IMDb-BEWERTUNG
5,0/10
2193
IHRE BEWERTUNG
Ein Ehepaar verbringt die Ewigkeit in einem Schloss, bis sich ihre Realität zu verschieben beginnt, als das Unbekannte in ihr Leben tritt.Ein Ehepaar verbringt die Ewigkeit in einem Schloss, bis sich ihre Realität zu verschieben beginnt, als das Unbekannte in ihr Leben tritt.Ein Ehepaar verbringt die Ewigkeit in einem Schloss, bis sich ihre Realität zu verschieben beginnt, als das Unbekannte in ihr Leben tritt.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 10 Gewinne & 8 Nominierungen insgesamt
Empfohlene Bewertungen
Dawn Breaks Behind the Eyes tells the story of a disruptive couple in a '60s gothic setting.
Margot (Luisa Taraz) has inherited a castle, which is visited with her curmudgeonly husband Dieter (played superbly by Frederik von Lüttichau).
The first half skillfully delivers a psychogram of this toxic relationship, amid the surreal castle where space and time seem to have their own rules.
But it is in the second half that the film takes an unexpected new direction - and everything that happened before is reinterpreted once again.
Visually stunning with a great soundtrack and very clever screenplay, this is definitely a film that needs to be watched a second time to fully grasp all the different layers hidden in the story.
Margot (Luisa Taraz) has inherited a castle, which is visited with her curmudgeonly husband Dieter (played superbly by Frederik von Lüttichau).
The first half skillfully delivers a psychogram of this toxic relationship, amid the surreal castle where space and time seem to have their own rules.
But it is in the second half that the film takes an unexpected new direction - and everything that happened before is reinterpreted once again.
Visually stunning with a great soundtrack and very clever screenplay, this is definitely a film that needs to be watched a second time to fully grasp all the different layers hidden in the story.
I see reviews here calling this movie multilayered and an homage to classic Euro-horror. I call it boring. It's not scary, nothing happens. It wants you to think you're watching one movie, then in the middle it shifts to something very different. Neither are very interesting. Maybe the movie is more interesting to Germans and Europeans, or maybe people enthralled with the movies this one is based on, than to this American. This seems to be horror for failed art students. Even looking at the reviews with spoilers, no one seems to explain what this movie is about or what the point is. Some of the characters are on drugs, maybe the viewer should be as well. If I understand the moral of this story, the TV show Lost (2004) did it better.
Story-wise, it starts with a couple driving towards an old castle at night. The husband is an imposing one, the wife forbearing. The place which the wife is supposed to inherit, the richer of the two, has been left in a derelict form. It is a place, not simply housing unknown horror, but a locus to test their character i.e., habit, disposition, and morals.
The rest shall be left for the viewer to find out.
The movie has a multilayered narrative. It expects a lot of competence from the viewer's side to make sense.
The cinematography is magical. A love letter, indeed.
The sound editing is fantastic. And performance? To quote from the movie "You were born for this role".
The film students and nerds "of the higher order" will certainly be busy breaking it down piece by piece and then pulling it together again to see what becomes of it. But the average viewer with expectations of good old thrills and jump scares are not going to be able to enjoy it to the end.
It is a movie that not only pays homage to the horror cinema of the late 60s and early 70s but attempts a critique with the purpose of turning movies of the yore inside out. Does it succeed? By large, Yes.
But the more important question is this: as an average viewer do you really want to witness this success?
The rest shall be left for the viewer to find out.
The movie has a multilayered narrative. It expects a lot of competence from the viewer's side to make sense.
The cinematography is magical. A love letter, indeed.
The sound editing is fantastic. And performance? To quote from the movie "You were born for this role".
The film students and nerds "of the higher order" will certainly be busy breaking it down piece by piece and then pulling it together again to see what becomes of it. But the average viewer with expectations of good old thrills and jump scares are not going to be able to enjoy it to the end.
It is a movie that not only pays homage to the horror cinema of the late 60s and early 70s but attempts a critique with the purpose of turning movies of the yore inside out. Does it succeed? By large, Yes.
But the more important question is this: as an average viewer do you really want to witness this success?
Whether you love the movie (like I did) or hate it (as some surely will) - one can't help but admire Dawn Breaks Behind the Eyes for it's brazen attempt at narrative structure that succeeds in averting expectations again and again.
The film deals with the idea of being trapped in interesting ways.
Whereas the characters are quite literally trapped in space and time, wether in the castle as a whole, or locked into a room, the theme goes much deeper than that.
Similar to people unknowingly being stuck in a painting or in an endlessly repeating movie forced to live through their mistakes, these characters are stuck in patterns and bad relationships, hoping for their partners to change instead of taking responsibility and changing themselves by ending the relationships and thus breaking the cycle.
The director does this by exploring a relationship from different angles and realities, first offering a glimpse into the fictional creation of this relationship before diving into the meaning behind it all and how it relates to their reality. Fascinating stuff!
Casual viewers might find the story nonsensical or confusing, but those who are willing to explore it's endless puzzles will be deeply rewarded.
The film deals with the idea of being trapped in interesting ways.
Whereas the characters are quite literally trapped in space and time, wether in the castle as a whole, or locked into a room, the theme goes much deeper than that.
Similar to people unknowingly being stuck in a painting or in an endlessly repeating movie forced to live through their mistakes, these characters are stuck in patterns and bad relationships, hoping for their partners to change instead of taking responsibility and changing themselves by ending the relationships and thus breaking the cycle.
The director does this by exploring a relationship from different angles and realities, first offering a glimpse into the fictional creation of this relationship before diving into the meaning behind it all and how it relates to their reality. Fascinating stuff!
Casual viewers might find the story nonsensical or confusing, but those who are willing to explore it's endless puzzles will be deeply rewarded.
There is an interesting turn here that reminded me of another (not exactly) horror movie. I won't reveal movie's title in order for keeping my review spoiler-free. When i watched this particular turn of events, i hoped this was going to be good. It's not. It's not bad either though. A horror fan might appreciate some things here, there are some creepy scenes, nice 70's aesthetic and cinematography. There are mysteries too. It's an open to interpretation movie, but you will find some hints here and there. This movie's concept/main theme is similar to DARK's, i mean the great German Tv show. At least, i think so.
Unfortunately, there are negatives too. I didn't like the acting here, it was weird. I think that this was intentionally weird, like other movie's aspects. They wanted to create a hallucination for the viewer. I get that, it was a risky move, i respect that but i didn't like it. It felt more amateurish than artistic. If you want to create a bizarre experience for the viewer, a certain amount of talent is needed. Director and writers here are not talentless but not talented enough to achieve something so difficult.
Unfortunately, there are negatives too. I didn't like the acting here, it was weird. I think that this was intentionally weird, like other movie's aspects. They wanted to create a hallucination for the viewer. I get that, it was a risky move, i respect that but i didn't like it. It felt more amateurish than artistic. If you want to create a bizarre experience for the viewer, a certain amount of talent is needed. Director and writers here are not talentless but not talented enough to achieve something so difficult.
Wusstest du schon
- WissenswertesThe film was written in 2017 and shot in May 2018 over the course of 23 days at the castle Herrenhaus Vogelsang in Lalendorf, Germany.
- VerbindungenReferences Die bitteren Tränen der Petra von Kant (1972)
- SoundtracksThe Death of a Candle
Written by Eric Adrian Lee (as E.A. Lee) and Robbie Augspurger (as R. Augspurger)
Performed by Ozarks
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Hinter den Augen die Dämmerung
- Drehorte
- Deutschland(Schloss Herrenhaus Vogelsang)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 16 Min.(76 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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