Ein ehrgeiziger Kunsthändler, der ein seltenes Gemälde von einem der rätselhaftesten Maler aller Zeiten stehlen will, wird von seiner eigenen Gier und Unsicherheit verzehrt, als die Operatio... Alles lesenEin ehrgeiziger Kunsthändler, der ein seltenes Gemälde von einem der rätselhaftesten Maler aller Zeiten stehlen will, wird von seiner eigenen Gier und Unsicherheit verzehrt, als die Operation außer Kontrolle gerät.Ein ehrgeiziger Kunsthändler, der ein seltenes Gemälde von einem der rätselhaftesten Maler aller Zeiten stehlen will, wird von seiner eigenen Gier und Unsicherheit verzehrt, als die Operation außer Kontrolle gerät.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Spectrum News NY1 Anchor
- (Nicht genannt)
- Art Admirer
- (Nicht genannt)
- Lea
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- Art Lecture Attendee
- (Nicht genannt)
- Art Party Girl
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- Art Patron
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- Art Fan
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The plot at times seemed a little strained. I read the Charles Willeford book a few years ago which possibly helped in following what was going on so far as what the characters motivations were. The film itself seems closer to something from the Tom Ripley novels than in does the book it is supposedly based on. It left out a key thing about Debney's career which everything should really hinge on, seems the script writer wanted to turn this into amost a European film noir than anything to do with the book. But it was an enjoyable hour and fourty minutes all the same.
Put Them in Front of Interesting European Scenery.
Reciting Dialog that Intrigues, Stings, and Swells the Plot.
You may Not have a Masterpiece, but a Damn Good Art-World Scam that is Ripe for Soul Snatching and Fallen Angels.
An Art-Critic that "Talks about art better than he makes it".
Echoing the Standard "He who can't do teaches", makes a Living being a Con-Artist Lessoning and Pick-Pocketing Tourist in Italy.
He Dreams of an Opportunity to Really Cash-In.
Enter Wealthy, Aging, but Ageless Mick Jagger as a "Real" Mover and Shaker.
He Takes Advantage of the Porous, Pretentious People in the World of High-Priced Art Work.
A Man who is Not Interested in the Work but What the Work can Put in His Pocket.
The Critic has with Him a Beauty that has Done A Few Things and Seen a Few Things.
They Match Wits and Bodily Fluids.
She is also a Kind-Soul that Instantly Charms World Renowned Artist and Recluse, Donald Sutherland.
The Famous Painter Finds Her Equally Lovely.
They Hit it Off as Our Antagonist Art-Critic Schemes with Jagger to Get the Unwilling Artist to Give it Up for Posterity.
It's a Wordy Thriller Worthy of a Sit-Down and Appreciate and Old Story Painted with a Modern Eye.
Wusstest du schon
- WissenswertesThe luggage tag that can be seen on Berenice's suitcase at the beginning of the climactic bathtub and staircase scenes is airport code TCS. This is for a municipal airport in the US state of New Mexico, a real city called Truth or Consequences. This is perfect framing for everything that follows.
- PatzerDebney walks off for his rendezvous with "the widow" without the cane he's been using throughout previous scenes.
- Zitate
Jerome Debney: If you are an egg, I hope you'll be careful.
Berenice Hollis: Trust me, I'm anything but an egg.
Jerome Debney: Do you know the saddest egg of all? The egg that believes it's a stone.
- VerbindungenFeatured in On a Darkling Plain: Behind the Burnt Orange Heresy (2019)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Yanık Portakal
- Drehorte
- Lake Como, Italien(Cassidy's Villa)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 144.201 $
- Eröffnungswochenende in den USA und in Kanada
- 16.163 $
- 8. März 2020
- Weltweiter Bruttoertrag
- 711.691 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1