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Der Brutalist

Originaltitel: The Brutalist
  • 2024
  • 16
  • 3 Std. 36 Min.
IMDb-BEWERTUNG
7,3/10
96.388
IHRE BEWERTUNG
BELIEBTHEIT
149
6
Der Brutalist (2024)
When visionary architect László Toth and his wife Erzsébet flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern America, their lives are changed forever by a mysterious and wealthy client.
trailer wiedergeben2:27
7 Videos
99+ Fotos
EpicDrama

Als der visionäre Architekt László Toth und seine Frau Erzsébet 1947 aus dem Nachkriegseuropa fliehen, um ihr Erbe wieder aufzubauen und die Geburt des modernen Amerikas zu erlebenAls der visionäre Architekt László Toth und seine Frau Erzsébet 1947 aus dem Nachkriegseuropa fliehen, um ihr Erbe wieder aufzubauen und die Geburt des modernen Amerikas zu erlebenAls der visionäre Architekt László Toth und seine Frau Erzsébet 1947 aus dem Nachkriegseuropa fliehen, um ihr Erbe wieder aufzubauen und die Geburt des modernen Amerikas zu erleben

  • Regie
    • Brady Corbet
  • Drehbuch
    • Brady Corbet
    • Mona Fastvold
  • Hauptbesetzung
    • Adrien Brody
    • Felicity Jones
    • Guy Pearce
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    96.388
    IHRE BEWERTUNG
    BELIEBTHEIT
    149
    6
    • Regie
      • Brady Corbet
    • Drehbuch
      • Brady Corbet
      • Mona Fastvold
    • Hauptbesetzung
      • Adrien Brody
      • Felicity Jones
      • Guy Pearce
    • 607Benutzerrezensionen
    • 261Kritische Rezensionen
    • 90Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 3 Oscars gewonnen
      • 135 Gewinne & 344 Nominierungen insgesamt

    Videos7

    Official Trailer 2
    Trailer 2:27
    Official Trailer 2
    Official Trailer
    Trailer 1:17
    Official Trailer
    Official Trailer
    Trailer 1:17
    Official Trailer
    The Brutalist
    Trailer 2:27
    The Brutalist
    The Brutalist
    Trailer 1:17
    The Brutalist
    The 2025 Awards Contenders to Know Right Now
    Clip 7:16
    The 2025 Awards Contenders to Know Right Now
    The Brutalist: Q&A From NYFF 2024
    Interview 24:09
    The Brutalist: Q&A From NYFF 2024

    Fotos332

    Poster ansehen
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    + 326
    Poster ansehen

    Topbesetzung38

    Ändern
    Adrien Brody
    Adrien Brody
    • László Tóth
    Felicity Jones
    Felicity Jones
    • Erzsébet Tóth
    Guy Pearce
    Guy Pearce
    • Harrison Lee Van Buren Sr.
    Joe Alwyn
    Joe Alwyn
    • Harry Lee
    Raffey Cassidy
    Raffey Cassidy
    • Zsófia
    Stacy Martin
    Stacy Martin
    • Maggie Lee
    Isaach De Bankolé
    Isaach De Bankolé
    • Gordon
    Alessandro Nivola
    Alessandro Nivola
    • Attila
    Ariane Labed
    Ariane Labed
    • Older Zsofia
    Michael Epp
    Michael Epp
    • Jim Simpson
    Emma Laird
    Emma Laird
    • Audrey
    Jonathan Hyde
    Jonathan Hyde
    • Leslie Woodrow
    Peter Polycarpou
    Peter Polycarpou
    • Michael Hoffman
    Maria Sand
    • Michelle Hoffman
    Salvatore Sansone
    • Orazio
    Zephan Hanson Amissah
    • Teenage William
    Charlie Esoko
    • Young William
    Levente Orbán
    Levente Orbán
    • Hungarian Refugee
    • Regie
      • Brady Corbet
    • Drehbuch
      • Brady Corbet
      • Mona Fastvold
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen607

    7,396.3K
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    Zusammenfassung

    Reviewers say 'The Brutalist' is a visually stunning film with ambitious themes of immigration and artistic integrity. Adrien Brody's performance is highly praised, though the slow pacing and emotionally detached storytelling receive criticism. The use of AI in accents and set design sparks debate. Themes of antisemitism and the immigrant experience are highlighted, along with the symbolic use of brutalist architecture. Performances by Brody, Pearce, and Jones are commended, but the film's epic scale and narrative execution are divisive.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    Liconev

    Well done, but empty.

    It is the kind of movie that is so hard to rate. Is it a masterpiece? Is it great or is it just another movie that just look at itself? He has all the elements of a great story of a great film and yet to me it does not deliver.

    For three and half hours long there's only one question in my mind I couldn't shake : what is it about. And I could never answer that question not even at the end if ever there was one. The whole thing left me septic.

    But in all honesty, there isn't much to say about it all. To me it's like I've been handed over a homework. If watching « this kind of movie », I want to feel an experience, be engulfed in the ambiance of a whole, I want to be caught in the prospect of what the delivery will be, I want to feel like I've been outsmarted in some ways. None of it here.

    Brody is magnificent, so is Pearce. Jones too, surely. Cinematography is mastered without a doubt, editing is smooth, and for three and a half hours it is enjoyable if you're able to glean the little sparks that here and there will keep you hungry for more.

    If it was trying to lead me into an underlying experience, meaning or point of view, well I didn't find the path, or maybe was it just too obscure to even grasp a fragment of what the purpose of it all was.

    Yes, it works whatever it is about or whatever it thinks it is about. I doubt it will be a movie that's remembered. It not particularly bold. It makes an attempt at being powerful but it never strikes. It too clean, it's too plain. It makes you believe straight from the opening shot that it will be grandiose. But it doesn't hold it promise.

    I feel a bit duped by what I've watched. Just because you write a movie about an « unusual » subject, just because you try an unorthodox approach at something that's already been said before, well it seems sufficient to make praise.

    That is not enough for me. This didn't prove me anything. I think it is possible and achievable and somewhat too easy to make beautiful movies that will pass for profound when it is just a very well made movie without substance.
    7ptrzanetti

    A descending parabola reflected in the movie itself

    This ambitious post-war American epic begins with a mesmerising long-take sequence which will surely stick longer than the 3:35 hours of running time. The 70mm format fits the setting while making the movie visually stunning alongside with audacious camera works and stunning photography. Blumberg's music adds on that so the theatre would definitely be its perfect habitat. The script delivers interesting characters - albeit the secondary ones are purely cosmetic - valorised by great performances from Brody and Pearce. The issue here is in the last hour, as the writers decided to insert unexplored subplots which will prevent the movie from having a proper conclusion thus leaving a bitter feeling of incompleteness and preventing this monumental project to achieve what was intended for.
    grantarp

    Epic sweep with a bit of a whimper in the end

    It is ambitious and has some beautiful sequences, especially the opening sequence with the Statue of Liberty shot. Brody, as usual, is strong. The score is also strong. The movie has an epic sweep to it but also, I would say, some unnecessary scenes here and there. I didn't think all the sex scenes were necessary, or at least I thought they were too drawn out, and various other interstitial shots that felt excessive. I didn't like Pearce's performance so much. Although he's playing an unlikable character, true, there's just an artificiality about his delivery and mannerisms that I didn't like here.

    The epilogue of the movie ends a little flat and on an odd note. It's just one of those "weird" endings, imo, but that's pretty typical for an a24 movie. I cared about Brody's character, but where did he REALLY go, in the end? Ask yourself that. He gets lost a bit, for me, with all the other side narratives and architectural explorations going on, and then it just kind of ends.

    Thematically, the movie reflects the tension between artistry and capitalism well. Is it overlong? Yes, but the intermission dampens the impact of that. Would I want to see it again? No.
    6mohamedali-44173

    overrated

    Movie Review: A Disappointing Experience

    I had high expectations for this movie, but unfortunately, it turned out to be a disappointing experience. The pacing was painfully slow, making it difficult to stay engaged. Many scenes felt completely unnecessary, dragging the runtime without adding any real value to the story.

    From an artistic perspective, the film seemed to rely heavily on overacting, which made the characters feel exaggerated and unrealistic. Instead of enhancing the emotional depth, the performances often came across as forced and distracting.

    While the movie seemed to aim for a deeper, artistic message, it failed to deliver it in a coherent way. The narrative lacked clarity, and by the end, I was left wondering what the point of it all was. Overall, it felt like a missed opportunity that could have been so much more with tighter editing and more thoughtful storytelling.
    6MongoLloyd

    Everything & The Kitchen Sink

    This has a very nice cast and a great underdog premise, but feels a bit over the top with cheap emotional manipulation that detracts from what could have been an epic cinematic achievement.

    It really started feeling forced after the halfway point with more and more implausibilities that just shook me out of the story.

    The mark of a weak writer is melodrama and excessive salacious story elements, but then it could just be the producers that dictated the addition of the nonsensical scenarios that just had no basis in the reality they established.

    The production value is there, the cast is there, the soundtrack is there, but then they had to trot out as many tropes as possible, and by then, the weak resolution is just background noise.

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    Handlung

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    • Wissenswertes
      There is no Brutalist-style church in Doylestown, Pennsylvania. Brady Corbet's inspiration is St. John's Abbey Church in Collegeville, Minnesota. Based on the plans by Hungarian-born, Bauhaus-educated modernist architect Marcel Breuer from 1953, the complex was completed in 1961 and includes a church, library, dormitory, science department, and center for ecumenical research. Constructed to accommodate 1,700 people, it is trapezoidal in shape, with a white granite altar end raised on a circular platform. The church is naturally illuminated by low windows, the entrance, and an amber roof-light. A crucifix is suspended above the altar. St. John's Abbey is part of the campus of St. John's University, and appears in What Happened to Josh? (2022).
    • Patzer
      In a 1950s scene in Pennsylvania USA, during the card-playing, money put on the table includes US one-dollar bills with bright green ink, indicating they are Federal Reserve Notes, first issued in 1963. One-dollar Silver Certificates, having blue and black ink on the front, are appropriate for the era.
    • Zitate

      László Tóth: Is there a better description of a cube than that of its construction?

    • Crazy Credits
      A recreation of the 1950s VistaVision logo is shown during the opening logos.
    • Alternative Versionen
      In India, some sexual content (visuals of genitals, a black-and-white porn clip and an intimate scene involving a prostitute) was censored by the Central Board of Film Certification for theatrical release. Also, anti-smoking spots as well as static disclaimers for scenes of smoking/drinking/drug consumption were added.
    • Verbindungen
      Featured in The 7PM Project: Folge vom 10. Dezember 2024 (2024)
    • Soundtracks
      L'Onorevole Bricolle
      Performed by Clara Jaione con Orchestra

      Written by Armando Fragna & Riccardo Morbelli

      Published by Sugar Songs UK Ltd

      (c) CETRA (1946)

    Top-Auswahl

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    FAQ19

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    Details

    Ändern
    • Erscheinungsdatum
      • 30. Januar 2025 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
      • Kanada
    • Offizielle Standorte
      • Official Site
      • Protagonist Pictures
    • Sprachen
      • Englisch
      • Ungarisch
      • Italienisch
      • Hebräisch
      • Jiddisch
      • Russisch
      • Französisch
    • Auch bekannt als
      • El Brutalista
    • Drehorte
      • Budapest, Ungarn
    • Produktionsfirmen
      • Brookstreet Pictures
      • Kaplan Morrison
      • Intake Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 10.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 16.279.129 $
    • Eröffnungswochenende in den USA und in Kanada
      • 266.791 $
      • 22. Dez. 2024
    • Weltweiter Bruttoertrag
      • 50.357.146 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      3 Stunden 36 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.66 : 1

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