IMDb-BEWERTUNG
6,4/10
7286
IHRE BEWERTUNG
Ein paar Familien, die in einem Vorort von Rom auf der Straße leben. Die Spannungen können hier jederzeit explodieren; letztlich sind es die Kinder, die den Zusammenbruch herbeiführen.Ein paar Familien, die in einem Vorort von Rom auf der Straße leben. Die Spannungen können hier jederzeit explodieren; letztlich sind es die Kinder, die den Zusammenbruch herbeiführen.Ein paar Familien, die in einem Vorort von Rom auf der Straße leben. Die Spannungen können hier jederzeit explodieren; letztlich sind es die Kinder, die den Zusammenbruch herbeiführen.
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- 22 Gewinne & 28 Nominierungen insgesamt
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In an atmosphere shrouded in the gray banality of the Roman outskirts, "Favolacce" by the D'Innocenzo Brothers offers a raw and uncompromising look into the lives of some families grappling with their own frustrations and contradictions. It's not a masterpiece, but rather a film that manages to capture some peculiarities of the human condition with a certain degree of effectiveness. The portrayal of family dynamics, laden with tensions made palpable by tight dialogues and direction unafraid to explore the darkest corners of the human psyche, is one of the film's most intriguing elements. Despite their evident dysfunctionality, the characters manage to evoke a certain empathy in the viewer, thanks also to the strong performances of the cast. However, "Favolacce" is not without its flaws. The narrative, while incisive and direct, risks at times to be too raw and lacking in nuances, leaving little room for the complexity of the characters and their relationships. Some scenes, moreover, might come off as overly verbose or repetitive, diluting the emotional impact of the situations depicted. Nevertheless, the film still manages to keep the viewer engaged until the end, thanks also to its ability to provoke reflections and debates on universal themes such as love, family, and the very meaning of human existence. While not a perfect work, "Favolacce" stands out for its audacity and frankness in depicting the brutality of everyday life, without seeking easy consolations or pre-packaged solutions."Favolacce" proves to be a good film, with its peculiarities and its flaws. Despite not reaching peaks of excellence, it still manages to offer an interesting and provocative look into human nature, inviting the viewer to reflect on their own choices and relationships. A must-see for those in search of an intense and stimulating cinematic experience.
It's a good movie. Plot is well worked but they didn't really make the best of it. Dialogues are solid. All together it's a good movie but not as good as it could've been.
"Favolacce" is undoubtably a good movie, thanks to the inspired screenplay, the anxious score, the solid acting and the frustrating direction. And I say frustrating because the D'Innocenzo's brothers intentionally chose the camera angles that were the less adapt to the scenes in order to provoke a sense of discomfort in the viewer. And this discomfort is what the movie leaves after the credits, a general bitterness for what happened in it. The complaint I have, that is the reason why I didn't love it, is the setting. The ultra degraded suburb filled with pessimistic, poor and angry people similar to the one represented in "Dogman" is excessive and distant from the actual reality. And I'm not saying there aren't difficult situations but here is a bit too extreme and I felt a certain detachment from the characters because they really felt fictional to me (maybe the only one that I perceived as plausible is the one played by Elio Germano). And probably it actually was the intention of the filmmakers in order to tell some tales, as the title suggests, but I would have liked it more if the context was more real and then I think that what happens in the movie would have hit me a lot harder than it did. In conclusion "Favolacce" is good, surely a fine watch, but the level of appreciation you will feel is correlated to how much you will buy its setting and its characters.
Co-directed by brothers Damiano and Fabio D'Innocenzo "Bad Tales" is a dark, downbeat and really rather unpleasant film seriously lacking in the 'feelgood' factor. It's also rather good in a horrible, queasy kind of way; a film to admire for the obvious skill the filmmakers demonstrate but certainly not a film to like. Set during one summer in a suburb ouside Rome it looks, somewhat forensically, at a couple of very dysfunctional families much in the style of Yorgos Lanthimos. The brothers never quite reach the heights that Lanthimos does but we are definitely in the same perverse ballpark.
Both adults and children are treated with the same off-hand cruelty while their actions are never really explained. There's something almost surreal going on here and not in a good way but then the film is called "Bad Tales" so don't say you weren't warned. I doubt if I'll be returning to it anytime soon but while the brothers may not be the Coens I will certainly be interested to see what they do in the future.
Both adults and children are treated with the same off-hand cruelty while their actions are never really explained. There's something almost surreal going on here and not in a good way but then the film is called "Bad Tales" so don't say you weren't warned. I doubt if I'll be returning to it anytime soon but while the brothers may not be the Coens I will certainly be interested to see what they do in the future.
Seen at Berlinale 2020, it is a film that looks at the relationships between parents and children. There is a lot going on in this little Italian suburb, but one thing is for sure, the parents make much more noise than the children. It is a story about growing up or never managing to do so. Worth seeing.
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- 2.000.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 208.419 $
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