and incoherent nonsense that lacked any good comedy or sharp satire. It's a generous 4/10 for all the stars that I'm sure mostly donated their time for this mess.
Wusstest du schon
- WissenswertesFilmed in 2018, this is one of Ray Liotta's last films, before his death in 2022.
- PatzerWhen Lenny takes Latte back to his motel room, he walks down the row of rooms and when he reaches room 3, he points and explains that that is his room. When the shot changes from inside the room, as he opens the door you can clearly see the number 7 on the door. Room 7 was at the top of the row of rooms, which they already passed.
- SoundtracksWipeout
Written by Robert Berryhill, Jim Fuller (as James Fuller), Patrick Connolly and Ronald Wilson
Performed by The Surfaris
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 855.173 $
- Eröffnungswochenende in den USA und in Kanada
- 464.259 $
- 14. Mai 2023
- Weltweiter Bruttoertrag
- 885.712 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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