Max McLaughlin ist ein amerikanischer Polizist, der im Sommer 1946 in Berlin eintrifft, um in den chaotischen Nachkriegsjahren beim Aufbau einer Polizei zu helfen.Max McLaughlin ist ein amerikanischer Polizist, der im Sommer 1946 in Berlin eintrifft, um in den chaotischen Nachkriegsjahren beim Aufbau einer Polizei zu helfen.Max McLaughlin ist ein amerikanischer Polizist, der im Sommer 1946 in Berlin eintrifft, um in den chaotischen Nachkriegsjahren beim Aufbau einer Polizei zu helfen.
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This is not bad, and no where a propaganda show. Not no where near the others we see today. ilya is obviously upset that Russian's are portrayed for the brutality that they displayed after the war. This is just truth, many of us saw this, even way after the war was over, me personally in West Berlin.
And let us be clear, "They" did not willingly share anything. History, is always told in the perspective of the winners and of whom is telling it. To see the real truth you have to lived it yourself or experienced some of it yourself.
I did. So far this has been decent show and worth the watch. You will need subtitles for it.
And let us be clear, "They" did not willingly share anything. History, is always told in the perspective of the winners and of whom is telling it. To see the real truth you have to lived it yourself or experienced some of it yourself.
I did. So far this has been decent show and worth the watch. You will need subtitles for it.
This was a decent miniseries, and I won't bother to discuss it in terms of acting, writing, etc.
It paid great attention to the post-war time in which it's set, 1946, except for the one glaring detail that drives me crazy in SO many productions that have been made in the 21st century. Stubble beards were NOT a thing then, especially for American police officers. Why, oh why, don't directors insist that their actors be clean shaven to fit in with the time period of their movies? Why does one actor's vanity trump the desire for authenticity?
It paid great attention to the post-war time in which it's set, 1946, except for the one glaring detail that drives me crazy in SO many productions that have been made in the 21st century. Stubble beards were NOT a thing then, especially for American police officers. Why, oh why, don't directors insist that their actors be clean shaven to fit in with the time period of their movies? Why does one actor's vanity trump the desire for authenticity?
In response to KkonaW's review about Soviet brutality after the war, I think it's the opposite. The brutality of Soviet is not exaggerated. The brutality of Soviet soldiers is largely overlooked. Japan occupied northeast China for over 30 years but it was the Soviet army that exerted brutal force there - rape and robbery were just their standard practice. But the Chinese Communist Party just looked the other way.
Remember what they did to the Polish resistance? Statin tricked them. Then the Soviet arrested them sent them to Siberia.
It's not stereotyping. It's the reality.
About the show itself, the story of the main character felt very faky. The love story with Claire was really puzzling. His attitude towards Claire was really hard to understand the presumptuous.
The rest of the show was overall good.
Remember what they did to the Polish resistance? Statin tricked them. Then the Soviet arrested them sent them to Siberia.
It's not stereotyping. It's the reality.
About the show itself, the story of the main character felt very faky. The love story with Claire was really puzzling. His attitude towards Claire was really hard to understand the presumptuous.
The rest of the show was overall good.
There's something about Berlin that seems to inspire writers, and this particular series reminds me of another( probably better) police series called Babylon Berlin, although it was set in another era.
The magic of this series lies in the unique way that postwar Berlin is presented. It is a fascinating mix of ruins and decrepitude, shown in stark relief by the way some inhabitants live, particularly the Americans.
Having said that, there are many plots and sub plots the main one being the terrible crimes committed daily on the streets by all nationalities. There is a bit too much going on, so following all the different threads is probably helped by using sub titles.
The brutal nature of the series is I think helped by the engaging leading man. Several people have been critical of him, but I think a really tough guy actor would have turned a lot of people off. Elsie is an engaging character, and Max's brother is a great study in psychopathic behaviour.
It's not an easy watch, but it is an interesting one if you like to see how Berlin became the important city it is today, then this series can only enhance that experience.
The magic of this series lies in the unique way that postwar Berlin is presented. It is a fascinating mix of ruins and decrepitude, shown in stark relief by the way some inhabitants live, particularly the Americans.
Having said that, there are many plots and sub plots the main one being the terrible crimes committed daily on the streets by all nationalities. There is a bit too much going on, so following all the different threads is probably helped by using sub titles.
The brutal nature of the series is I think helped by the engaging leading man. Several people have been critical of him, but I think a really tough guy actor would have turned a lot of people off. Elsie is an engaging character, and Max's brother is a great study in psychopathic behaviour.
It's not an easy watch, but it is an interesting one if you like to see how Berlin became the important city it is today, then this series can only enhance that experience.
Ended up quite contrived and I think some of the actors got tired of their roles especially the star. Also had so many story lines I kind of lost track of what was happening. I'm assuming there will be more "Nazi Hunters go to Rome". I'll probably watch but it could have been so much better had the story been more focused.
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- WissenswertesThe two German leads Nina Hoss (Elsie) and Sebastian Koch ("Angel Maker") had prominent roles in Homeland (2011) (S5) during the Berlin location shoot of the series.
- PatzerMax's service pistol is a Colt 1911 which is a mistake. From 1926 to 1986, NYPD used Smith & Wesson Model 10 and the Colt Official Police.
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