Bob Marley: One Love

The acting was good, the scenes regarding the music and the artistic creativity involved in the endeavor were good, and every scene individually was fine.

What this film lacks is actually direction. It felt disjointed and choppy from the very beginning. It was hard to keep straight what was going on and why. The motivations of events were hard to follow, and conflicts appeared and disappeared without a trace. The actual flow and arc were kind of non-existent in this movie.

I felt the scenes between on-screen Bob and Rita and Bob with the band were the absolute strength. There was chemistry there that felt natural and that felt like I was really getting a glimpse into Bob Marley at this period of his life.

It's so close to being a really good movie, but the lack of continuity in the storytelling robs it of reaching the potential.

Bob Marley is one of the most recognizable names in the world, whose music, cultural influence and message of unity transcends borders. And while Reinaldo Marcus Green's "Bob Marley: One Love" tries to portray his influence and legacy on screen, the movie's low-risk conventional approach makes it a rather hollow experience.

The movie is as vanilla as it gets, with nothing really standing out. And that extends to lead actor Kingsley Ben-Adir, who while I think is a great actor, just isn't able to make the character work. He seems to be trying his best to replicate the legend, but is quite not all there with his portrayal that we're always aware we're watching an actor play Bob Marley and not Bob Marley himself.

While "Bob Marley: One Love" is not as boring as some of the other musical biopics I've seen (like 'I Wanna Dance with Somebody' or 'The United States vs Billie Holiday'), it surely doesn't do enough to be worth recommending. It's yet another biopic that plays like a collection of vignettes than an actual narrative story, with some 'greatest hits' backing tracks. It certainly doesn't do Marley's legacy any justice.

Bob Marley: One Love is a thoroughly generic biopic told in an entertaining fashion. It starts off with an interesting idea focusing on a specific part of Marley's life and honing in on the unifying power of his music before quickly becoming the kind of biopic that's been done so many times before, frustratingly saving the most powerful moment for the archive footage at the end.

Even when this genre is at its blandest the central performance is rarely the problem and that's absolutely the case here. Kingsley Ben-Adir gives a wonderful performance that never strays into parody and is the only time the film comes close to making Marley feel human. It's also great that Lashana Lynch is given so much, supporting whilst still getting some spotlight.

Reinaldo Marcus Green's direction ends the film a little too early and uses a flashback heavy structure to hit all the required beats but it's all done in a technically competent and very serious way which helps. The soundtrack is obviously a major highlight however the score by Kris Bowers is an unexpected highlight thanks to its very dramatic nature.

We went to see this movie on a whim and although I am not someone who listens to reggae music, I would like to learn more about it and see what Bob Marley was in our world. The story was not the easiest to follow because it it jumped around in time, which isn't usually difficult to follow, but it was in this movie. There were aspects missing that would have brought this movie together much better.

I found I enjoyed the music very much and I did get a sense of why Bob Marley was an important figurehead in the attempt of taking away hate at teaching love to all.

I thought the actress who played Bob's wife was fantastic. I felt a lot of pain and strife that she must have experienced as the celebrity status of her husband soared. To me, she was the best part of the movie.

This was an interesting movie with fine performances, but it felt a bit rushed and scattered in it's writing.

I wish I knew superstar Bob Marley better after seeing the biopic, Bob Marley One Love, but I don't. For such a music legend, the greatest exponent of reggae and a tireless promoter of peace for Jamaica, director Reinaldo Marcus Green and his host of writers patch together impressive music and a few poignant scenes from 1976 to 78 into a whole that doesn't give the sense of his greatness before he died of cancer in 1981 at age 36.

As Marley, Kingsley Ben-Adir has the star power of the original Marley with a casual charisma that convinces us he could bring peace to the two warring factions in post-colonial Jamaica. Because Marley eventually leaves home to tour the world and land in London, we are limited in learning about the close connection to his homeland from his birth on.

A reason to see this unimpressive bio is to watch the inception of the album, Exodus, which Time Magazine called the best of the 20th century. As successful as that was, peace was not to be so, an impossible task even the great Marley couldn't pull off.

Lacking throughout is an intimate look into his psyche, such as we did get in the recent Oppenheimer. Both bios dwell on a few key years (a blessing rather than trying to depict the whole life), but One Love never goes deeply except in the successful scenes with his wife, Rita (Lashana Lynch), which have the kind of soul revealing power lacking in most other scenes which too often scan the surface.

The lesser dramatic revelations such as his passion for soccer, Africa, and the genesis of the simple Exodus album cover are well represented. Less so is insight into reggae while he lived in his homeland. The most we get serves just to verify that he was a charismatic cross between Mick Jagger and Freddie Mercury. The real Bob Marley is yet to be seen.