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6,5/10
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IHRE BEWERTUNG
Nicky Larson, der beste Privatdetektiv der Branche, muss ein hohes Risiko eingehen: das Parfüm von Cupid zurückgewinnen. Ein Parfüm, das jeden unwiderstehlich macht.Nicky Larson, der beste Privatdetektiv der Branche, muss ein hohes Risiko eingehen: das Parfüm von Cupid zurückgewinnen. Ein Parfüm, das jeden unwiderstehlich macht.Nicky Larson, der beste Privatdetektiv der Branche, muss ein hohes Risiko eingehen: das Parfüm von Cupid zurückgewinnen. Ein Parfüm, das jeden unwiderstehlich macht.
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If there's one thing about Tsukasa Hojo's original manga that doesn't hold up, it's the schoolboy ecchi humor that grates on anyone old enough to have touched a breast--that is, most fans of the series by now. This held true in 2019's frankly mediocre 'City Hunter: Shinjuku Private Eyes', but this French adaptation gets it right thanks to a brilliant premise, surprisingly competent action, and nonstop goofs sure to land at least few times.
Most of the comedy comes from the plot MacGuffin, a perfume that causes victims to instantly fall in love, which is a perfect excuse for lots of awkward sexual comedy, nudity, and gay jokes. That last part might make some cringe, but it's strangely effective as a foil for Ryo's usual lechery and doesn't feel mean-spirited. Ryo (Lacheau) and Kaori (Fontan) have great chemistry both as a comedy duo and a couple whose relationship feels fresh and less lived-in compared to other adaptations, i.e. playing will-they-won't-they for over thirty years. Side characters Pancho and Skippy feel slightly out of place as supporting cast, but are hapless enough to lighten the mood during slow moments.
Visually, it takes great pains to stick close to its source material. Ryo and Kaori step straight out of the manga rocking 80's fashion and driving their iconic Mini, and Kamel Guenfoud is uncanny as Falcon (though he sadly never fires a bazooka onscreen). The action is also surprisingly competent for its modest budget and goofier tone. Fights use creative set-pieces without rapid cutting or shaky-cam, including a scrapyard scene (shot entirely in first-person) that expertly mixes comedy and fisticuffs to rival Jackie Chan from the 1993 Hong Kong adaptation. The only disappointment are the villains; they're barely characterized and indistinguishable apart from suit color or facial hair. Still, they work as punching bags and bullet receptacles just fine, and they're at least better than the CGI drone robots from 'Shinjuku Private Eyes'.
Yes, it's goofier and less neo-noir than the source material (being based on the toned-down French localization, 'Nicky Larson') and the mild homophobia could be off-putting for general audiences. But it's finally an adaptation that's not ashamed of its comic-book roots and tries its hardest to entertain and service longtime fans of the series.
Most of the comedy comes from the plot MacGuffin, a perfume that causes victims to instantly fall in love, which is a perfect excuse for lots of awkward sexual comedy, nudity, and gay jokes. That last part might make some cringe, but it's strangely effective as a foil for Ryo's usual lechery and doesn't feel mean-spirited. Ryo (Lacheau) and Kaori (Fontan) have great chemistry both as a comedy duo and a couple whose relationship feels fresh and less lived-in compared to other adaptations, i.e. playing will-they-won't-they for over thirty years. Side characters Pancho and Skippy feel slightly out of place as supporting cast, but are hapless enough to lighten the mood during slow moments.
Visually, it takes great pains to stick close to its source material. Ryo and Kaori step straight out of the manga rocking 80's fashion and driving their iconic Mini, and Kamel Guenfoud is uncanny as Falcon (though he sadly never fires a bazooka onscreen). The action is also surprisingly competent for its modest budget and goofier tone. Fights use creative set-pieces without rapid cutting or shaky-cam, including a scrapyard scene (shot entirely in first-person) that expertly mixes comedy and fisticuffs to rival Jackie Chan from the 1993 Hong Kong adaptation. The only disappointment are the villains; they're barely characterized and indistinguishable apart from suit color or facial hair. Still, they work as punching bags and bullet receptacles just fine, and they're at least better than the CGI drone robots from 'Shinjuku Private Eyes'.
Yes, it's goofier and less neo-noir than the source material (being based on the toned-down French localization, 'Nicky Larson') and the mild homophobia could be off-putting for general audiences. But it's finally an adaptation that's not ashamed of its comic-book roots and tries its hardest to entertain and service longtime fans of the series.
Good story collaborates with France comedy. I hope they have a sequel.
By far the best live-action adaption of the City Hunter manga/animation. Not that it is excellent, but at least all the characters and the background story are faithful to the original City Hunter manga, unlike most of the Hollywood productions. The actor who played Umibozu (Mammoth) really looks the part, and not just some big bold guy wear a pair of shades. The story itself is a straight forward, comedic one, with some (subtle) adult humors, a bit like the old Benny Hill show if you are old enough and English. I do wish they will carry on making some sequels with the same cast with some additions of the regular characters in the manga.
10carlise2
Really enjoyed this movie and would watch it again on DVD/BluRay. I was quite impressed with the quality of the action scenes (for a French comedy). Looks like the director enjoyed making this movie, which shows care, attention to detail as well as faithfulness to the original anime City Hunter. I remember reading that creator Tsukasa Hojo himself enjoyed the screenplay for Lacheau's film, therefore giving the project 'added value' (particularly for the fans of the series who might have had doubts about this adaptation). The balance gags/action/storytelling is good, the casting works well too. A good job overall, considering that mangas/animes are particularly tricky to develop into convincing live-action movies. Now hoping for a sequel!
Best known as City Hunter, Nicky Larson is a funny and entertaining french movie with a lot of action. The film is really respectul towards the comics. Everything is there, same music, same character, action and a lot of fun. Without hesitation the best adaptation. Watch it!
Wusstest du schon
- Wissenswertes"City Hunter" creator Tsukasa Hôjô had been refusing several offers to adapt his work over the years, because most of the time these works were simple action stories. However, when he met Philippe Lacheau he was impressed with the prepared screenplay: "In Philippe's scenario, there was everything: drama, laughter, things a bit naughty. He had taken into account the totality of the work."
- Crazy CreditsThe last image of the film turns into a comic-book image from the "City Hunter" manga comic that inspired this film.
- VerbindungenFeatured in De quoi j'me mêle!: Folge #1.9 (2019)
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- Weltweiter Bruttoertrag
- 14.702.744 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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What is the Brazilian Portuguese language plot outline for Nicky Larson - City Hunter (2018)?
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