For Years to Come

"For Years to Come," from James Patrick Nelson, succeeds by being at once classic and new. The format and tone, is very traditional. While this could allow it to get lost amongst many other independent Pilots and Shorts, it is worked into an asset: the traditional nature of this piece allows it to surprise you with moments of new-found comedic structure worked into the structure of its dramatic emotional spine. Additionally, in just under half an hour, we get an honest depiction of the characters in vulnerable moments, enhanced -and not undercut- by comedy. (And Richard Riehle is a standout, of course).

James Patrick Nelson has created a grounded, intimate, moving, original, and brilliant half-hour of dramedy with FOR YEARS TO COME. As someone who very recently lost a parent (just over a month ago now, actually), I was deeply moved by this piece. But I also laughed out loud! The acting is superb, and the cinematography transported me to a magical version of LA--one that is wistful and evergreen. The writing/storytelling here is also extraordinary--compelling and emotional, but also witty and down-to-earth. Anyone who has lost a loved one (even a grandparent, for example) will relate to Johnny and what he is going through. And even if you are someone who is lucky enough to have never experienced grief or loss personally, you will find a relatable warmth and richness in this story, which will undoubtedly touch you and uplift you. 10 out of 10 stars!

I caught For Years to Come at a film festival in New York, and it was far and away the highlight of the entire event. The performances were delightful across the board. James Patrick Nelson and Richard Riehle deliver particularly inspired and joyful performances, despite the fact that this pilot presents the audience with themes of grief and secrecy. Very well-written and very well-made! This was clearly crafted with a lot of love and care. The heart of For Years to Come is immense and earnest, and it was a treat to watch. Also, it ends with a hilarious and unexpected revelation that I need to know more about. I'm dying to see where it goes from here!

First virtue - Richard Riehle , in the role of father.

Second good point - the story itself, precise crafted, tender, gentle and soft.

Not less- the humor, nostalgia, realism and what real matters . And, sure, the wisdome of mother and her very special legacy.

Difficult to describe the story because it seems a personal letter . Not the lines, not the message in exact way but the feeling reading it - this real matters. Sure, easy to say I like or just I love it but , maybe, fair remains to define it as profound useful short film. Including for the secret of father, for hat and for the dialogue of son with a guy who knows him very precise as last gift from the lovely mother.

I caught this at Dances with Films in the episodic block and was really impressed by it. Well made, nicely shot, strong writing and directing - and great performances! It has a very unique tone as it deals with grief, expectations, family, finding love, and sexuality. You could tell the audience was really into it, so I know its themes and humor resonated with people. James Patrick Nelson shared afterwards that he based the story on his own life experiences, and you can tell by the details that you're watching an authentic voice. Hoping it gets picked up as a series because it definitely ends with a cliffhanger!