IMDb-BEWERTUNG
5,2/10
3636
IHRE BEWERTUNG
Der neue Job einer Moderedakteurin hat einen Haken: Der charmante junge Fremde, den sie auf einer Party geküsst hat, ist ihr neuer Kollege – und der Sohn ihrer Chefin.Der neue Job einer Moderedakteurin hat einen Haken: Der charmante junge Fremde, den sie auf einer Party geküsst hat, ist ihr neuer Kollege – und der Sohn ihrer Chefin.Der neue Job einer Moderedakteurin hat einen Haken: Der charmante junge Fremde, den sie auf einer Party geküsst hat, ist ihr neuer Kollege – und der Sohn ihrer Chefin.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
La La Anthony
- Elodie
- (as Alani 'La La' Anthony)
Sterling Brim
- Tim
- (as Steelo Brim)
Erica J Green
- Terry
- (as Erica J. Green)
TS Madison
- Greta
- (as T.S. Madison)
Empfohlene Bewertungen
This movie is a cute rom-com. It is based on a book that I really enjoyed. It feels like a Hallmark movie and is a little cheesy, but overall still enjoyable. The soundtrack and fashion in it were both great. It is a nice feel-good movie. This movie had a couple of big name stars, but it didn't feel as well done as it could have been. This sometimes happens with romantic comedies or movies based on books. It was an enjoyable movie, but it just was not great. I don't think I would probably watch it again, but I did not regret watching it once. I remembered the story from the book and felt they could've done more with it.
I had to Google the director because I couldn't believe someone so inexperienced/incompetent could get a film starring Gabrielle Union and debut at Tribeca Film Festival. It's a sweet effort but entirely amateurishly made.
The camera work is awful. The lines of the characters are laughably bad. It's just a very laborious watch which is sad because it could have been so so much better, with a good director at the helm.
After you get over the shock of how bad it is going to be, if you stick with it, it eventually settles into a slight charm, and the lead actor is so hot so that helps. But overall it's just so bad on so many levels, even my rating is generous.
The camera work is awful. The lines of the characters are laughably bad. It's just a very laborious watch which is sad because it could have been so so much better, with a good director at the helm.
After you get over the shock of how bad it is going to be, if you stick with it, it eventually settles into a slight charm, and the lead actor is so hot so that helps. But overall it's just so bad on so many levels, even my rating is generous.
The cinematography was decent but it main characters had zero chemistry. I don't think that either of them worked. It had poor editing which made it disjointed at times; it was very annoying like what was the plot again? I think it all came downhill from the scene how they first met. I was like what?
I had to rewind several times and once it was over I said I'll start from the beginning and try to better understand why after watching the entire movie I felt weary and disappointed. I'm sure at all what to make of it; I listened to the audiobook long before. The audiobook had great narration but some parts were not believable like the movie. I didn't believe they were in love. I didn't believe that. She was heartbroken from the other relationship. I didn't even believe the male main character was the son of her boss. I found myself wondering what two people would pull off this film than those two.
It wasn't romantic at all. I wish I could think of more good things to say. The entire movie just didn't come to life.
I had to rewind several times and once it was over I said I'll start from the beginning and try to better understand why after watching the entire movie I felt weary and disappointed. I'm sure at all what to make of it; I listened to the audiobook long before. The audiobook had great narration but some parts were not believable like the movie. I didn't believe they were in love. I didn't believe that. She was heartbroken from the other relationship. I didn't even believe the male main character was the son of her boss. I found myself wondering what two people would pull off this film than those two.
It wasn't romantic at all. I wish I could think of more good things to say. The entire movie just didn't come to life.
As soon as I saw the lead actress I knew she'll be playing her usual role. A high powered boss chick struggling with falling in love, blah blah. Beautiful people but so lack lustre. The guest appearance from a washed up rapper and dreadful acting from the YouTuber made it so cringeworthy. It was nice seeing the legendary Janet Hubert and that's it.
I liked was the throwback music from the likes of Sweet Sable who was on the Above the Rim soundtrack and the few guest appearances from several celebrities and of course the comedian Godfrey.
Other than that, I absolutely lost interest. It became boring.
I liked was the throwback music from the likes of Sweet Sable who was on the Above the Rim soundtrack and the few guest appearances from several celebrities and of course the comedian Godfrey.
Other than that, I absolutely lost interest. It became boring.
This movie is done in the style and long tradition of romcoms from "yesteryear". It's a delightful nod to movies from the 20's, 30's, 40's, 50's, 60s and 70s.
I'm an avid movie lover raised by a movie and film lover who schooled me in movies from past generations, so for me from the opening credits to the last line I was delighted by this theme. The film was like a love letter classic films and specifically classic Black films.
The movie contains some of these classic movie elements that could be mistaken for if a viewer doesn't have background knowledge, but that's OK because the filmmaker (and maybe the author) alludes to it and almost encourages the viewer to explore classic films by the references to Ina Mae, through the Jenna's costumes, the color tone of the film, the jump cuts, the overt nod to Dorothy Dandridge's Carmen, the campy elements, and the over the top characters, and other iconic classic movie moments interspersed throughout the film.
Gabrielle Union brings reminded me of many leading ladies from these classic films from her perfectly timed comedic moments to the heartfelt ones. Union depicts Jenna Jones as a classic actress with charm, relatability, a dash of glamour, and as an aspirational figure.
The music was wonderful, well-timed, and well chosen to enhance and punctuate scenes. There's art in this movie and I appreciate this art.
I'm not sure what people mean by no chemistry. The two leads definitely have chemistry. I was thinking Union's husband had a cameo to remind people he was around.
Found this movie scrolling Netflix. I have not read the book and didn't know it was a book until coming here. I was curious about the film makers.
I'm an avid movie lover raised by a movie and film lover who schooled me in movies from past generations, so for me from the opening credits to the last line I was delighted by this theme. The film was like a love letter classic films and specifically classic Black films.
The movie contains some of these classic movie elements that could be mistaken for if a viewer doesn't have background knowledge, but that's OK because the filmmaker (and maybe the author) alludes to it and almost encourages the viewer to explore classic films by the references to Ina Mae, through the Jenna's costumes, the color tone of the film, the jump cuts, the overt nod to Dorothy Dandridge's Carmen, the campy elements, and the over the top characters, and other iconic classic movie moments interspersed throughout the film.
Gabrielle Union brings reminded me of many leading ladies from these classic films from her perfectly timed comedic moments to the heartfelt ones. Union depicts Jenna Jones as a classic actress with charm, relatability, a dash of glamour, and as an aspirational figure.
The music was wonderful, well-timed, and well chosen to enhance and punctuate scenes. There's art in this movie and I appreciate this art.
I'm not sure what people mean by no chemistry. The two leads definitely have chemistry. I was thinking Union's husband had a cameo to remind people he was around.
Found this movie scrolling Netflix. I have not read the book and didn't know it was a book until coming here. I was curious about the film makers.
Wusstest du schon
- WissenswertesBased of the book "The Perfect Find" by Tia Williams
- VerbindungenReferenced in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
- SoundtracksYou Can't Lose a Broken Heart
Written by James P. Johnson (as James Johnson), F.E. Miller (as Flournoy E. Miller)
Performed by Louis Armstrong, Billie Holiday, Sy Oliver & His Orchestra
Courtesy of The Verve Music Group under license from Universal Music Enterprises
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Details
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
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