London Kills

When BBC's daytime soap opera does off air it is replaced by some good dramas. Shakespeare and Hathaway have been great in the last year. This summer we have been given London Kills. A detective drama focused on Hugo Speer's droll murder detective whose wife has been missing for 3 months. The first thing to say is that the acting is good. It's a solid script and the main cast work well together. The issues start to arise with the repetitive nature. Murder happens, wiring person confesses, right person is caught and it starts again. Always sitting in the background is the missing wife storyline. It's hinted at but not really explained. The main issue though is the ludicrously low budget. The main office has no one else working in it, the cafes and pubs are empty and the streets are equally empty which all takes away the realism. It is a shame because actually it is not a bad series. It just doesn't flow that well and feels a tad clunky at times. That said the writers have done a decent job and there have been much worse programmes and will be worse.

The show has secured a season so may well grow but for now its a case of not bad but low budget does soil certain aspects of the snow.

While I did enjoy watching London Kills, and watched all 4 series, if I stop and think about it there are all kinds of questions, curios and downright weirdness.

Obviously low budget, as in the first 3 series we never see anyone in the police station but the main 4 or 5 on this murder squad. Once we get to series 4 extras dressed as cops walk up and down the halls in a rebuttal of many reviewers' comments that there appear to be no other employees in this station. But we see the same shots of the same cops walking down the hall over and over again.

I could not believe that in nearly every episode of the first 3 series the same bus #15 was seen from behind and the same white van turned left in the same exterior establishing shot - again and again and again. Came to pass that I found myself waiting for bus #15 and its accompanying white van each episode and I was not let down. Same for the green bridge with "Flash" graffitied across it in white paint. It became a very familiar sight. "Ah! There it is!" I'd say each time the same view of it appeared, like I was keeping score. And other similar exterior shots reused again and again.

Acorn TV is an American company owned by AMC, so no doubt it is making sure their US audience gets plenty of notice that this is a British show, although the name should be enough of a clue. I'm not complaining; I'm an Anglophile in Canada and happy to see Tower Bridge, boats on the Thames and various tourist attractions around the city continuously, one after the other, again and again.

Do suspects in the UK not ask for a solicitor when being questioned? Are police interviews never recorded? They appear to be in every other Brit copy show (and I've watched many). Do London police always arrest everyone even remotely close to a crime and ask questions later? Are all UK cops psychic and know things they could not possibly know (had it not been written in the script?)

There were some nice twists in some of the episodes, things that kept me watching, but some head-scratchers too, like how the heck could they possibly know that?

People who weren't guilty seemed to be forever confessing to the crime to cover up for someone else, while the guilty party was often, of course, the one you would least expect. I don't know if these cops were driving their own cars or what, but does the police service provide Mercedes and Audis? I don't know, if I ask too many questions I might hurt myself. There are many. However, I liked it enough to watch all 4 series (20 episodes in total) so it wasn't all bad.

What is the fixation with London Transport buses? EVERY street scene used to connect plot changes has several buses passing through. We get that this is London. Not necessary to have buses passing by time and time and time again. Also, how about a different view of the police building and the CCTV sign? The technique of having actors exchange knowing glances is tedious as is the out of focus shots inside the police station. Why does Vivienne always show up after the two constables at each opening murder scene. Not much imagination. It could be better. Aside than all those negative comments we watched and enjoyed the series.

Great story lines, but every time there is an office scene phones are ringing in the background... I understand they want to make it realistic but it's just a bit tooooooooo much.. can you get an extra actor to answer these calls?

It's watchable. Considering the base material, the acting is OK. But the plot is full of holes, the dialogue is corny and predictable, and the intrigue and character psychology are below soap-standard mushy. Oh, and it's directed like a soap, too. The UK have a strong tradition of producing quality police procedurals, usually with strong plots and characters: Prime suspect, GBH, Luther, LIne of Duty, Bodyguard, and the list goes on... Unfortunately, this is not one of these. I guess, aside from the expensive cars (a DI drives an executive merc that is usually marketed to successful senior executives and entrepreneurs!) they didn't have much money to shoot this one and it shows a bit as well. So this sums it all up: not much script, not much money, not much talent, yielding very average entertainment. They should save resources and not make a second series: no one will lose any sleep not knowing who killed the DI's wife. Just saw the end of series 2: it's even worse than I originally thought. I hope they don't make series 3.