Ein Künstler, der ein Leben in der Schwebe zwischen dem, was er ist, und dem, was er sein möchte, führt, wird von einer schönen Frau unterbrochen, die ihn zwingt, sich zu entscheiden.Ein Künstler, der ein Leben in der Schwebe zwischen dem, was er ist, und dem, was er sein möchte, führt, wird von einer schönen Frau unterbrochen, die ihn zwingt, sich zu entscheiden.Ein Künstler, der ein Leben in der Schwebe zwischen dem, was er ist, und dem, was er sein möchte, führt, wird von einer schönen Frau unterbrochen, die ihn zwingt, sich zu entscheiden.
- Auszeichnungen
- 1 Nominierung insgesamt
Shavya Samala
- Penelope
- (as Avy Samala)
Empfohlene Bewertungen
The movie is an absolute diamond and a very succesfull depection of reality and the harsh world we live in ....it shows how lucky we are if somebody comes into our life to show us how to stand on our own two feet and love ourselves first and foremost I absolutely recomment it.
10msjulyrd
This film hits on visual, relational, and cultural levels.
Each character felt real, while also representing how disjointed identities and values might attract and repel each other within our current counter/cultural landscape. Themes of expression, success, anti-Blackness. Femininity, spirituality, and playfulness/responsibility coalesce in this film that insists on setting its own course.
The film feels equal parts sweet and tense, whimsical and serious, all while remaining realistic, fresh, and genuine.
I wish I could watch it for the first time over and over!
P. S. We live for trace lysette. Yes hunny.
Each character felt real, while also representing how disjointed identities and values might attract and repel each other within our current counter/cultural landscape. Themes of expression, success, anti-Blackness. Femininity, spirituality, and playfulness/responsibility coalesce in this film that insists on setting its own course.
The film feels equal parts sweet and tense, whimsical and serious, all while remaining realistic, fresh, and genuine.
I wish I could watch it for the first time over and over!
P. S. We live for trace lysette. Yes hunny.
First, the obvious - Ty Hodges is beatific and talented. Visually, this little film is stunning, with plenty of Burning Man/Instagram vibes to make it solidly a reflection of these Millenial/GenZ - social-media-obsessed times.
But what's special here is that this film manages to tell a story which POC - especially Black Men - aren't given the opportunity to tell. About an artist struggling with the concept of identity in a time where identity seems more like a commodity. About how Black art that isn't about "The Struggle" doesn't sell. I'm grateful we live in a time that stories like this one get to be told. Here's hoping for more like it.
But what's special here is that this film manages to tell a story which POC - especially Black Men - aren't given the opportunity to tell. About an artist struggling with the concept of identity in a time where identity seems more like a commodity. About how Black art that isn't about "The Struggle" doesn't sell. I'm grateful we live in a time that stories like this one get to be told. Here's hoping for more like it.
If the intent was to display how 'different' and 'out of touch' the art culture is with everyday people, then mission accomplished, I guess. Otherwise, that was just some bizarro story about the starving artists and the rich elite they have to satisfy to succeed.
I get the message that Hunter wanted to be true to himself and his art and he was going to stand on principle, and I thought that was about the only good part of the story. However, that was a long journey for a pretty common movie theme. I can't imagine a large segment of society relating to this movie. I'm sure the 'critics' will love the diversity and portrayal of culture, but that is their world. For most of us, it was just a P. T. Barnum spectacle that wore off after the first 20 minutes, IMO.
One last point, what the heck is with all the smoking? I thought we were past glamourizing cigarette smoking in the movies?
I get the message that Hunter wanted to be true to himself and his art and he was going to stand on principle, and I thought that was about the only good part of the story. However, that was a long journey for a pretty common movie theme. I can't imagine a large segment of society relating to this movie. I'm sure the 'critics' will love the diversity and portrayal of culture, but that is their world. For most of us, it was just a P. T. Barnum spectacle that wore off after the first 20 minutes, IMO.
One last point, what the heck is with all the smoking? I thought we were past glamourizing cigarette smoking in the movies?
This was a beautiful film. Every frame is like a poem to Los Angeles and the talented, struggling bohemians that make it a wild and magical place.
The acting is pitch perfect and the characters are creatures you fall in love with.
The acting is pitch perfect and the characters are creatures you fall in love with.
Wusstest du schon
- Crazy CreditsThe main character, Hunter, gives the finger to the audience in the closing credits.
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Венера в теле юноши
- Drehorte
- Los Angeles, Kalifornien, USA(location)
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- Laufzeit1 Stunde 44 Minuten
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