Monrovia, Indiana

Here's an inside look at the workings of a town in the U. S. heartland. We see the people of Monrovia at their feedlots, corn fields, municipal hearings, schools and places of worship - a great panorama of life in this good place. Some Midwestern stereotypes are knocked down here, not on purpose but as revealed by the responsible way these people act. As a viewer I thank the people of Monrovia - and it's an impressive cross-section of people - for granting access to so much of what matters in this community. There is a bit of self-deprecation, people of Monrovia acknowledging they live in a small town. But in fact it's a big place, in civic spirit and caring for others.

The documentary was cute and artsy but continues on for so long without much direction. Were it to delve more into some specifics of personal life in much less time, it may be more interesting, but the amount of time where absolutely nothing consequential is going on in the movie is mind numbing.

This is not one of Wiseman's best films. Many people complain about how long it is and that it feels like it's going nowhere. Well, the 2nd part is correct. The film is somewhat long (143 minutes), but most of Wiseman's films run between 3-4 hours, and a few of them go longer than that. City Hall is 4 1/2 hours, and Near Death is 6 hours. This is a relatively short one. The issue is that the film feels too short, and Wiseman, uncharacteristically, cuts around too much and doesn't let his camera run on the people on the town. Part of Wiseman's genius is that he captures fascinating parts of reality in his movies, but they are often extended and some scenes run up to 20 minutes in length. Despite these extended scenes, his films are never boring and I love almost everything I've seen by him. However, in Monrovia, Indiana, he doesn't do that. He just jumps around randomly to people and events without any flow to it. It's almost like he wasn't that interested in these people, and most of the people in the film appear merely once in the picture. In his other pictures, the subjects often appear throughout the film and the films flow better. The one time Wiseman lets a scene play out is at the end when a local woman passes away. That scene runs 20 minutes or so and is the best scene in the film.

We never really get to know the town too much because of the overly episodic nature of the film and that Wiseman never bothers to get to know the people that well. One of the few disappointments from Wiseman.

Very weird seeing a documentary about a small town 15 minutes from where I live, and that I've spent a decent chunk of time in. Seeing it from an outsider's perspective was different, and seeing all of these roads I've driven on through a camera lens was an odd experience. Honestly surprised the director found enough content in Monrovia to make an almost two and a half hour movie out of, considering I can drive across town in twenty seconds. Still cool, though, never knew this documentary existed. I always like documentaries that show an unfiltered glimpse into the life of others, and this was no different, even though the life it showed was basically the same as the one I live.

I DVR'ed this show on a whim and then found myself captivated by this snapshot of Middle America. It gives an accurate representation of the 'Flyover Country" of the United States, on almost every level of life, from the farmer, high school, church, barber shop, etc. There is something compelling about the photography and story presented, and yet there is no narration.