Everybody's Talking About Jamie

This is a well made musical biography. The story is touching, uplifting and powerful. The songs are good, the visuals are colourful. The film lifts you up through the great songs.

I can only image the ridiculously low score for this film is due to homophobia and general intolerance because it is way, way better than 5.6.

This is a hugely enjoyable film, with some fabulous performances from all of the cast. In these times where we seem to be going backwards in terms of tolerance, it's great to see such a positive film about identity and sexuality, of wanting to be different and showing relationships between people of such different backgrounds and origins.

Richard E Grant is absolutely fantastic as the old drag queen just as Max Harwood is as the young one. Love the relationships between Jamie and Pritti, Sarah Lancashire is great as always she always is and Shobna Gulati is a hoot.

I really hope that people look past the score here and read the glowing reviews of the films. Even as someone who is straight and who likes different music to this, I found this film to thoroughly entertaining .

I'll start by saying I'm a huge fan of live musicals and I really think West End and Broadway actors are some of the most talented performers around! I'm so sick of musical adaptions where it's such a priority to cast famous actors even when they can't sing (Into the Woods, Sweeney Todd, Beauty and the Beast, the list goes on). To compensate they have to auto-tune the living daylights out of every song so it sounds like you're listening to some kind of tone-deaf, mechanical monster or, when even that fails, they have the actors basically speak the songs (cough Emma Watson cough). I also don't know who decided that James Corden is the musical star du jour but I'd like to know how we get them to cease and desist. It also upsets me when they brutally cut loads of the songs for no apparent reason and/or add in new songs that are clearly just tacked on for unfathomable reasons (a la Aladdin and pretty much every movie musical I've already mentioned).

Anyway, enough moaning about other movie musicals. Given the movie's title, I shall join everybody else talking about Jamie. I like that it's not a carbon copy of the musical (otherwise why not just do an awesome Hamilton-style stage recording) but instead acknowledges that this is a new and different medium from the stage and uses this to its full advantage. All of the cast are talented actors and singers. Max Harwood is the perfect Jamie: sweet, naive and endearing with the most gorgeous voice. His performance is very different from John McCrea's but equally beautiful. All of the other actors do a great job making this as heartwarming, enjoyable and moving as the live musical with a beautiful and meaningful message about encouraging people to be their true and honest selves.

I've no idea who is giving low ratings to this but I'd really encourage everyone to watch it and make up their own minds.

It is hard to combine two potentially opposite things. To be yourself and to fit in. Much harder if you happen to be a teenager. "Everybody's talking about Jamie" is a fairytale. Based on real people, but nevertheless a fairytale. Young, effeminate, gay 16-year boy, abandoned by his father, with hopes and dreams and the grim reality of Sheffield, industrial city in southern Yorkshire. Not the greatest starting point for an aspiring drag queen. But then, aren't the starting points way overrated. Charming fairytale for our, all but charming, depressing times.

You can tell this was filmed in 2019. Jamie feels like a pre-pandemic LGBT movie musical, if ever there was one.

The heart and charm of the stage musical is not apparent in this adaptation. It feels like an ode to narcissism and self-obsession, rather than a tribute to self-expression. Maybe this film would have had resonance fifteen years ago, but it feels so out of sync with the current zeitgeist. The more it tries to be inspiring, the more on-the-nose and garish it becomes, and the more I want to crawl back into my metaphorical closet...

The main fault of this film is the direction. It lacks vision. It's trying to be a 2000s British feel-good movie one minute, then the next it's a parody of a Netflix teen drama. Either way, with the number of stereotypes it perpetuates, it feels like an LGBT story more concerned with pleasing its straight audience than its gay one. If it had rooted itself in a time and place - 2010 Sheffield - examined that culture, and honed in on the mother-son emotional centre, then it could have been something interesting.

It's not a bad film, per se. It just doesn't know what note it's trying to hit... But, alas, the doe-eyed beauty of Sarah Lancashire's performance broke my heart and Work of Art will always be that bop...

6/10.