The United States vs. Billie Holiday

The movie is a bit slow at first but then it got me hooked up to it really fast. I loved andra day's performance so much. Everytime she sang, I felt it

But the film is a mess. Poorly written, haphazardly directed and edited. I love Billy Holiday and I should have loved this movie. Grateful for Andra Day's performance. It's up there with Frances McDormand's work in Nomadland as a top Oscar contender.

This movie would make a great triple feature with Ma Rainey's Black Bottom and Judas and the Black Messiah for showcasing racism and injustice systemic and culturally nakedly and honestly. The US vs. Billie Holiday really makes you frustrated in all the right ways and at all the right people but also inspires people like me who didn't know much about this history to learn more and educate oneself since those who don't learn from history...anyway...Andra Day gives an incredible performance and Trevante Rhodes balances the line of someone you want to smack in the face one second and kiss the next. Impeccable gowns and hairstyling add to the glamor and realism of the music being sung so beautifully by her swingin, emotional voice. Day expresses a lot in those eyes tender one minute and giving diva the next. Maybe it's not perfect from a filmmaking point of view but not in any innegligible way and the image of Andra Day screaming with joy and pride in her Golden Globe acceptance speech is enough to make me feel good inside knowing she gave this her all and that her idol would be proud.

Billie Holiday's voice was (and still is) unique. Her music was so sad and daunting, yet so beautiful.

UNFORTUNATELY this movie about her life is lacking brilliance. It is not a bad movie, not at all, but it never delivers any real intense drama. This movie just meanders a bit without ever really shining bright.

I would therefore not recommend this movie. Better put on an old record of Billie Holiday because her voice still is unsurpassed and magnificently chilling and SO gorgeous!

The story: Billie Holiday is a black female blues singer who is targeted by the police for daring to expose racism in her popular songs.

The title is a tip-off that this isn't going to be a general bio-pic. It's a prosecution of a case. Director Lee Daniels has never been accused of being a subtle filmmaker, but here he and writer Suzan-Lori Parks are weilding a mighty gavel. It's a miracle than novice singer turned actress Andra Day still shines.

The basic facts here are indisputable: Billie Holiday was hounded by the government, had a series of bad marriages and died at a tragically young age (44). Still, Daniels' approach of dwelling solely on the abuses of Holiday's life, whether they be legal, physical, sexual or narcotics- related, does a disservice not only to the singer, but to the 'case' he is trying to make. Daniels uses a catalog of tricks which sometimes work - using 16mm and 35mm film for flashbacks (although using digital 'scratches' on the celluloid is a hoary cliche); And some that don't - a long heroin fueled fever dream.

What's missing here is Holiday's artistry. Her inner soul. She had affairs with famous, successful people of both sexes -- but there's no evidence here of why they would be attracted to her. Surely, she had a wit and a charm that goes beyond being an attractive famous chanteuse. Parks' script focuses on the blunt-spoken, yet needy part of her personality, not her passions.

Day does a remarkable job in a blunt, honest way that isn't all actor-ticks. And, unsurprisingly, the singer shines on stage during the performance scenes. It's a breakthrough for her, even if the film around her is in shambles. One is much better off with one of the numerous Documentaries on Holiday.