Electric Jesus

Films that mention Jesus tend to fall into two categories. Some reek of a religious agenda and are idolized among the faithful while being dismissed as propaganda by everyone else. Others are satisfied with criticizing the behavior of religious people: often fairly, but sometimes to the point of ridicule.

Electric Jesus does neither, which makes it a simply wonderful film.

Set in the summer of 1986, Electric Jesus invites the audience into a piece of American culture that many have experienced, even if in isolated bursts that we never really learn how to talk about. We are invited to the intersection of adolescence and Christianity through a world of Bible camps, church youth group skating parties, and an aspiring hair metal band who are heaven-bent on making Jesus famous.

The story portrays the earnestness and innocence of teenagers surrounded by religion as they discover who they are in this world. The evangelical subculture that the story emerges from is neither mocked nor glorified; instead we are invited into witness the characters as they come of age. There are moments of giddiness, of youthful idealism, of stupidity, of awkwardness, and everything that comes with adolescent friendships that are as intense as they are short-lived because life has other plans. There are also moments that simply take my breath away because they are so very human that they seem to come out of nowhere in a comedy.

Electric Jesus allows teenage characters to carry the story with the same dignity that John Hughes perfected during the same decade that the story is set in. It is also a deeply satisfying film about music, telling the story of a fictional band that never makes it. The original music captures both the rollicking humor of the film while demanding to be taken seriously. Additionally, the Christian youth subculture of 1986--the music, the clothing, and the people--is captured with a meticulous eye for detail that provides pure delight to anyone who lived through it and an accurate glimpse for those who never found themselves being asked to commit their life to Jesus while sitting on the floor of a roller skating rink during a heavy metal altar call.

Just saw this as part of the Nashville Film Festival. Going into Electric Jesus, I thought I was in for a satire lampooning Christain Rock ala Spinal Tap. However, this movie is a charming indie film about the rise and fall of a Christain hair metal band in the 80s. It's not preachy, and is much more focused on the human experience of the characters involved. Though certain aspects leave a lot to be desired, what carries the film for me is the enthusiastic young cast, particularly the earnest performance of the lead Andrew Eakle as Erik. Highly recommended for music fans and indie film fans alike.

Electric Jesus is a coming-of-age road movie that chronicles the rise and fall of fictional Christian rock band '316'. The band members, all teenagers, decide to embark on a national tour to 'make Jesus famous' after grappling with their own spiritual priorities and the opinions of their parents and pastors.

The 'make Jesus famous' refrain will be immediately familiar to a subset of folks with experience in evangelical churches and is one of many references to that brand of church culture in the film. The religious elements of Electric Jesus are handled with nuance and a clearly intimate understanding of the source material, though I often felt that the named references were occasionally laid on a bit thick and won't mean much to folks who don't have a very specific background. Especially the recurring Amy Grant shenanigans.

The tour, proposed and organized by used-car-salesman-esque (though perhaps they were going more for skeevy tent revivalist?) band manager Skip Wick (Brian Baumgartner), is initially a small potatoes venture hitting skating rinks and youth meetings. Skip's interactions with the band are fun to watch as the tour continues. Stowaways, hormones, and big breaks knock the narrative around a bit until a climactic final show.

The musical performances are excellent. The songs are well written and engineered, with catchy hooks and clever lyrics that accurately reflect the ideological temperament of these sorts of groups. The actors are actually the ones doing the performing, which was put to brilliant use in a scene featuring mixing board sabotage. (Correction: Not all of the actors actually play their instruments, so props for fooling me there.)

Off-stage, the band members are serviceable actors with great chemistry. Sadly, most of them are underdeveloped as characters. They're always around but we don't really get to know much about them, with the relationship between the band's sound guy and a stowaway pastor's kid occupying far too much focus for a movie about a rock band.

The epilogue could've been removed in favor of an extra scene or two of the band members.

I'd have loved to have seen a Spinal Tap-esque approach to this project, with the band members and writers developing a massive amount of shared lore/fiction, internalizing it all, and then filming as if they'd truly lived those lives. I understand that not everyone has the luxury of 4 years to develop such a thing and the ultimate aim of the filmmakers may have been elsewhere.

The film was enjoyable and visually pleasing, the music is still rattling around in my brain, and it was great seeing this subject matter presented with heart and understanding. As a survivor of awkward Christian youth culture, I'm thrilled. As a mockumentary fan, I'm a bit disappointed. Still, there's nothing like this and it's worth seeing.

This one was a little genre-defying at first but you quickly realize it is a SERIOUS film that takes it's subject matter and characters seriously, but it is also a comedy with some genuine laugh-out loud moments populated by some refreshingly relatable and genuine characters surrounded by a rather good soundtrack.

DO NOT dismiss this as a low-tier "faith based" film, even though almost all the characters are Christian. The scenes know just when to cut away so it is not preachy but instead both showcasing what the life of a Christian is like while allowing audiences to get a good hint at the message the scene is showcasing, even though the message is not being pounded over your head.

It is neither mocking of religious folk nor caving to portraying them the way most faith-based movies do.

These multi-dimensional characters are VERY HUMAN, with their own flaws. That get put into realistic situations. You understand why the characters are the way they are and the choices they make without exposition-heavy scene after scene to explain it.

The plot is not predictable so you will be entertained by the character's surprising choices (and both surprising & sometimes not surprising consequences) that develop throughout the story which culminates into an extended epilogue that is heart-warmingly emotional without being sappy.

And yes, Brian Baumgartner ("Kevin" from the office) does have a substantial role... think Tom Hanks role in "That Thing You Do" except we get to know this multi-dimensional character here a lot more. However, the performances from his fellow actors are equally top-notch so you will very quickly be invested in all these characters instead of remembering Baumgartner is one of the only recognizable stars (which is a testament to all the actors ability). To me, it's much better to get drawn into a story & characters than to stop & think to yourself "these are great actors" (which ye can do after the movie is long over).

While there is no traditional big stadium with huge audience scene, the filmmakers stretched the million dollar budget to make it seem like a film with a much bigger budget but the story & characters are so enthralling, you probably won't care what the budget is as the production values service this story very well.

It's not the greatest movie ever made, but it is not a bad movie at all. It has all the ingredients that make a good film.

It was just a coincidence that this movie was on when i turned my TV on, and i can't sweat enough how much i liked it!!

I LOVE Christian cringe, my favorite series of all time is 7th heaven, and this master piece is in the same league 👌🏻

The fact that they'd taken bands like judas priest, iron maiden and other bands from that era, and just changed the lyrics and names, it's

It reminded me of Almost Famous, Hedwig and the Angry Inch and maybe Dazed and Confused.

If you like christian cringe movies like this, just watch it, mate!

Oh and they had soooo bad stereo types of both metal heads and rockers, it was hilarious!

Let's go commando for Jesus! \m/