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The Garden of Evening Mists

  • 2019
  • 2 Std.
IMDb-BEWERTUNG
6,9/10
880
IHRE BEWERTUNG
The Garden of Evening Mists (2019)
A woman seeking a quiet life in post-World War II British Malaya finds love and a common interest in gardening with a mysterious Japanese man.
trailer wiedergeben1:57
1 Video
9 Fotos
DramaRomanze

Eine Frau, die im britischen Malaya nach dem Zweiten Weltkrieg ein ruhiges Leben sucht, findet Liebe und ein gemeinsames Interesse an der Gartenarbeit mit einem mysteriösen japanischen Mann.Eine Frau, die im britischen Malaya nach dem Zweiten Weltkrieg ein ruhiges Leben sucht, findet Liebe und ein gemeinsames Interesse an der Gartenarbeit mit einem mysteriösen japanischen Mann.Eine Frau, die im britischen Malaya nach dem Zweiten Weltkrieg ein ruhiges Leben sucht, findet Liebe und ein gemeinsames Interesse an der Gartenarbeit mit einem mysteriösen japanischen Mann.

  • Regie
    • Tom Lin
  • Drehbuch
    • Richard Smith
    • Twan Eng Tan
  • Hauptbesetzung
    • Angelica Lee
    • Hiroshi Abe
    • Sylvia Chang
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    880
    IHRE BEWERTUNG
    • Regie
      • Tom Lin
    • Drehbuch
      • Richard Smith
      • Twan Eng Tan
    • Hauptbesetzung
      • Angelica Lee
      • Hiroshi Abe
      • Sylvia Chang
    • 19Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Gewinne & 18 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 1:57
    Official Trailer

    Fotos8

    Poster ansehen
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    Topbesetzung15

    Ändern
    Angelica Lee
    Angelica Lee
    • Teoh Yun Ling
    Hiroshi Abe
    Hiroshi Abe
    • Nakamura Aritomo
    Sylvia Chang
    Sylvia Chang
    • Older Teoh Yun Ling
    David Oakes
    David Oakes
    • 1950s Frederik Gemmell
    Julian Sands
    Julian Sands
    • 1980s Frederik Gemmell
    John Hannah
    John Hannah
    • Magnus Gemmell
    Serene Lim
    • Teoh Yun Hong
    Kheng Hua Tan
    Kheng Hua Tan
    • Emily
    Fish Chaar
    • Kwai Hoon
    Darryl Westrup
    • British Soldier
    Naeim Ghalili
    • Malcom Toombs
    Nicholas Liew Davis
    • Communist Terrorist 1
    Geoffery Nicholson
    • Radio News Annoucer
    • (Synchronisation)
    Wan Hanafi Su
    Wan Hanafi Su
    • Jaafar Hamid
    Nic Walker
    • Radio News Annoucer
    • (Synchronisation)
    • Regie
      • Tom Lin
    • Drehbuch
      • Richard Smith
      • Twan Eng Tan
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen19

    6,9880
    1
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    Empfohlene Bewertungen

    10aj1t

    The art of borrowed scenery (shakkei)...

    This is a story of Yun Ling (played beautifully and seamlessly by both Sylvia Chang and Angelica Lee) who through series of flashback and present day scenes, tells of her experiences under the occupation of the Japanese during the second world war and apprenticeship under the former royal gardener of Japan, Aritomo (absolutely amazing Hiroshi Abe), after the war. The background to the movie is the glorious Cameron Highlands in the state of Pahang in Malaysia , the essence and beauty of it captured beautifully by the cinematographer, Kartik Vijay. The multicultural cast, consisting of mainly Malaysian, Singapore, Taiwan, Japan and British actors, were just sublime and amazing under the direction of Tom Lin. Tom managed to capture the spirit and the beauty of the book of the same title by award winning Penang author , Tan Twan Eng. I had the absolute honour of being invited to the gala viewing in Penang (thanks to GL Ooi and Penang Monthly!). From the opening scene I was amazed that Tom Lin managed to capture the lives, hopes and fears of the people of Malaysia during and after the war. The multilingual dialogue truly exemplifies the multicultural melting pot of Malaysia. The philosophy of perfection in the creation of the garden just drives home the dedication involved in bringing the original source to life. When the end credits rolled, I was amazed to find out that the crews were mostly Asians... For me this is the truly Asian (Malaysian) movie and will deserve all the accolades that will be bestowed upon the cast, crew and the author of this movie. This is a movie that I will watch again and again and will never be tired of!
    8zhenwenho

    Exceeded My Expectations

    As a Malaysian myself, it was odd watching such a well made film; in fact I would go as far as to say that I am equally astonished and blown away by this movie as it was just so darn good. Well, the movie has been called a heartbreaking love story, although that is true in a certain manner, I think the more proper branding of the movie would be self-healing.

    Firstly, I must acknowledge the themes thrown around in the movie, and to me personally it would be the anger and the hatred towards the Japanese post WW2, and as an individual whom has grown up knowing that Japan were known as some of the most respectable and polite individuals on the planet, I found it hard to understand the hatred that was shown towards them still amongst the Chinese community and after viewing this movie I can say that I can kind of see the anger and resentment felt towards them still. But yes, as mentioned before this movie is about self-healing so in the end, we can't continuously allow the past define the way we see life or how we treat others; sure, there are some few rotten apples here and there but the sample size is simply unsuitable for us to judge an entire community based on the few experiences that we have lived through. Thus, the importance of love, mercy and grace.

    Okay, on with the praises I have regarding this movie. Cinematography is incredible, my gosh what a beautiful movie. However, I believe that it is so mainly because of the location the movie was shot too and these scenes revolving around the vast environment of Cameron Highlands aren't exactly artistic shots but the imagery within the Japanese house where the garden is located is absolutely stunning.

    Although the movie looks stunning, I must bring attention to a certain scene within the movie where the scene could've been better shot which is the scene where the main character, Teoh Yun Ling ponders upon her sister's photograph and the scene plays out in such a way that it felt unnecessary to have a close up on the picture again as it had been done in the earlier part of the movie and the next cut is of her reacting to that picture. This probably isn't an issue for the vast majority but it felt unnatural to me and it stood out too much to my liking. Furthermore, the first 15 minutes of the movie felt choppy to me, this could've been a personal nitpick.

    The acting on the other hand, this is a difficult one to comment upon as it was good but as this movie was labelled as a romantic movie, I went in expecting some serious chemistry between Teoh Yun Ling (Angelica Lee) and Nakumuara Aritomo (Hiroshi Abe) and since this movie focuses on the pain Angelica Lee's character, Teoh Yun Ling experiences during the Japanese invasion of Malaya during WW2, there is constant tension between the two characters due to her prejudice against the Japanese people. But looking past all that, I must say that she did a wonderful job portraying a strong character but at the same time broken, she absolutely nailed all the emotions required in each particular scene and her performance truly nailed this movie home and even brought me to tears.

    All in all, this was a heartbreaking movie, I went in with some form of expectation after seeing the number of awards it was nominated for at the 56th Golden Horse awards and this movie definitely delivers and this is a movie worth catching in the cinema.
    6Kahuna-6

    An ernest effort

    This movie should be lauded for ambition. Tackling an issue like comfort women isn't going to be easy. Compound it with other heavy weights like loyalty, independence, then adding intrigues like the gold of Yamashita and trying to present them in a digestible package under 2 hours, the problem is obvious. The central love theme could not be developed convincingly. In a more assured hand like Ozu, the quiet scenes could have been really evocative. With some one like Kurosawa, the tension of the hanging, violence of rape or unstated pressure of recall etc would have been palpable. Instead it is presented rather without emotion. Even the pain of the tattoo just could not lift beyond the screen. But credit must be given to the producers and director for their attempt. Sufficient time has passed for the history of WW2 to be visited with an objective eye. Hope HBO would continue to put their resources into making such movies.
    6PennyReviews

    Good Enough

    Haven't read the book, which sounds pretty interesting after watching the movie, so I can't compare the movie to the film. But the film, overall, was okay. The leading lady did a good job with her performance, but the movie felt like they were leaving things out. The trip back the memory lane was well handled, though.
    9parrotbrandjuice

    May not be as good as the book but still an excellent movie

    I have not read the book and as quoted from the story I saw this film "without prejudice" and found it excellent. It is not a perfect movie but it was based on a great story and the director told this story very well. The main cast did a fine job. It is slow paced as most historical dramas but was able to draw you into the mesmerizing tale set within a turbulent time.

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    FAQ15

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    Details

    Ändern
    • Erscheinungsdatum
      • 16. Januar 2020 (Malaysia)
    • Herkunftsländer
      • Malaysia
      • Vereinigtes Königreich
    • Offizieller Standort
      • Official site (Japan)
    • Sprachen
      • Englisch
      • Kantonesisch
      • Japanisch
      • Malaiisch
    • Auch bekannt als
      • 夕霧花園
    • Drehorte
      • Malaysia
    • Produktionsfirmen
      • Astro Shaw
      • HBO Asia
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    Technische Daten

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    • Laufzeit
      • 2 Std.(120 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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