Crawl

Right, well initially I had some reluctance about sitting down to watch the 2019 movie "Crawl" given the rather poor reviews I had been reading of the movie in local media. But still, I was given the chance to sit down and watch "Crawl", and given the fact that I love movies and believe everything deserves a chance to be seen at least once, then of course I sat down to watch it.

Turns out that I definitely does not share the opinions of the people whose reviews I had been browsing through, because I was more than genuinely entertained with "Crawl".

Sure, the movie had its fair share of cheesy and campy moments, and there were times throughout the movie where you just cringed and curled up your toes, but this is a movie after all, not real life. This is meant for entertainment. And I was entertained. Indeed, things like water suddenly rising up to the roof of a building seemed so far out there that it was painful, and the fact that an alligator wasn't able to crash through a lousy plexiglass shower stall was just downright idiotic. But it was entertaining, and that is what mattered. A movie such as "Crawl" is not meant to be realistic, not even in the least bit, because if it was then the people would not have stood a chance against all those alligators and the rampart forces of nature.

Now, there is a feeling of old school claustrophobic horror movie to "Crawl", and that worked so well in favor of the movie, especially because it often felt like you were trapped in the cellar alongside with Haley (played by Kaya Scodelario) and Dave (played by Barry Pepper).

The special effects and CGI used in "Crawl" were good, very good actually, and the alligators were quite realistic. That definitely worked well in favor of the movie and the enjoyment of the movie.

"Crawl" is by no means a movie that revolutionizes the horror genre, nor is it a movie that brings anything new to the genre. But it is definitely entertaining and enjoyable for what it turned out to be.

My rating of "Crawl" is a solid six out of ten stars.

Despite 3 or 4 irritating scenes that transpire script mediocrity with let's say 1 or 2 appalling minutes, the film manages to scare the audience with panache, at least me anyway. I was indeed gesticulating in my armchair each time an alligator grabbed and shook a protagonist. Actually, it's not really surprising: as an euphemism, in the horror / thriller genre, Alexandre Aja is definitely not a padawan. Thus, Alexandre Aja has managed an effective film that successfully fulfills his objective: to keep the audience on the edge of the seat during 90 minutes.

In the ilk of "Jaws" homages (and rip offs), "Crawl" stands as one of the more palatable entrees.

There's nothing spectacular or groundbreaking about this fun summer riff, but that doesn't mean it offers no value. At the very least, we can celebrate the successful effort to make a non-sequel or movie based on preexisting IP. Granted, the threatening water predator vs. humans rose in the wake of the classic shark film, but this gator flick has enough original juice to stand firmly on its own.

Part of success comes from simple premise of "Crawl." In the opening phase of a Category 5 storm, a young woman, Haley, receives a call from her sister. Sis has been calling their dad and hasn't yet heard from him. She's worried, as he resides in the area slated to take the worst of the storm. Haley opts to brave the weather, make the two-hour trek and check on dear old dad.

When she arrives at his place, she finds her severely injured father and something even more concerning. Then she quickly understands why he hasn't picked up the phone.

Queue the giant alligators and ensuing chases that take place as Haley and her dad attempt to escape the flooded basement. Fortunately, Haley is a swimmer at the University of Florida, yes, the school with the gator mascot. Her speed and resilience make her a worthy adversary to the collection of gators, and she manages to narrowly avoid death in a string of riveting action scenes.

A few meandering moments explore family drama but don't do much more than fill time. These moments feel entirely forced and only serve to hinder the story's momentum.

The movie is at its best when it leans into the raw and truly frightening action sequences. Kaya Scoldelario displays a knack for playing a strong woman in peril. The movie doesn't work as well if she isn't so solid in the role of Haley.

The movie has no more depth than the shallow basement waters inhabited by the gators, but it's entertaining enough for cursory viewing experience, especially given the brisk 87-minute run time.

In Florida, competitive swimmer Haley (Kaya Scodelario) returns home to search for her estranged father (Barry Pepper) in the path of a hurricane. She finds him in his basement trapped by alligators. This thriller is predicated on stupid Florida people doing stupid things. It's a horror where the people will always go down into the basement. If there is a basement within the basement, the people will go down there. The people will keep going down basements until they reach China. It needs to alleviate this by subtracting some of the danger. It's an unusual move for the genre but danger is not dangerous when the characters simply walk straight into it. When she searches for her father, the storm should be a further 24 hours away. They could be trapped for longer so that she wouldn't be so outrageously stupid. Also, the message should be a 911 text from her father rather than a whatever conversation with her sister. The deputy should not be so stupid as to be walking in the storm water to investigate a swing. As for thieves, those can be ridiculously stupid. Over and over again, the characters are doing stupid things and it would be more thrilling if they be less stupid. Otherwise, this would be a solid horror.

I saw this in a theatre with my pal. Had high hopes with names like Aja, Raimi n Ghost House Pictures. The film is fast paced with sufficient kills. Only problem is the lack of character development of the extras. The last good crocodile film I revisited was Rogue n that film had some character development regarding the extras (fellas who get killed off) but in this film, extras r jus killed left right n cente, while our lead pair of father n daughter keeps hanging around in their basement with wounds. One of the best part about this film is the cinematography especially the constant rain n wind. Lots of crocodiles with vicious kills. Tension is maintained with a solid background music. Morgan Freeman's Hard Rain n Bait 3D came to mind while viewing this.