The Dark Pictures Anthology: Man of Medan

While it is not clear from one playthrough, the plot uses the gameplay to involve the player in the story and its consequences in a remarkable way. I found it moderately enjoyable the first time through the story, and found it to be much better than I initially thought after seeing clearly how the pieces fit together.

Following up from the smash-hit that was 'Until Dawn', Supermassive Games turned to the independent route and created their own "make your own path" horror game franchise, commencing with this very game. However, Until Dawn is the best and worst thing for this game - best as it simply wouldn't exist without Until Dawn but worst as it led everyone to wrong expectations, everyone expected another slasher story but that's not what this is - this is a ghost story.

The plot of the game is somewhat well-crafted as dives into interesting themes such as: paranoia and disenfranchisement of cultures following WW2, however the ambitious over-focus on alternating pathways with no thought of plot armour for specific characters in certain situations (which allowed Until Dawn to have a naturally flowing plot/pace no matter what you've chosen) is gone now - often leading the ending chapters of the game, especially the epilogue, to feel rushed, clumsy and unfinished. The big plot twist simply does the game no big favours, while it is clear what they were trying to aim thematically (with it presumably being a metaphor for how we create our own fears of a past we didn't witness), it simply doesn't work as good as just having a traditional ghost story would have done for this plot. It is also worth noting that despite there being so many ways for the lead protagonists to die, the actual feeling of trying to make the characters survive the night is gone as the game makes it really easy for the player to save them all.

However, on a gameplay aspect, I have no huge quarrels with the game apart from the fixed angle perspectives making it occasionally difficult to navigate your way through the ship. The character models and environments are all beautifully designed, perfectly convey accuracy while creating a perfect atmosphere for the game, the ship literally feeling dead and lifeless which is very apt, as well as some eye-catching aesthetics. Sadly, the facial motions of the character models are nothing to write home about as they are often very hit-or-miss which doesn't compliment the actually decent voice acting on display.

Overall, Man of Medan is a decent launching pad for the franchise and while the it isn't Supermassive Games' strongest, it is an enjoyable experience nevertheless.

I first played the game by myself and I thought it was ok, but super short. Then I got a group of my friends together and we played it and we had a great time. Playing with friends you can either see them fail or have a great time yelling at each other to press buttons faster and make different choices. After Until Dawn it's definitely a let down but I don't mind that this is becoming an anthology series.

'The Dark Pictures: Man Of Medan (2019)' is the first of eight (planned) games in an anthology series from the makers of 'Until Dawn (2015)', followed by 'Little Hope (2020)' and the upcoming 'House Of Ashes (2021)'. It's a narrative-driven adventure game in which you take control of five characters and, in turn, try to help them survive the events they're forced into. It's a choice-based experience that mostly consists of dialogue options, quick-time events and split-second decisions. There are segments in which you walk around the environment in a more traditional manner, finding secrets to flesh out the story, but most of the thing is like an interactive cut-scene. That's not a bad thing, though; it's the style of the game. Though it's sometimes a bit clunky (both narratively and mechanically), it's ultimately an atmospheric and engaging experience. The piece nails its realist aesthetic, with nuanced animation bringing to life the motion-capture performances that drive each character. The game's choices feel like they have impact, even if some are inevitably red herrings, and the action/ suspense sequences get you on the edge of your seat. The ending is a bit of a let-down, primarily because it feels a bit rushed and underwhelming (there's no major climax, really). Plus, some of the characters' reactions to certain events - including deaths - are unbelievably subdued. Having said that, the game is enjoyable pretty much all the way through. It allows you to uncover its mystery, which is satisfying; however, the characters never confirm their own theories, which is unsatisfying. As you can see, the piece is a bit of a mixed bag, but it's entertaining and that's the most important thing. It also features an apparently fantastic co-op mode that I haven't had a chance to play myself. In the end, it's a solid narrative adventure. 7/10.

The game is good don't get me wrong, but it isn't like Until Dawn. In Until Dawn you became very attached to the characters, which is something Supermassive missed the mark on here. The story of Until Dawn also felt longer and developed characters more. Personally I think using more established actors would have helped make people more involved with characters. Part of what made Until Dawn feel amazing was you had NO IDEA what was going on, while Man of Medan feels a bit too straight forward. The nice thing about Until Dawn was that it was drawn out for suspense, while Man doesn't have as much. Another problem was that Man felt really confined and direct , oppose to the dark and long forest trails in Until Dawn which could harbour collectibles in any corner. On the positive note the graphics were cleaner especially on PC and the multiplayer movie function was a great idea (albeit needs a little tweaking). In the end the game is good and fun to play, but don't expect any GOYT edition. In the future Supermassive needs to work on character development, a more open feeling environment, and return to the horror movie cliches that we all know and love.