Notes from Melanie
- 2019
- 19 Min.
IMDb-BEWERTUNG
6,0/10
1022
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.A screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.A screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 20 Gewinne & 10 Nominierungen insgesamt
Empfohlene Bewertungen
The dialogue feels so formulaic and structured, but the film overall is far from boring: actually it's fairly amusing and quite fun to watch. The ludicrous, silly comedic bits - albeit frequently a bit too much - work well for the most part. The leads are really amiable, to be honest.
(6/10)
(6/10)
The acting was alright. The only thing I liked was the b movie guy that made me chuckle a few times. The rest was just meh, felt long because I had no interest what these two actors were talking about. Just my opinion.
For years, Chris Stuckmann has given us some of the greatest movie reviews on the internet. His reviews are less reviews and more like breakdowns on the given films. With someone who clearly understands movies, I was curious to see what Chris Stuckmann was able to create.
His first short film reminds me that it's not easy to create a Hollywood picture. This main character reflects Stuckmann's desire to create movies and because of that we begin to relate with him. It's also touching and sweet, which is what these types of shorts should be. Great work Chris. We all love you.
His first short film reminds me that it's not easy to create a Hollywood picture. This main character reflects Stuckmann's desire to create movies and because of that we begin to relate with him. It's also touching and sweet, which is what these types of shorts should be. Great work Chris. We all love you.
I liked the bits showing the fake movies. The Melanie character seems perpetually outraged which made it very hard to watch. I like Stuckmann's reviews plenty and he seems to do camerawork very well, but he's not great at writing dialogue. He's a talented guy, so I'm sure he'll improve with time.
I'll be honest, a lot of the gags here are pretty hackneyed and the plot is just a conversation in which the only real pay off is that the main character learns to steal ideas from his love interest rather than existing movies.
That said, the camera work is spot on and the acting (particularly from Newberry) is so good that you actually briefly believe these characters in this weird roller coaster of a script that bounces back and forth from emotional-to cheesy-to funny.
The gags are each various dressings for over the top Flickinger cameos and they are pretty funny the first couple of times. If the script didn't rely so much on them, they might have retained their humor throughout, but unfortunately it does, and they don't.
In the end, Stuckman will likely go on to bigger and better things and this weird entry will just be a footnote.
That said, the camera work is spot on and the acting (particularly from Newberry) is so good that you actually briefly believe these characters in this weird roller coaster of a script that bounces back and forth from emotional-to cheesy-to funny.
The gags are each various dressings for over the top Flickinger cameos and they are pretty funny the first couple of times. If the script didn't rely so much on them, they might have retained their humor throughout, but unfortunately it does, and they don't.
In the end, Stuckman will likely go on to bigger and better things and this weird entry will just be a footnote.
Wusstest du schon
- WissenswertesChris Stuckmann said Mason Heidger and KateLynn E. Newberry memorized the script and recorded one of their rehearsals in one take .
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Details
Box Office
- Budget
- 4.000 $ (geschätzt)
- Laufzeit19 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1
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