IMDb-BEWERTUNG
5,0/10
2192
IHRE BEWERTUNG
Ein Ehepaar verbringt die Ewigkeit in einem Schloss, bis sich ihre Realität zu verschieben beginnt, als das Unbekannte in ihr Leben tritt.Ein Ehepaar verbringt die Ewigkeit in einem Schloss, bis sich ihre Realität zu verschieben beginnt, als das Unbekannte in ihr Leben tritt.Ein Ehepaar verbringt die Ewigkeit in einem Schloss, bis sich ihre Realität zu verschieben beginnt, als das Unbekannte in ihr Leben tritt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 10 Gewinne & 8 Nominierungen insgesamt
Empfohlene Bewertungen
If you've read the review that preceded mine you probably noticed all of the positive ones made a point of not spoiling anything or being too specific on what they like outside of the way the movie looked. It's mostly compared to 60's Euro Horror and called amazing. I mostly assume those reviews are from people involved with the film trying to steer the viewers perception in the direction they want prior to seeing the film. It is, visually, very well done. But everything else? This is an incoherent mess with no real plot, story or pacing that allow you to follow what is happening. There is a major shift about half way through that makes no sense at all and certainly does not help anything you've seen up until this point. The synopsis about time shifting around is very misleading as this is never really shown, nor is a change of setting, nor is anything else even vaguely supernatural. Unless you are looking for non-linear, no story art I would avoid this one.
Story-wise, it starts with a couple driving towards an old castle at night. The husband is an imposing one, the wife forbearing. The place which the wife is supposed to inherit, the richer of the two, has been left in a derelict form. It is a place, not simply housing unknown horror, but a locus to test their character i.e., habit, disposition, and morals.
The rest shall be left for the viewer to find out.
The movie has a multilayered narrative. It expects a lot of competence from the viewer's side to make sense.
The cinematography is magical. A love letter, indeed.
The sound editing is fantastic. And performance? To quote from the movie "You were born for this role".
The film students and nerds "of the higher order" will certainly be busy breaking it down piece by piece and then pulling it together again to see what becomes of it. But the average viewer with expectations of good old thrills and jump scares are not going to be able to enjoy it to the end.
It is a movie that not only pays homage to the horror cinema of the late 60s and early 70s but attempts a critique with the purpose of turning movies of the yore inside out. Does it succeed? By large, Yes.
But the more important question is this: as an average viewer do you really want to witness this success?
The rest shall be left for the viewer to find out.
The movie has a multilayered narrative. It expects a lot of competence from the viewer's side to make sense.
The cinematography is magical. A love letter, indeed.
The sound editing is fantastic. And performance? To quote from the movie "You were born for this role".
The film students and nerds "of the higher order" will certainly be busy breaking it down piece by piece and then pulling it together again to see what becomes of it. But the average viewer with expectations of good old thrills and jump scares are not going to be able to enjoy it to the end.
It is a movie that not only pays homage to the horror cinema of the late 60s and early 70s but attempts a critique with the purpose of turning movies of the yore inside out. Does it succeed? By large, Yes.
But the more important question is this: as an average viewer do you really want to witness this success?
While I was expecting a somewhat decent homage to gothic horror of the 70s, Dawn Breaks Behind the Eyes goes much deeper.
Now, don't get me wrong - the film is a loving tribute to Euro horror of the 60s and 70s and especially fans of Bava and Rollin will be sure to have a great time - but I was particularly impressed by the shift (both narratively and in tone) the story takes around the halfway mark.
Without spoiling anything, I can say that the story evolves and morphs into something much more profound and thought provoking than it first appears - resulting in a unique cinema experience that is as visually captivating as it is clever.
Now, don't get me wrong - the film is a loving tribute to Euro horror of the 60s and 70s and especially fans of Bava and Rollin will be sure to have a great time - but I was particularly impressed by the shift (both narratively and in tone) the story takes around the halfway mark.
Without spoiling anything, I can say that the story evolves and morphs into something much more profound and thought provoking than it first appears - resulting in a unique cinema experience that is as visually captivating as it is clever.
Whether you love the movie (like I did) or hate it (as some surely will) - one can't help but admire Dawn Breaks Behind the Eyes for it's brazen attempt at narrative structure that succeeds in averting expectations again and again.
The film deals with the idea of being trapped in interesting ways.
Whereas the characters are quite literally trapped in space and time, wether in the castle as a whole, or locked into a room, the theme goes much deeper than that.
Similar to people unknowingly being stuck in a painting or in an endlessly repeating movie forced to live through their mistakes, these characters are stuck in patterns and bad relationships, hoping for their partners to change instead of taking responsibility and changing themselves by ending the relationships and thus breaking the cycle.
The director does this by exploring a relationship from different angles and realities, first offering a glimpse into the fictional creation of this relationship before diving into the meaning behind it all and how it relates to their reality. Fascinating stuff!
Casual viewers might find the story nonsensical or confusing, but those who are willing to explore it's endless puzzles will be deeply rewarded.
The film deals with the idea of being trapped in interesting ways.
Whereas the characters are quite literally trapped in space and time, wether in the castle as a whole, or locked into a room, the theme goes much deeper than that.
Similar to people unknowingly being stuck in a painting or in an endlessly repeating movie forced to live through their mistakes, these characters are stuck in patterns and bad relationships, hoping for their partners to change instead of taking responsibility and changing themselves by ending the relationships and thus breaking the cycle.
The director does this by exploring a relationship from different angles and realities, first offering a glimpse into the fictional creation of this relationship before diving into the meaning behind it all and how it relates to their reality. Fascinating stuff!
Casual viewers might find the story nonsensical or confusing, but those who are willing to explore it's endless puzzles will be deeply rewarded.
This was probably my favorite film of FrightFest this year, but also the hardest to write a review about. Mainly because the plot is so delicate and multi layered that anything I write could spoil the wonderful experience.
All I can write is that "Dawn Breaks Behind the Eyes" is a brilliant, atmospheric, thought provoking and beautifully shot (!!) throwback to gothic horror that is so much more than it lets on.
It's a film that I had to think about a lot after having watched it, because there is just so much happening, and every little detail has so much meaning. It's a film you want to re watch again and again.
While some might be frustrated that the film doesn't hand out everything on a silver platter, it's a much more engaging film that forces the viewers to really think about what they just witnessed and to connect the dots themselves.
So happy that FrightFest chose to show this film!
All I can write is that "Dawn Breaks Behind the Eyes" is a brilliant, atmospheric, thought provoking and beautifully shot (!!) throwback to gothic horror that is so much more than it lets on.
It's a film that I had to think about a lot after having watched it, because there is just so much happening, and every little detail has so much meaning. It's a film you want to re watch again and again.
While some might be frustrated that the film doesn't hand out everything on a silver platter, it's a much more engaging film that forces the viewers to really think about what they just witnessed and to connect the dots themselves.
So happy that FrightFest chose to show this film!
Wusstest du schon
- WissenswertesThe film was written in 2017 and shot in May 2018 over the course of 23 days at the castle Herrenhaus Vogelsang in Lalendorf, Germany.
- VerbindungenReferences Die bitteren Tränen der Petra von Kant (1972)
- SoundtracksThe Death of a Candle
Written by Eric Adrian Lee (as E.A. Lee) and Robbie Augspurger (as R. Augspurger)
Performed by Ozarks
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Hinter den Augen die Dämmerung
- Drehorte
- Deutschland(Schloss Herrenhaus Vogelsang)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 16 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1
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