Climax

I always feel excited and a little bit anxious watching a new film by French director Gaspar Noe. His past films have have included the controversial "Irreversible" known for its unflinching and brutal portrayal of sexual violence, the mind bending and psychedelic trip that is "Enter the Void" and the erotic drama "Love" which features unsimulated sex presented in 3D. Noe is pushing the limits for not only what Is allowed to be shown in a film but also for what the film medium is capabale of. Unconventional narrative structures, mind bending visuals and camera angles you wouldn't even dream of. These are just a few things that can be found in his films.

I am happy to say that Climax may be Noe's tamest film in terms of its sex and violence. And I am very excited to say that it may also be the best film he has made yet. I feel that it's best to know as little as possible about the film before seeing it to have the best possible experience. What I will say though is that the film grips you from the start, and only tightens that grip throughout the running time. The film makes use of one location and one situation and one set of characters to put you in the moment. The excitement and exuberance that you feel during the first dance sequence which is shot entirely in one take will change and evolve throughout the film into sequences that are much more frightening and intense. Go along for the ride though because it is a unique work of filmmaking worth seeing in a cinema and if you hold on tight, you may experience something that is close to an outer body experience.

Had many expectations before watching this "art" movie... However, I was left dumbstruck with the "salad" of shocker put all together in such a mainstream movie going for an arthouse movie. Tackles and puts in your face too many taboos and (still?) controversial issues such as homosexuality, abortion, rape, incest, drugs and so on. Lacks an intriguing story in my opinion. Visual mambo-jumbo and musical hysteria! Watch it if you don't have anything else better to do... Such a pity the soundtrack is so cool and rich in 70s and 80s electro and disco hits and wasted on such a flick!

As an exercise in pure viscera, Argentine provocateur Gaspar Noé mostly pleases with Climax. A group of dancers unknowingly drink spiked sangria which slowly warps their afterparty into an LSD-soaked nightmare. With a premise like that, it may be evident that this is a film meant to be experienced rather than thought about. The pleasures of Climax come nearly entirely from its sheer audiovisual power: the ceaselessly pulsating score, the fluid one-shot takes, the lurid colors. It's closer to performance art than what most people would characterize as a "movie" and should be approached with that mindset if you're to enjoy it. However, as enjoyable as its best sequences are, the lack of nearly any thematic depth imbues much of the film with a subtly nagging tediousness. And even when viewed purely from an experiential perspective, it is far from watertight in its pacing and flow. Still, there is a cumulative power in its sound, visuals, and theatrics that's hard to deny.

Weak 3.5/5

Love it or hate it, this film is technically astonishing and whatever it's trying to do, it's doing it very well. It's almost like they've trapped the true essence of French Extremism, set it on fire, and followed it with a steady cam.

The camera work in this is surreal and its movements, along with the actors' choreography, are surprisingly well coordinated for a "write-as-we-go" film.

Climax will make you feel a lot of things and I don't think you're going to like how most of those things feel, but that's exactly what makes Climax a very well executed horrifying experience.

This is the first movie I've ever watched that almost made me physically ill. It's nihilistic, ugly, erotic, and so devoid of humanity I almost screamed partway through the 40+ minute shot just to get some of the feelings out.

At the same time it's a beautiful tour de force with the most visceral dance sequences on film. There are moments of shocking beauty within the chaos. And, most surprisingly of all, it somehow manages to avoid exploitation in any form.

This is my first - and probably last - Noe film. I have purposefully chosen not to watch Noe before now. Noe is who Lars Von Trier wishes he could be: dark, subversive, and shocking to the core without cheap gimmicks or an ego visible in every frame. Noe sees brutality and finds beauty, not just because of but in spite of.

This isn't a fun movie. If you're unsure if you should watch it, don't. And if you do, watch it sober and with something light as an immediate chaser.